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Posts Tagged 'all saints bloomington'

Center, periphery, and shaking the dust off one’s feet (long)

(Warning: long and rambly. Sorry.)

This has been a difficult semester.

I’m at the point in my program where I’m having to jump over the big hurdles; this is no bad thing on the face of it, because I don’t want to be in grad school forever, I’d like to have a real job before I’m 40, and there are certain funding realities that mean it’s in my best interests to get to candidacy/ABD (“All But Dissertation”) sooner than later. To that end, this year has been all about getting myself through those hoops. Fall term I spent getting my Latin back in shape, I got that exam out of the way back in January, and now I’m three weeks out from my oral qualifying exams. Assuming all is well there, then I have a paper that I need to rework into a dissertation proposal, and then I can defend that before the end of April. Once I’m on the other side of all of that, then there are certain kinds of doors I can knock on. I don’t necessarily have to go knocking on them, since I still have two years of funding left and I’m pretty sure that if push comes to shove I can get the dissertation done in one year, but on the other hand, we’ve now been in Bloomington ten years, and we’re very much feeling like our own internal sell-by date has passed for this town. It would be very much to our advantage, on a few fronts, to be able to move on soon, and some of the research/teaching fellowship opportunities that are out there once both Barretts have unlocked the PhD candidacy achievement would be more than helpful in allowing us to move on.

See, we’ve basically been here long enough that we’ve outlasted just about everybody who moved here within our first two or three years. It’s one of the very weird things that can happen in this kind of town; you come here for one reason, thinking you’ll be in and out in two years, three years max, and then life takes a turn that keeps you here. It can be very subtle, really; it becomes clear that there’s really not a ton here that can keep you sufficiently busy if you’re not on one of a handful of very specific tracks, but somehow there’s a center of gravity here that can hold you in place even when you don’t really want it to. (A friend of mine calls this “getting Bloomingtoned”.) Part of it is that it’s logistically a difficult town to get in and out of; you can’t just hop a plane or train and be on your merry way. Part of it is that it can seem like there should be plenty to do here if you can just come up with the right opportunity; some of those opportunities only cycle through once a year, and by the time you realize that they’ve passed you by for the year it’s too late to make plans to do something someplace else, so you’re stuck until the window re-opens. Maybe you manage to make one of those opportunities work, and then the next thing you know, you’ve looked up and four years have passed. Eventually, one way or the other, stay here long enough, and not only will most of your friends have left, but the avenues that bring new arrivals into your social circle will re-orient around other people.

We’re feeling this right now particularly keenly, at least in part, because of Theodore. We just don’t have any access to family out here; my mom is in Alaska, Megan’s is in Washington state, my sisters are in Arizona and Oregon, and Megan’s brothers are in Hawaii, eastern Washington state, and Chicago. (Chicago seems like it shouldn’t be that bad, but it’s a lot harder than you might assume.) The plan this academic year was that theoretically our respective teaching/research schedules were going to allow for somebody to always be at home; well, that didn’t quite work out. Flesh of My Flesh got a last-minute (like, three weeks into the semester) teaching reassignment that threw a massive wrench into our schedules, and what we’ve realized is that just about everybody we would have asked for help in terms of watching the Fruit of My Loins for an hour here or an hour there has moved on. Every day has really turned into a juggling act, and it’s been hard to manage with basically not much local social network left.

One of the other things that’s contributed to feeling this diminution of our social circle is the fact that we’re no longer hooked in to the parish that is ostensibly local to Bloomington. (You perhaps notice that I’ve phrased that somewhat circuitously. That’s intentional, and I’ll come back to that.) Since January, we’ve been going to Holy Apostles Greek Orthodox Church in Indianapolis; it’s one of the shorter drives, they’ve been very nice and welcoming, they’ve fawned over Theodore, and they’ve been receptive of what I have to offer in the way of chanting. They also only meet twice a month, which means that we’re not missing out on much by commuting. But, even being one of the shorter drives, it’s still an hour and fifteen minutes away, and it means that our contact with the community is by necessity pretty sporadic. Anyway, the upshot of all of this is that a couple of weeks ago, when all three of us got really sick simultaneously, a friend of ours in Indianapolis who, like us, used to go to All Saints, asked us — “Is anybody checking in on you guys?” I just had to shrug and say, who’s left to do so?

