Posts Tagged 'liturgical texts and translation'

Byzantine chant at Holy Cross and CD Review — All Creation Trembled: Orthodox Hymns of the Passion Service

This has been a ridiculous semester on multiple fronts. I have been assisting with a course where there has been a constant cascade of homework to be graded pouring on top of my head, plus I’ve been trying to write a dissertation, plus I have a child I’m trying to rear, plus I’ve had extracurricular activities, plus I’ve got a 1:15 commute to church on Sunday I didn’t have a year ago, plus I have a spouse dealing with all of exactly the same things. Too much fun.

It is an exciting time for Byzantine chant in the Greek Orthodox Archdiocese; the Archdiocesan School of Byzantine Music just performed an invited concert at Agia Irini Church in Constantinople, Holy Cross Greek Orthodox School of Theology recently unveiled their Certificate in Byzantine Music, and they also released a new CD, All Creation Trembled: Orthodox Hymns of the Passion Service, recorded by their new full-time professor of Byzantine music Dr. Grammenos Karanos and his students.

As somebody who has been fortunate enough on a small handful of occasions to attend services in the Holy Cross chapel, I can happily tell you that All Creation Trembled is a pretty accurate snapshot of at least the aural experience of the chapel. The students chant in antiphonal choirs, often divided by language (while not represented on this disc, Thursday evenings have of late been dubbed “Antiochian night”, where the Antiochian seminarians get the right choir and chant in Arabic, while the left choir gets Greek.) They do so from classically composed scores in Byzantine notation, in both Greek and English, and they do so under the expert direction of Dr. Karanos, who functions as the protopsaltis (first cantor) of the chapel. At the same time, they have also in the last few years had a group of particularly strong students to help, especially John Michael Boyer, who has been the lampadarios (director of the left choir) of the chapel for the last couple of years, and Rassem El Massih, a Lebanese-born seminarian who studied Byzantine chant with Fr. Nicholas Malek at the Balamand before emigrating to the United States. Other standouts, at least when I’ve been there, have included Niko Tzetzis, Gabe Cremeens, Andreas Houpos, and Peter Kostakis (and others — forgive me if I’m blanking on a couple of names).

The disc’s repertoire is hymnody from Holy Week, specifically from the Matins for Holy Friday (sung on the evening of Holy Thursday), and it is about 50/50 Greek and English. The English scores, composed by Boyer, employ the translations of Archimandrite Ephrem (Lash), occasionally modified by Boyer for metrical purposes. The recording quality is very clean, and the singing is robust and clear throughout, with an ensemble sound never dominated by one voice. This in particular is a point I want to praise; the recording could have very easily become “The Karanos/Boyer/El Massih Liturgical Variety Hour”, and it never goes there; even Karanos himself is only heard a couple of times as a soloist. A sense of the chapel choir as, above all, a liturgical ensemble is always maintained, with everything they sing and how they sing it dictated by liturgical concerns. The result is well-balanced and it sounds wonderful. If it is not quite professional-level — some background noise creeps in, and sometimes it sounds like the microphones are not quite optimally placed — well, it’s still an excellent entry in the category of American recordings of Byzantine chant, and it still captures the moment very well, a moment that represents a revitalized program in its early days, one that is starting to have an impact elsewhere — El Massih is now teaching Byzantine chant at St. Vladimir’s Seminary, for example, and that can only be for the good. If this can be taken as a statement of intent on Dr. Karanos’ part, then the future is encouraging.

The Certificate program also suggests an encouraging future; it’s intended to be the equivalent of a conservatory program in Greece, and it looks like it’s pretty comprehensive. I know one person who was going through a try-out version of it, and it sounds like it would be well worth the two years. One hopes that eventually there might be some financial assistance available for students who would want to go through such a program but aren’t there for M.Div. work. I would also very much like to see the program replicated elsewhere (I’ve discussed my own curriculum proposal elsewhere); if I have any particular critique of all of these efforts, it is that they are ultimately inaccessible for those of us not in the Northeast. I would have no problem with the Northeast functioning as a central location for a network of programs, but access to this training and to these kinds of opportunities needs to be geographically more spread out than it is. In the Greek Orthodox Archdiocese alone, there’s no reason there couldn’t be a formal training program and Byzantine choir in every Metropolis (although color me skeptical about attempts to do this kind of thing online as a normative approach — I can’t imagine any of my voice lessons from the old days going well if done that way).

I leave you with the video of the Archdiocesan School’s concert at Agia Irini. Enjoy.

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In which an English-language Prophetologion makes an appearance

A touch under three years ago, I posted a bit of a complaint about the current state of liturgical books in the English language, and one of the things I mentioned was the lack of a Prophetologion outside of the incomplete draft translation of Archimandrite Ephrem’s that is online. Since then, our parish has acquired an HTM Menaion, which contains all of the Old Testament readings for fixed feasts organized for liturgical use. Alas, most of our readers still wind up using a single-volume Bible that wasn’t intended to be read liturgically, or reading straight off the printout of the liturgical guide; to retrieve the Menaion volume from the psalterion seems to be an undesirable extra step, and our priest isn’t entirely sure how he feels about their scriptural translations. If I happen to be doing the OT readings (and as a rule I don’t do readings at all, since at any given moment we have a 3-5 readers, with me at the psalterion and the others at the altar; our priest likes to keep them involved, and under the circumstances, I’m happy to have a little less vocal stress), then I will do them from the Menaion, but since I already have it in hand, that doesn’t create any extra work, real or imagined.

It has come to my attention that +Demetri of the Antiochian Archdiocese has posted a draft translation of what is purported to be the complete Prophetologion on his personal website. This is the second major previously-unavailable liturgical book that +Demetri has published on his website, with the first being “a” Typikon — it’s an English translation of the Arabic reception of Violakis, basically, and I have to say it’s a bit amusing to note the places in his work where certain “thou shalt nots” that are strictly forbidden in the printed liturgical guide on account of being “Slavic practice” are prescribed as normative “Antiochian practice”. Oops. Well, what can you do.

The text is the “St. Athanasius Academy Septuagint” — that is, the New King James corrected for the Greek text as found in the Orthodox Study Bible. This means that it uses modern English, and thus varies from most if not all AOCANA liturgical books, to say nothing of the very nice Apostolos that the Antiochian Archdiocese just published, but there we are. (So we’re clear, I’m not at all opposed to modern English by any means — I think my admiration of Archimandrite Ephrem is reasonably evident — and I’m aware that +Demetri is not publishing under the imprimatur of the Antiochian Archdiocese as such.) I’m not entirely certain how a *.pdf is going to be useful liturgically if the practice is reading from the center of the church (+Demetri has suggested that it be printed and bound locally), but if it’s read from the psalterion (which I’ve also seen), then practically speaking, it’s a non-issue — an iPad fits very nicely on the psalterion.

I haven’t had much of a chance to peruse it yet, so I’ll be curious to hear peoples’ thoughts. In the meantime, it seems like a step in the right direction, and I’ll be curious to see what +Demetri works on next.

Review: Anton Baumstark, On the Historical Development of the Liturgy, trans. Fritz West

I first encountered the ideas of Anton Baumstark in the fall of 2005, when I wrote a paper for my undergraduate early music history course that (badly) attempted to compare Byzantine, Gregorian, and Old Roman use of Psalm 67 (“Let God arise…”), specifically one of the cornerstones of his comparative liturgy project, the so-called Gesetz der Erhaltung des Alten in liturgisch hochwertiger Zeit (usually translated as something like “law of preservation of ancient practice in especially solemn celebration”). There’s not really anything salvageable in that paper, but it pushed me towards many of the things I do now, and Baumstark was effectively a “gateway drug” to other liturgical scholars of the twentieth century, such as Dix, Schmemann, Taft, and so on.