Last week, I found out that a good friend of mine, whose time here has been very much the definition of “getting Bloomingtoned” (he and his wife moved here to be close to family and to apply for grad school; the family moved away shortly thereafter, grad school didn’t work out, and they kind of got snookered into staying indefinitely, under somewhat less than ideal employment conditions, for reasons I won’t deal with specifically) and who has been waiting for the opportunity to go to seminary for the last seven years, will finally be going to seminary this fall, come hell or high water. Last I had heard, while certain necessities had managed to fall into place in the last month, they had decided to wait until fall 2014; well, no, they’re getting the heck out of Dodge and they’re doing it now. They’re done feeling stuck here; time to take the opportunity to move on. Another couple of friends of ours are also moving in May, we’ve only recently found out, but they just arrived last May. The wife was starting a PhD program in education and the husband was doing some exploratory things for nursing, and, well, let’s just say that none of that really worked out as intended. They still thought that they’d stick around Bloomington for a few years simply to try to be rooted someplace for a little while, but as I found out, in the last few weeks they’ve seen that that way lies madness, and they’re moving back to their home state in a couple of months. They are, in other words, determined to avoid “getting Bloomingtoned”. I am happy for all of those folks. At the same time, much of our small handful of remaining friends here is also moving on to greener pastures come May, and we’re really starting to feel more alone than we have in awhile.

But my point here isn’t really to complain; my point is to give a personal window into the weird way this town works. To use theoretical terms, the way center and periphery function here is a bit tough to wrap one’s brain around. One way to look at it is that Indianapolis is a center, and Bloomington is on the periphery; some might argue that actually Chicago is the center, Indianapolis is part of Chicago’s periphery, and Bloomington amounts to the outer reaches of the solar system. Well, maybe; I tend to think that Indianapolis and Chicago are both centers; culturally, my impression is that northwestern Indiana seems to rely more on Chicago as a center, and central Indiana seems to rely more on Indianapolis as the center (which is to say, it feels a lot like a slightly rougher-around-the-edges version of Ohio). But then, Bloomington is, in its own way, also a center — Indiana University is here, for example, which makes it a particular kind of center. It’s not what anybody would call a “world class city”, but it neither tries to be nor wants to be, and there’s enough activity here for there to be surrounding areas that consider Bloomington to be “town”, which means that Bloomington has its own periphery.

The trouble with Bloomington being a center is that, even at a mere hour away from Indianapolis, it’s a pretty isolated center. It’s a short drive that feels long, partially because you don’t actually get to make it on a real highway; you’ve got a couple of choices of state highways that, instead of overpasses, have intersections and therefore stoplights, it also feels long partially because so there is so little between here and there. Its nature as an isolated center has let it become something of a SWPL paradise for people who can afford it; we’ve got a food co-op with three (soon to be four) locations, we’ve got a whole street of different kinds of ethnic restaurants (no real Greek restaurant, alas), we’ve got culture provided by the university, we’ve got all kinds of green initiatives, we’ve got birthing subculture, we’ve got a winery, we’ve got homebrewing galore, we’ve got alternative schools, we’ve got biking, and we sort of have buses. This has sort of led to Bloomington’s own kind of parochialism; the feds are supposed to build part of the I-69 corridor going through here, and the SWPL folks do not want it in any form at any price. Probably if there were a commuter train between here and Indianapolis, that’d be one thing (and I myself would love such an option, because I hate the drive), but on the whole, they like Bloomington the way it is.

Well, fair enough, but then there’s a whole separate crowd that lives here, one that lives more than 2-3 miles from the university campus, that actually doesn’t see the university as the economic center of the town; they see it, rather, as mostly irrelevant at best and an unwelcome attempt to co-opt the kind of life they had 15-20 years ago. “The university is actually only a small part of the picture,” a lifelong resident told me once, telling me that the only people who see IU as rooting the activity of Bloomington are people who work for IU. “Bloomington’s main economic driving force right now is retirement,” he said.

See, 15-20 years ago, Bloomington’s economy was far more diverse in general; there were the quarries, there was RCA, there was Otis Elevator — you had a substantial blue collar sector, in other words, that could co-exist, however uneasily (see the movie Breaking Away), with the eggheads, the retailers, and the burger-flippers. All of that’s gone now, for all intents and purposes; my first year here, I worked for Kinko’s FedEx Office for a few months, and my manager was a guy who had worked for years in management at RCA. It was a great job; eventually the plant relocated most of the labor “south of the border”, as it were, and laid him off. They called him up the day after they would have had to bring him back at his old salary with full benefits and pension, and offered him his old job with no benefits, no pension, and half the salary. As he told me, “I had two words for them that weren’t happy birthday.”

So the question then becomes — how do you lure talented people here, and how do you keep them? You used to be able (I almost wrote “You used to could” — I’ve been here too long) to do it with the cost of living. The IU Jacobs School of Music voice faculty became known as “the graveyard of the Met” because they could offer star singers past their prime a salary that looked small, but in the context of a cost of living that was negligible compared to what they were used to in New York. But that was 50, 60 years ago; Bloomington now has the highest cost of living in the state.

The university certainly gets people here, both in terms of faculty and students, but a chunk of those people aren’t really here to stay. If you’re here for a terminal graduate degree, it’s almost a foregone conclusion that you aren’t going to be getting a job here. That’s just not how major universities work. It might have been a different story 30-40 years ago, but not now. There are exceptions, sort of; if the completion of your PhD times out nicely with a faculty opening, then you might get a yearlong Visiting Lecturer appointment while they do a search, but you’re not realistically going to have a shot at the tenure track position. That said, there are people who come here, fall in love with the place, and decide that they’ll be Dr. Broompusher just so that they don’t have to leave. If you’re really creative you can find ways to carve out niches for yourself, but often these can turn into ways of making a living as a self-promoter.

When I was working in support staff jobs for the university, one of the things I discovered was that a lot of longtimer secretaries and such had been gradually pushed further and further out to the outlying areas of Bloomington. Basically, if you work for the university, unless you’re faculty or in the professional track of administration, you can’t really afford to live anywhere near it — partially because East Coast undergrads whose parents are used to New York and New Jersey prices have bid up the cost of housing. We’ve experienced that a bit ourselves; the apartment that we lived in our first couple of years here was about a 15-minute walk to campus, and it was in undergrad party central. It was $850/month the first year (incidentally, only $100/month less than our apartment in Seattle); it got bumped up to $950 the second year, and then they wanted to jack it up another $100 the third year. We said no, and the very next day they were showing it. They ultimately rented it for $2,000 a month.

Anyway, the point is, Bloomington seems to function as a center, at least in some ways, and they’ve created some of their own periphery. But it’s also a periphery in its own way — it’s a periphery that’s sort of a center among other peripheries. One of the results seems to be that there is a lot of socio-economic elbowing and jostling here, and a lot of cultural discomfort amongst the different strata.

So — and this really is my main point — what do you do as a church in such a situation? Well, normally, the way this seems to work out is that people on the periphery go to their churches, people in the center go to their churches, and you’ve got different cultural groups instinctively coming together at their respective churches. You certainly see that here; you’ve got Primitive Baptist communities in some of the areas a half hour away, you’ve got Campbell/Stone and Pentecostal and Baptist churches out in the outskirts of Bloomington, you’ve got the conservative Catholic parish way out in the northwest corner of town, you’ve got the moderate suburban Catholic parish less than a mile away from the campus, and you’ve got the ultra-liberal Newman Center that hosts the Dalai Lama when he’s here (“St. Paul Outside the Faith” as I’ve heard conservative Catholics call it) right on campus. On the main commercial drag through the university’s part of town, you’ve got the big Methodist church, the Episcopal church, the Disciples of Christ church. And so on.

So where do the Orthodox fit into such a picture? Well, here in Bloomington, they kind of don’t. There is one Orthodox church here, and the idea is that it serves all the Orthodox in Bloomington and can be a home for Orthodox college students and inquirers for as long as they need it. That’s a lovely idea, but how does that work out in practice given the situation that’s here? And, again, it kind of doesn’t. The problem is that All Saints has intentionally located itself in the periphery; it’s six miles from campus, two and a half miles into unincorporated county. It’s at the intersection of a couple of country roads that are neither pedestrian nor bike friendly; I used to say that if I lived across the street I’d still drive. As a result, it’s not easily accesible from the center, and in the time I was there, I saw the demographic shift substantially away from the center and more towards the rest of the periphery. And yet, it’s ostensibly the church that is serving the center, even though, for all intents and purposes, it doesn’t, and it doesn’t really want to, either. You can’t really elide all of the geographic, socio-economic, and ethnic differences all at the same time with a little shoebox church out in the middle of nowhere; maybe in a perfect world you could, but we’re talking about human beings with human foibles, and it doesn’t really work that way. Anyway, the net effect is that being close to the center allows it to function as a central location for the other peripheries, but that means that it’s a very different culture and demographic than what you would have if it were actually in the center and serving the center. So, while there’s technically an Orthodox church with a Bloomington address, there isn’t really an Orthodox church in Bloomington.

The other tricky dynamic such a community has to navigate is one of long-term vs. short-term participation. There are people at All Saints who were born and raised in Bloomington and who will be buried in the church’s cemetery. There are people who moved there for school and decided to stay. There is the small handful of students that come and go. There are people who have moved there for various reasons, seen them not work out, and simply gotten stuck (“Bloomingtoned”). There are people like me, who came thinking we’d be here 2-3 years tops, 10 years later we’re still here, but we’re still planning on being gone sometime in the very near future — long-term short-termers, in other words. How do you work out issues of leadership within that kind of dynamic? In my case, I was on the parish council, the building committee, I directed the choir and chanted, I was OCF chair for a couple of years, and so on — and for everything I was involved in, I took the stance that, however long I’m here, I’m going to participate in decision-making as though I’m going to be here in 50 years. I took an approach of trying to build things that I would want to see still standing in my grandkids’ day, in other words. But should I have done that? Did I have any business taking the long view? Or does it simply throw off the balance if a short-termer, however long-term their short-term becomes, doesn’t defer on long-term issues to the people who actually will still be there in 50 years? Does it make any sense for somebody like me to be part of the effort to build a new church, for example, when I’m not planning to be around long enough to see it built? Are people like me just creating messes that other people will have to clean up? But then, what happens when the people who are going to be around aren’t willing to be involved?