Vom geschichtlichen Werden der Liturgie is a somewhat lesser-known work of Baumstark’s; it was published in 1923, a good eleven years before the publication of the lectures that would become the more famous Liturgie comparée (Comparative Liturgy). While the latter has been available in English translation since 1958, the former has only just been translated by Fritz West and published as On the Historical Development of the Liturgy.[1] West, a liturgical scholar and UCC minister, has produced a very accessible and thoroughly annotated edition of the book, which hopefully will be thought-provoking and generative for a current crop of both liturgical historians and historians interested in liturgy.

A truly useful outcome of West’s translation would be a re-articulation of Baumstark’s framework in a way that takes into account modern historiographical approaches; as West notes in his introduction, Baumstark’s perspective is notably weighed down for today’s reader by a reliance on “Great Man”-style theoretical models. Even more problematic, however, is his post-World War I resentment-fueled German nationalism (Baumstark would become a Nazi sympathizer in the 1930s). This is most clearly evident in chapter 11, titled “Language and Nation,” in which he attempts to show the relationship between ethnic identity (the German word he uses is Blut; West translates it as “race”) and liturgical development. This section of the book is frankly uncomfortable to read, given Baumstark’s own historical context; consider passages such as this one:

The readings in the Roman Breviary from the First and Second Books of Maccabees make for a singular impression, with their responses containing prayers for times of war and expressing a soldier’s delight upon seeing sunlight reflecting off of golden shields. Had the German people not become the preeminent guarantor of the Roman liturgy’s preservation and dissemination, these readings would have been hard put to maintain their impressive position in the lectionary of the office. Now they stand there as a towering monolith, recalling the proud days of the Vikings and bearing public witness against all would confuse the virile spirit of the church with programs for world peace, born of a weak and weary spirit. Could a nation in fact collapse utterly when suffering the heaviest blow fate could mete out in a national war of desperation if — in that decisive hour of its history — that nation were able to experience firsthand the Breviary prayer for the month of October in a liturgical setting? […] Without exception it was emotional values that the German people contributed to their adopted Roman liturgy… the full actualization of the German national character in liturgy was fettered by the use of Latin, a foreign language… one can only imagine how the Roman liturgy would have developed on German soil had the dialect of the Saxon troubadours, who chanted Heliand, had the opportunity of becoming the language it used for worship.[2]

Looked at another way, however, it is possible to see Baumstark’s project as tracing liturgical development in history as a way of constructing a Christian community that is truly universal, not just in geographic or national terms but in temporal terms — a way to establish a link to the Fathers, to putatively better times for German “Roman” Christianity in the person of Charlemagne (a figure constantly invoked by Baumstark), to Christ and the apostles themselves.

[The liturgical partcipant] participates in the deepest life of them all: the life of the millenniums. His individual prayer becomes for him an infinitesimally small ringlet in a virtually endless golden chain, stretching from the earthly days of the Son of Man, when Jesus wandered upon the shores of the blue Sea of Galilee, until that final day when he will await the return of the Son of Man in the glory of the Father.[3]

Baumstark’s proposal is that the impact of historical factors — such as political developments, missionary activity, theological crises, and so on — on liturgical development leads to identifiable strata in the evidence, explicitly invoking geology as a comparable image (chapter 1). He begins tracing this impact through identifiable modalities in pre-Constantinian Christianity: differing liturgical practices in the private home and public gatherings (chapter 2), the Jewish synagogue (chapter 3), and the Hellenized world in Greece, Asia Minor, and beyond (chapter 4). This examination leads to the preliminary conclusion that the trajectory of liturgical development has been a fundamental diversity which are molded into increasing conformity (chapter 5).