What’s the priest’s role in figuring out such questions? It seems to me that there’s a complicated problem of priests not being able to afford to tell people with energy and ideas and willingness to participate that they need to sit things out, but at the same time, if the priest is letting those people spearhead projects that he’s not willing to take on or support himself, then at what point do such people just become, effectively, cheap labor in whom the “permanent” congregation has no investment?

I’ve mused a lot on this blog about mission and outreach. Orthodox outreach is something I care very deeply about; what I keep saying is, “If we actually believe we are what we say we are, we ought to be shouting it from the rooftops.” Taking mission seriously also, it seems to me, entails taking issues of community access seriously. How do you do that in a town like Bloomington? If you build a church in the center that is first and foremost for the center, probably people in the periphery aren’t ever going to care. In that sense, All Saints really is a mission to rural southern Indiana in a way that it couldn’t be if it were better positioned to serve the population center of Bloomington. But, at the same time, the way it has positioned itself, it’s close enough to the center to count as “the Orthodox church in Bloomington” even though it effectively isn’t, which makes it very difficult for anybody else to justify getting a mission started that would intentionally serve the center. The periphery folks have their church, and they’ve got it exactly the way they want it; it’s away from everything, it’s small, it’s relatively inexpensive, it’s low-maintenance, nobody bothers them, they don’t have to worry about a proliferation of the forces they keep away from (like the university) taking over. But then, since it’s the only game in town, you have the all-too-frequent phenomenon of certain kinds of inquirers or students walking in, realizing it’s not really intended for them, and leaving. Some of them commute to Indianapolis; some of them just don’t bother considering it further.

I was almost one of those people as an inquirer, ten years ago; not gonna lie. I walked in for the first time and really wanted to walk right out (this after getting lost on the way there because the directions on the website were unclear). I tried to make it work for nine and a half years, and it sort of did, for awhile. As I said, however, I’ve seen the demographic change while I’ve been there, and while there were still vestiges of the original self-conception as “the Orthodox church for all the Orthodox in Bloomington” 10 years ago, any sense of that is completely gone now. The families that started the church have moved away or passed on; there isn’t a second generation of those folks still hanging around. As a result, the demographic has narrowed, and it has also aged and moved outward. A new generation of converts is coming in, yes, but they’re coming in from even farther away, from points further southward. We have friends there, to be sure, and our very dear godparents, but that’s a different beast than fitting in to a community. The parish has developed, and continues to develop, a very strong identity as a church for rural southern Indiana; this isn’t a bad thing on the face of it, but it means that, after nine and a half years of trying to be part of the community, we find ourselves having to commute northward now, without a local community to speak of, at exactly the time when we find ourselves most in need of it. And we’re neither the first ones to have this problem here nor the only ones currently having to navigate it.

I should say that this isn’t an issue of university snobs not wanting to rub shoulders with the townies; that should be borne out by the fact that, as I said, we tried to make it work for almost ten years, and we were involved with community life on several fronts. The issue is that, sometimes, despite everybody’s best efforts, you just don’t fit in, and eventually you’re told, “Look, this isn’t going to get any better. It’s probably time for you to stop beating your head against the wall.” Also, as I said, we’re not the only ones in this boat.

The short-term solution, for my family, is making a concerted effort to get someplace where there can be a local community. This solution may neither be easy or soon in coming, so we just have to suck it up and deal at the moment. But what’s the long-term solution for this area, and what are the lessons here for others? For all I know, the lesson is, “Don’t let uppity college punks think they have any say in how we do things because it’ll just be an exercise in frustration for everybody”, but surely there’s something more constructive.

A final observation (yes, I know that coming from me that’s as empty a promise as hearing “Let us complete our prayer to the Lord” in an Orthodox service) — All Saints has been described to me as “an experiment in seeing if you can establish an Orthodox church somewhere where there have never been the usual reasons for having one”; that is, where there haven’t been groups of cradles who have established parishes. Well, to the extent that it has been successful, I’d argue it has done so by creating its own “ethnicity” that you belong to or you don’t. Maybe that’s what you have to do; I don’t know. The thing that’s very curious to me is that there have always been big groups of people here of ostensibly Orthodox heritage — Greeks and Russians in particular. I say sometimes that there is a big Greek community in Bloomington; they’ve started a church (the community that became All Saints was originally a group of Greeks and Arabs) and they’ve started several restaurants, but they’ve never started either a Greek church or a Greek restaurant. (Semi-untrue now — there’s Topo’s 403, but it’s less of a “Greek restaurant” and more of an upscale trendy place that happens to be somewhat Mediterranean-influenced.) There was a rembetiki concert here a couple of years ago that got around 200-250 of the Greeks in the area all under one roof; it made me very sad to hear one of them say, “It’s so nice to see everybody in one place. Maybe someday one of us will start a restaurant and we can all see each other there.” Also, the Russian Church Abroad had a mission here in the 1950s, but for one reason or another they never quite managed to keep it together. They fell apart in the ’60s, sort of re-integrated in the ’70s, and then fell apart for good in the ’80s. They started out with a building in the center of Bloomington and then moved out to the periphery, buying an auto garage out in the county. Then, as somebody told me irony-free, “the big money went with Antioch and we had to shut our doors.” (The infamous “Indiana listserv” was run by one of their minor clergy, who is now a priest in one of the “continuing” Russian Orthodox groups who didn’t like that ROCOR made nice with Moscow.) The people have been here (and are here); they just don’t seem to feel that they have any skin in the game — which, again, seems to me to be a problem with the periphery gathering in the center while simultaneously ignoring the center.

I don’t know what the answer is, and I don’t think I’ll be here long enough to see how it gets answered (noting that I’ve been wrong about such things before), but it seems to me that there’s an object lesson here. I’m just not sure what it is.

Two weeks and a day until exams. Please pray for me.

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“Always start out with a few good jokes” — a choir director’s initial and parting thoughts

I had my last rehearsal with the All Saints choir last night, and I gave a little bit of a farewell speech. I found some prepared notes from my very first rehearsal with the All Saints choir seven and a half years ago, and they still seemed relevant, if clearly pre-dating some things that I’ve learned in the intervening time. I prefaced all of this by mentioning that my favorite quote from my teaching evaluations this fall was, “Needs dumbed down”, which I find wonderful on several levels. Anyway, I didn’t read all of this last night, just some select chunks, but here’s the whole thing:

2 July 2005, All Saints Choir Rehearsal #1

Always start out with a few good jokes:

Music vocabulary—

Bar line: A gathering of people, usually among which may be found a church musician or two (usually Episcopalians).

Tenors: Most choirs have either a) none, or b) too many. When wholly absent they leave an aching void. When too numerous, they fill the void without removing the ache. Tenors rarely sing words and often produce regional sensations rather than actual notes. During the mating season, they draw attention to themselves by sustaining high notes while the rest of the choir has gone on with the phrase.

Seen in a church bulletin: “At the evening service tonight, the sermon topic will be ‘What is hell?’ Come early and listen to our choir practice.

The Scriptures on singing in worship

Romans 15:9—And that the Gentiles might glorify God for his mercy; as it is written, For this cause I will confess to thee among the Gentiles, and sing unto thy name.

1 Cor 14:15—What is it then? I will pray with the spirit, and I will pray with the understanding also: I will sing with the spirit, and I will sing with the understanding also.

Ephesians 5:19—Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord

Colossians 3:16—Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.

Hebrews 2:12–Saying, I will declare thy name unto my brethren, in the midst of the church will I sing praise unto thee.

James 5:13—Is any among you afflicted? let him pray. Is any merry? let him sing psalms.

The Church Fathers on singing in worship

“Let us consider the entire multitude of angels, how standing by you they minister to his will. For the Scripture says: ‘Ten thousand stood by him and a thousand ministered to him and cried out, ‘Holy, holy, holy is the Lord of Sabaoth, the whole creation is full of his glory.’ (Isaiah 6:3) Let us, therefore, gathered together in concord by conscience, cry out earnestly to Him as if with one voice, so that we might come to share in his great and glorious promises.” (St. Clement of Rome (c. 96 A.D.), First Epistle to the Corinthians, italics mine)

“…you make up a chorus, so that joined together in harmony, and having received the godly strain in unison, you might sing in one voice through Christ to the Father, so that He might hear you and recognize you through your good deeds as members of His Son…” (St. Ignatius of Antioch (c. 100 A.D.), Epistle to the Ephesians, italics mine)

“We want to strive so that we, the many, may be brought together into one love, according to the union of the essential unity. As we do good may be similarly pursue unity….The union of many, which the divine harmony has called forth out of a medley of sounds and division, becomes one symphony, following the one leader of the choir and teacher, the Word, resting in that same truth and crying out, ‘Abba, Father.’” (St. Clement of Alexandria (c. 200 A.D.), Protrepticus)

A modern Christian writer on singing in worship:

All quotes from Why Catholics can’t sing by Thomas Day.

“[T]he sung ritual [is] a symbol of a burning faith […] The [sung] liturgy in any language [is] the symbol of faith so intense and filled with joy that it [has] to burst forth in almost continuous song.”

The Great Unwritten Law of Church Music: “[M]usic for the church must not clash with the liturgical function; it must take its place in the objective liturgical setting and not seem like an intrusion. [It] must display a degree of quality and craftsmanship which will be agreeable to a prince and peasant, male and female, young and old. Everyone who […] hears the music must sense a group endeavor, a group prayer: maybe something performed by the assembly or by a choir acting in the name of the assembly […] that seems to sum up the highest religious aspirations of a whole people. [T]he icon painters [pray] and [fast] as they [struggle] to put the holy images into the exacting forms prescribed by tradition. You must try to do something similar.”