Following that, Baumstark examines how the fundamental diversity manifests regionally, with major cities functioning as strong centers of influence on surrounding regions (chapter 6). These centers tend to influence each other, such as Jerusalem and Constantinople in the East and Rome and Gaul in the West (chapter 7). The top-down influence of political and ecclesiastical elites on liturgical development, with Baumstark’s prime example being Charlemagne’s project of simultaneously forging a German identity that is Roman and a “Roman” identity that is unmistakably German (chapter 8). Monastic and urban practices represent another axis that tends to more or less blend together (chapter 9).

Baumstark also argues that the impact of notable historical actors upon liturgical development is paradoxical but undeniable. The end result of the liturgy for the worshiper of any given period is necessarily impersonal, an object fundamentally rooted in communal experience, but looking backward, the hand of individuals must be acknowledged, be they hymnographers, ecclesiarchs, or putative “authors” of entire rites — but he is careful to point out that sometimes it is less significant that an individual actually had a particular liturgical impact than the community believes that person to be worth the attribution (chapter 10). Language and ethnic identity, as already discussed, are also important factors to be considered for Baumstark (chapter 11).

At some point, rites tend to coalesce into more-or-less final forms with their own immutable tendencies and characteristics that reflect the various factors that have led to this point (chapter 12). This seems to inevitably give rise to a situation where liturgical language is frozen independent of vernacular usage, leading to a pastoral problem that a given rite has to figure out how to solve without losing its fundamental character. Baumstark argues that the West solved this problem by emphasizing Latin as a unifying characteristic of the Roman liturgy; the East by assigning to the deacon a role that mediates the action at the altar to the congregation (chapter 13).

Rites may tend to let their characteristic tendencies completely overshadow their core liturgical function; here Baumstark specifically criticizes the East’s allowance of liturgical poetry to become a “thicket of rank growth, proliferating out of control (chapter 14).[4] He also argues that the manifests in the East as a tendency towards overscripting the altar, turning the liturgy into a long exercise of personal devotion for the celebrant (chapter 15).

In the West, at least, the coalescence into a final form has led to formal, top-down mechanisms of reform and pruning, starting with the Council of Trent. These mechanisms, according to Baumstark, generally work as intended in the West, although in the East similar attempts appear to have messier results, such as the Old Believer schism in Russia (chapter 16).

Finally, Baumstark cautions, the scholar and worshiper must be careful with what they do with this kind of information, because of the clear limits of what we can conclude from our data. Of course, the methodology modeled by Baumstark is useless for predicting future changes, but epistemological boundaries exist looking backward as well. A historical understanding of the liturgy can enrich a present-day encounter, but without the context of direct experience, we can never completely ascertain the liturgical practices of a given time and place in their fulness (chapter 17).

It seems to me that it would be useful to reconsider many elements of Baumstark’s perspective anew. Off the top of my head, some possibilities of what could be done seem to be — how does a periodization model that includes late antiquity impact how these arguments are articulated?[5] How does a model of center and periphery clarify the relationships of geography and liturgy?[6] How could recent explorations of sensory experience in liturgy allow us to rethink the text-heavy emphasis?[7] How do frameworks such as Benedict Anderson’s imagined community illuminate the various social dimensions of the liturgy?[8] How does Paul Connerton’s work on inscribed vs. Incorporated memory suggest further pathways to better understanding Baumstark’s argument that the liturgy functions “trans-historically”?[9] How does the identification of orientalism as a problematic meta-narrative help us to tease apart Baumstark’s tendency to view development in the East as self-indulgent overgrowth, while the character of Roman liturgy is the standard to which everything else adheres or from which everything else falls away?[10] How might the methodology of ethnomusicology help us to better understand the ways in which the liturgy expresses characteristics and tendencies of the worshipping community?[11] If the liturgy is itself an object that belongs to the community, can we push that further and try to talk about a given rite, or a given section of a rite, as a “thing”?[12] Those are all very theory-heavy ideas from somebody who generally only half-jokingly introduces himself as a “paleostructuralist”, but they strike me as having the potential to be genuinely illuminating and generative of further discussion. They also have the extra advantage of being the kinds of approaches that would make liturgical matters relevant to historians who are not liturgical specialists.