Music in the Church is best when it “(1) expresses the noblest aspirations of the communal, cultural, tribal consciousness and (2) seems to submit to the higher purposes of the rite itself.”

So, what does this mean for us?

As an Orthodox choir, our job is not to sing one or two “anthems” or “offertories” at specific points in the service as in a Protestant church. Our job is to help the congregation sing the entire service. With a 90% sung liturgy lasting close to an hour and a half, that’s no small feat. We sing liturgical music, which means we sing the music that comes out of the work of the people (the literal meaning of “liturgy”) [NOTE, 21 Dec 2012: this is the main spot where obviously my thinking has changed, and I would find a different way of putting this today]. That means, simply put, our worship is work. Given our leadership role in the work, our job is not to be individuals who just happen to stand in a different place in the nave from everybody else; our job is to lead the rest of the congregation into the ideal of “one voice” in worship. By definition, to do this takes time, effort, and commitment to taking that leadership role seriously.

It also takes the choir functioning as a community within the community. From one perspective, the expectation is quite high: we’ve gotten up early so our voices haven’t completely woken up yet, and if we’re receiving the Eucharist we haven’t been able to do the normal things that help get the throat and vocal cords going the way they need to—drink water, coffee, tea, eat something, and so on—but we still have nearly an hour and a half worth of singing to do, more if we’re singing in the Matins service. The only way we can do that well, not to mention healthfully, is to support each other, personally and vocally, so that no one person in any section is carrying everybody else for the entire Divine Liturgy. What it takes is simply time, effort, and commitment from all who are willing to give it. It’s that difficult and that easy.

To that end: In consultation with Fr. Athanasius, while I am directing the choir, we will take the following steps:

1) Incorporate the choir into Saturday evening Vespers for the four-part portions of the service, and rehearse either before or after Vespers. We will try rehearsing after Vespers for the time being; we might very possibly try it before Vespers if it is found that this works better all around. I have deliberately scheduled the rehearsal around an already existing service, and I will never take up more than an hour of your time at any given rehearsal. Ideally, there will be rehearsals where my agenda for the evening will take up less time than that, and we will only continue through to the end of the hour if there is something that the group wishes to work on. These rehearsals will consist of a combination of vocal warm-ups, sight-singing warm-ups, announcements, polishing music we already know and learning new music. The balance of these various components will vary from week to week, based on the service requirements for that week and coming weeks.

2) Warm up as a group either at 9:35am on Sunday morning or after the Matins Gospel, whichever comes first. Starting Sunday, 17 July 2005 (that’s two weeks from now), this will be the skeletal minimum with respect to my expectation of you if you intend to sing that morning. If you cannot make a Saturday evening rehearsal at this time, then I absolutely need you to warm up with the group Sunday morning. For those of you who sing in the Matins service, we will devise a regular rotation so that one week you may finish out Matins, the next week you will warm up with the choir, and so on.

3) Gradually phase out the use of soloists for verses and replace them with unison chanting. We will talk about this more as we go, but for Psalm verses and whatnot, I would like to see an alternating “left choir/right choir” approach, where perhaps the women sing one verse, the men sing the next verse, etc. We will experiment with this over time to see how it best works with this group. The vocal and acoustic circumstances are simply not ideal for solo voices, and where it is practical to use an ensemble, we will.

I will also do the following:

1) Put out a calendar outlining rehearsals and services coming up a month out (perhaps two months out, if I find that it’s necessary). If you know you won’t be at a rehearsal or a service, please sign out on the calendar. Additionally, if you plan to attend a service or a rehearsal, should something happen at the last minute preventing your attendance please call me or e-mail me as soon as you possibly can so that I know what to expect for that rehearsal or service. I offer you all the same courtesy—if something happens to me, I will let you all know as soon as I possibly can.

2) Make myself available for work outside of regularly scheduled rehearsals and services. For example—if you need help with something musically, want extra sight-singing practice, if the tenor section needs extra help and wants a section rehearsal, if you need to talk to me about something privately, or if you just want to chat, please give me a call or send me an e-mail and we will find time to do so.

3) Make rehearsals as fun as I possibly can. I want you all to want to come to rehearsal, not feel like you have to come, which in my experience will only ensure that you want to come even less. I want our rehearsals to be a friendly, positive working environment, because I think we’ll all get more done that way.

My final point for now is this: a no is as good as a yes, as far as I’m concerned. If, after hearing all of this, you are thinking to yourself, “He’s going to have to count me out,” that’s fine. I’m not mad at you, and neither is anybody else. What I ask, however, is that you not make a snap judgment now. I ask that you give it some time to see how it will work—perhaps you’ll surprise yourself.