West’s translation is quite lucid and readable; the annotations are generally very useful, if verging on repetitive at times. He also includes a collection of short biographies of all historical figures mentioned, which in and of itself is an invaluable reference. There are minor errors, such as the claim that the Syriac language is named for historic Syria[13] (it appears to have nothing to do with the historic region, with its origins as a distinct literary language apparently being in Mesopotamia)[14]. There also seems to be some fuzziness on the specifics of Eastern liturgical forms; Baumstark refers to the Latin Stabat mater text as “a Western counterpart to the ancient Syrian-Greek lament heard from Mary at the cross,”[15] most likely a reference to the genre of Eastern hymn known as the stavrotheotokion, but West’s note relates it to the ninth ode of the canon for Holy Saturday (“Do not lament me, O Mother…”), which seems to me improbable. Nonetheless, West has made a most valuable contribution by making this book accessible to English audiences.

I can’t help but wonder what Baumstark would have thought about the developments in the Roman liturgy post-Vatican II; would his framework have allowed him to understand the changes in terms of continuity? I expect not, but that may be something for others to argue about.

Works Cited

Anderson, Benedict. Imagined Communities. 2 ed. New York: Verso, 2006.

Baumstark, Anton. On the Historical Development of the Liturgy. Translated by Fritz West. Collegeville: Liturgical Press, 2011.

Boulay, Juliet du. Cosmos, Life and Liturgy in a Greek Orthodox Village. Edited by Denise Harvey, The Romiosyni Series. Limni, Evia: Denise Harvey (Publisher), 2009.

Brown, Bill. “Thing Theory.” Critical Inquiry 28, no. 1 (2001): 1-22.

Brown, Peter. The World of Late Antiquity: Ad 150-750. Edited by Geoffrey Barraclough, Library of World Civilization. London: W. W. Norton and Co., 1989.

Coakley, J. F. Robinson’s Paradigms and Exercises in Syriac Grammar. 5 ed. Oxford: Oxford University Press, 2002.

Connerton, Paul. How Societies Remember. Cambridge, England: Cambridge University Press, 1989.

Galtung, Johan. “A Structural Theory of Imperialism.” Journal of Peace Research 8, no. 2 (1971): 81-117.

Harvey, Susan Ashbrook. Scenting Salvation: Ancient Christianity and the Olfactory Imagination. Edited by Peter Brown, The Transformation of the Classical Heritage. Berkeley: University of California Press, 2006.

Jeffery, Peter. Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Edited by Philip V. Bohlman and Bruno Nettle, Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1992.

Said, Edward. Orientalism. New York: Vintage Books, 1994. Reprint, 2003.


[1] Anton Baumstark, On the Historical Development of the Liturgy, trans. Fritz West (Collegeville: Liturgical Press, 2011).

[2] Ibid., 172-74.

[3] Ibid., 44.

[4] Ibid., 204.

[5] Peter Brown, The World of Late Antiquity: Ad 150-750, ed. Geoffrey Barraclough, Library of World Civilization (London: W. W. Norton and Co., 1989).

[6] e.g, Johan Galtung, “A Structural Theory of Imperialism,” Journal of Peace Research 8, no. 2 (1971).

[7] Notably, Susan Ashbrook Harvey, Scenting Salvation: Ancient Christianity and the Olfactory Imagination, ed. Peter Brown, The Transformation of the Classical Heritage (Berkeley: University of California Press, 2006).

[8] Benedict Anderson, Imagined Communities, 2 ed. (New York: Verso, 2006).

[9] Paul Connerton, How Societies Remember (Cambridge, England: Cambridge University Press, 1989).

[10] Edward Said, Orientalism (New York: Vintage Books, 1994; reprint, 2003).