I believe this is a group who is capable of a lot. If we can commit to putting in the time and the effort, and remember that this is not about us but about the glorification of God, I believe we will be able to accomplish a lot.

Okay, I’m done talking now. Let’s sing.

I also mentioned some passages from +BASIL’s essay, “The Ministry of Church Singers”. I think parts of this have to be contextualized as a bishop being pastoral and pious, but there are nonetheless some things he says unequivocally:

There are few ministries of the Church that require the devotion and the dedication that church singing does. You who lead the singing as well as you who follow the leader are precious gifts to your parishes. You are as important to the parish as is the holy table itself. As there can be no liturgy without the holy table, there can be no liturgy without you. This is not to compliment you or increase your pride, but rather to put a little fear and awe in you, so you know what your responsibilities are. Church singing is not a hobby. Being a choir director is not something one does for personal fulfillment. It is first and foremost a duty, a duty of those to whom God has given musical talents. It is sinful, in my opinion, for someone not to sing who has been given the gift to sing. Sinful! You join the angels, and do that which the angels do perpetually. That’s not an interest, avocation, or a hobby; it is a duty. Angels were created to serve and to praise, and you have been given voices for that same purpose.

[…] It’s a holiness. It’s not your ministry. It’s a ministry that belongs to the Church, and you respond to the call as well as recognize that the gift which you specifically fulfill in the church was, traditionally, and in some sense still is, an ordained ministry. The choir was not some club that existed in Church for those with some particular musical talent. To be a church singer was an ordained office within the Church. Canon 15, from the Council of Nicea, the Council of the 4th century, makes its point clear that only canonical singers should be appointed for that kind of ministry in the Church. That means “one set apart” for that particular ministry. Today we might call them Readers. While I’m not saying that every choir member must be a tonsured Reader, I do say that if we fulfill at least the spirit, if not the law of the Canon, that each choir member ought to see his/her participation in the choir as seriously as the ordained clergy take their ministry. I don’t know any priest who thinks that he can say on some Sunday, “I don’t want to serve because I want to sit with my wife,” or, “I don’t feel like serving today,” or, “I’m angry, one of the altar boys offended me, so I don’t want to serve this morning.”

[…] We jump in and we jump out. Some of us jump in on time and some of us jump in a little bit late. In my opinion, being in church for that first “Amen” is a sign, an indication of one’s humility. And where humility is, indeed, a virtue, its opposite is a sin. The sin is not disturbing other people. The other people in the church are not the object of our worship. It is rude, but not necessarily sinful, to disturb other people. But it is sinful to be presumptuous and prideful that one can jump in and sing with thousands of archangels and ten-thousands of angels at one’s own whim. “This Sunday I feel like singing, and next Sunday I won’t sing. I want to sit with my wife.” Leave that Hallmark—card kind of sentimentality for restaurants, concerts, and cinemas. You sing with angels, that’s secondary to sitting with any husband or wife or children. We stand before the throne of God, and when we realize that, every other consideration, all of our own personal likes and dislikes, become secondary. I’m giving my opinion now, and hopefully it humbles all of us. It’s a humiliation, that in its end, should be something that elevates us, that exalts us, something that gives us wing.

[…] You and your choir need be as aesthetically perfect as you are able. God not only expects, but He accepts only our best.

As I said to the choir last night, I’m a convert, not a cradle, and every convert brings with them some baggage from their previous experience. My background is one that places a high value on liturgical beauty and music, and that value is practical, not just theoretical. Church music is a profession. It is not unheard-of for church musicians in my former communion to have terminal degrees and to have half-time, if not full-time, salaries. While I have always known that such a set of circumstances would never even come close to being reality at All Saints, I have always tried to fulfill the musical function at All Saints as though those were the expectations of me — and I should stress the “of me” part, because certainly the point was never to turn the All Saints choir into an opera chorus. Rather, the point was that, if I was excited about what I did and took it seriously in the way +BASIL describes, hopefully everybody else would catch the spark, too, and get excited about it along with me. It was an experiment to see if one could build a fully-functioning music ministry at the only Orthodox parish in a town that was home to a Big Ten university and one of the best schools of music in the country. I’m happy that the experiment has borne fruit, even if it won’t specifically be attached to the parish anymore. All told, this (as well as the ongoing annotation and discussion of it here) represents a pretty good snapshot of my thinking of how the effort worked, and how I would approach such a project if I were to start afresh now.

Δόξα τῷ Θεῷ πάντων ἔνεκεν. As always, we’ll see what happens next. I thank All Saints, Fr. Peter, and those who sang with me for the chance to serve over the years, I hope that I was able to communicate some small element of what I love about our Church’s music despite all of my own faults and foibles, and I wish all of them, as well as whomever my successor will be, many blessings. Again, I crave your prayers for myself and my family as we make this transition.