[11] e.g, Juliet du Boulay, Cosmos, Life and Liturgy in a Greek Orthodox Village, ed. Denise Harvey, The Romiosyni Series (Limni, Evia: Denise Harvey (Publisher), 2009). Also, Peter Jeffery, Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant, ed. Philip V. Bohlman and Bruno Nettle, Chicago Studies in Ethnomusicology (Chicago: University of Chicago Press, 1992).

[12] Bill Brown, “Thing Theory,” Critical Inquiry 28, no. 1 (2001).

[13] Baumstark, Historical Development, 56, n. 1.

[14] J. F. Coakley, Robinson’s Paradigms and Exercises in Syriac Grammar, 5 ed. (Oxford: Oxford University Press, 2002), 1, n. 1.

[15] Baumstark, Historical Development, 212.

Byzantine Chant, Authenticity, and Identity: Musicological Historiography Through the Eyes of Folklore

Wanting to keep the blog alive but not yet having time to devote to catching people up on what’s happening, I wanted to share this essay — it was written for my Modern Greek class last spring, and was heavily informed by an ethnomusicology seminar I was auditing on music and sacred experience. I thought about perhaps trying to publish it, and both my Greek instructor as well as the professor teaching the ethno seminar responded positively to it, but neither thought it was sufficiently in their field for it to be publishable in their circles. So, here it is for now. Some of these issues have been discussed here as well.

6 February 2012 — Removed for reasons I’m very happy about. I’ll say more later.

16 May 2012 — You can now find this essay in Greek Orthodox Theological Review, Vol. 55.1-4, pp. 181-98. Please contact me at rrbarret AT indiana DOT edu if you do not have access to a library system that has this available.

Straw poll regarding local liturgical practice

Quick question for my Orthodox readers who regularly attend or chant Matins — what do you do for Psalm 50 (i. e., read, intone, chant, skip altogether), and what informs this practice? Are you aware of an “official” or “authoritative” rubric being one thing and your parish practice being something else? Are you aware of your parish practice being either standard or deviating from your diocesan or jurisdictional norm? If you could answer along with your parish location and jurisdiction, that would also be great to know. I am just trying to get a sense of the range of what is done out there — in other words, this is strictly a matter of data-gathering. Thank you in advance!

Notes on Arab Orthodoxy on The Antioch Centre

Samn! provides an interesting piece on The Antioch Centre, the project of an Oxford-based monk to catalog the manuscripts of the Patriarchate of Antioch. I found this part particularly interesting:

Another important aspect of his work is uncovering more information about how long the Syriac language remained in use Orthodox Christians in Syria and Lebanon– in some regions, the lectionary readings were only translated from Syriac into Arabic in the 17th century! Orthodox Antioch’s Syriac heritage has long been sadly neglected, but this is now starting to change…

So if the lectionary was in Syriac, what liturgy were they using? Archdale King’s The Rites of Eastern Christendom seems to indicate that the Divine Liturgy of St. James has always been the normative Syriac rite — so was the Divine Liturgy of St. John Chrysostom a later development for Syriac speakers in Syria and Lebanon?

Funny but true story — somebody at All Saints suggested to me that it might be nice to include a round of “Lord, have mercy” in Aramaic. I wasn’t thrilled about the idea, but the suggestion was made in a very public forum by somebody who made it clear they didn’t want to be ignored. Syriac being a dialect of Aramaic, I figured, I dutifully added the Syriac translation (“Marya rahem”) to our list. Because there are already five different languages represented (English, Arabic, Greek, Romanian, and Slavonic), it was rare we would ever get to it, but I could go back to the person who suggested it and say, “Look, I heard your request and responded to it.”

Then I found out that in an actual Syriac language liturgy, for the petition responses they just say “Kyrie eleison” (and there’s a good chunk of their liturgy which is in borrowed Greek). As it works out, it looks like the same thing happens in Coptic too. The Syriac rendering was quietly removed from use at All Saints.

Draw your own conclusions about the pitfalls represented here.

(Thanks to Lucas Christensen for bringing this to my attention!)

In which the author laments the state of English language liturgical books

Last Saturday, it being Great Vespers for the Feast of St. Luke, there were Old Testament readings appointed for the service. I normally leave those to other people so as to save my voice, but I got asked to do one of them anyway since we were short some people we might otherwise have had. “Just read off of the printout of the liturgical guide?” I asked. Yes, I was told, since the parish doesn’t own a Prophetologion.

Well, long story short, nobody owns an English-language Prophetologion, because it doesn’t exist. There’s Archimandrite Ephrem (Lash)’s draft version online, and I’m increasingly coming to the conclusion that if I were to be involved in starting a mission I would argue passionately for the use of his translations, but obviously an electronic version just isn’t quite the same thing as actually having a printed liturgical book. Besides which, Fr. Ephrem has done the exactly right thing of translating liturgical texts as a self-referential whole, being aware of biblical references, internal references to other liturgical texts, and so on and so forth — and while this is exactly right, it also renders his liturgical texts somewhat difficult to use unless you’re using them exclusively.

Which gets us to the broader question of English language liturgical books, and the practical situation in various parishes.

The situation at All Saints is interesting, and I expect reasonably common — we use Nassar as the spine, but not everything is in there, and there has been cobbling together of things from various sources over the years. This effort has been by necessity a real “do it yourself” matter by many people, for reasons I won’t go into here but I’m going to assume can be guessed by a sufficient number of people in similar situations. As a result, we use one translation for the proper texts for weekday services, a different translation for Great Vespers, Sunday Matins and Sunday Divine Liturgy, and still another translation for some of our Lenten texts. Sometimes we use the HTM Psalter; sometimes we use the KJV/NKJV variants that are used in the Antiochian service books. For the epistle reading, we have the Holy Cross Apostolos, which we bring out during services, but we insert a sheet with the NKJV text into the book so that the reader is actually reading from that and the book itself is really for show. In other words, we have a fundamental disunity of English translations, thereby achieving a fundamental disunity in the texts themselves. It used to be worse; our Divine Liturgy music used to be a patchwork of things from all over the place, so that there was no textual consistency whatsoever within the service — “Thee/thou” in one section and “You who” in the next. I am also told that for awhile we were trying to use the Orthodox Study Bible liturgically, but since it’s not arranged as a liturgical book (i. e., no prokeimena etc.), that was a non-starter from a practical standpoint.

These are the moments when I see an excellent argument for sticking with ecclesiastical Greek or Church Slavonic.

(On the matter of the HTM Psalter — HTM obviously publishes liturgical books that a lot of people use. I will note for the record that I find the use of liturgical materials by schismatic groups problematic, but I know there are a lot of people who disagree with me.)

I’m not sure what the solution is; what I’d hate to see is the worst kind of “by committee” translation, where all of these texts which were composed by saints and monks are rendered into bland, inoffensive, artless English. There are good “by committee” translations, like the Thyateira translation of the Divine Liturgy, but on the other hand, their committee includes Fr. Ephrem as well as Metropolitan Kallistos.

Maybe if any of our seminaries start offering doctorates, the problem of establishing a fundamental unity of English language liturgical books, and doing it right, can be taken on as a dissertation — or rather, several dissertations, more than likely. Best of all would be if modern-day Ss. Cyrils and Methodiuses would make themselves known for the English-speaking world. I understand that a hundred years ago for the most part the books didn’t just exist, and thus we’re better off than we used to be, but I’d like to think that we’re at a point where we can respect the efforts that have been made, re-assess where we’re at and try to move forward from here nonetheless.

Is a unified English translation of all the liturgical books a realistic goal? Or is the hodgepodge one of those things where we need to accept that it’s not going to happen because Things Are Different In America?


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