A transition

I suppose I should probably announce this, since it was announced in church this last Sunday —

Sunday 23 December will be my last day as All Saints Orthodox Church‘s cantor and choir director, and it will be my family’s last day as regular members of the parish. We will still be living in Bloomington until such time as our paths take us elsewhere, and I’m sure we will find ourselves at All Saints every so often — our godparents are there, we have godchildren there, we have many friends there, including the priest — but the next few months will probably more often than not see us visiting various other Orthodox churches in the surrounding area.

My last weekend, curiously enough, coincides with the first pastoral visit to All Saints of His Grace +ANTHONY. The transition aside, I look forward to meeting him and talking with him, and I very much hope that that weekend is only the beginning of a long and fruitful pastoral relationship between His Grace, Fr. Peter, and the parish.

Lest anybody add two and two together to get five — I and my family are all still Orthodox, and the St. John of Damascus Society will continue to be very much a going concern (with this just being the tip of the iceberg — lots of exciting stuff coming down the pike that I hope to announce very soon). The work I’m trying to do with the music of the Church is still very much on my plate, and I remain committed to helping in whatever I way I can with the Orthodox Church’s mission in Bloomington and at Indiana University.

If anybody has any questions, please feel free to ask them in the combox. My family and I crave your prayers as we make this transition.

The St. John of Damascus Society

I have been making random references to something called “The St. John of Damascus Society” for a few months now, and I can finally say something a bit more concrete.

The really short version is that in the planning for the Orthodox Music Symposium at Indiana University, it became apparent that it wouldn’t be the worst thing in the world for there to be a group that had administrative and financial independence from the church for purposes of putting together such things. We were piggybacking onto the parish for our tax-exempt status, and that nearly cost us a couple of our major supporters; plus, it would just be cleaner if we were able to have our own checkbook. The initial idea was something like a “Friends of Music at All Saints” or “All Saints Music Boosters”, and I went to Hal Sabbagh, a longtime chanter at and founding member of All Saints, to see what he thought. He was supportive of the idea, and was willing to help out however he could.

We incorporated as a non-profit in the state of Indiana last July; the next step was tax-exempt status, which meant assembling a board. Our Advisory Board consists of all of the presenters for the Symposium — John Michael Boyer, Alexander Khalil, Kurt Sander, Richard Toensing — as well as Matthew Arndt, an old friend of mine, one of the cantors at St. Raphael of Brooklyn Church in Iowa City and music theory professor at University of Iowa (as well as a former student of Richard Toensing’s). Our Executive Board consists of: Hal Sabbagh, president; Vicki Pappas, national chair of the National Forum of Greek Orthodox Church Musicians, vice-president; Laura Willms and Brian Rogers, two more very supportive cantors at All Saints, are secretary and treasurer, respectively; rounding out the Executive Board are Franklin Hess, coordinator of the Modern Greek program at Indiana University, and Patrick Michelson, the newly-hired (as of the 2011-12 academic year) Russian Orthodoxy specialist in IU’s Religious Studies department.

All of these people gave generously of their time, effort, and advice. By November we had everything we needed to assemble our application for federal tax-exempt status, and that went in the mail on 14 November.

As Hal found out over the phone with the IRS two days ago, our application for federal tax-exempt status was granted on Monday of this week, and we will be receiving a letter within the next couple of weeks with our number. So, time to get serious.

The St. John of Damascus Society, with everybody who is involved, has developed its scope significantly beyond being All Saints’ music boosters. The basic idea is to promote the idea of excellence in traditional forms of Orthodox music as good outreach — that singing well and singing prayerfully not only do not constitute a dichotomy, but it can serve as a powerful witness to those around us. We have a number of ideas about things we want to do locally, regionally, and nationally, and while we’ve waited for tax-exempt status to be sewn up before we went public with anything, I can tell you you’ll be hearing more very soon, including ways you can be involved.

We hope to have a website up shortly; in the meantime, if you’re interested in the St. John of Damascus Society based on this little teaser, would you mind filling out this form? That’ll make it really easy for us to get announcements to you as we make them. You can also follow us on Twitter.

Thanks very much, and I will have more to say very soon!

Lazarus Saturday, Holy Week, and Pascha at All Saints Orthodox Church, Bloomington, Indiana

Here is the schedule for tonight through next Sunday at All Saints in Bloomington. If All Saints is the closest Orthodox church to you and you’re an Orthodox Christian, please, by all means consider yourself welcome. If you’re not an Orthodox Christian, absolutely, by all means consider yourself welcome as well. If you’ve never been to an Orthodox service before, this is the week to do it. Please come find me and say hi — I’m the big guy in a black cassock chanting.

Friday, 6 April

  • Akathist to St. Lazarus at 6:00

Saturday, 7 April

  • Baptisms/Chrismations at 9 a.m.
  • Divine Liturgy at 10 a.m.
  • Great Vespers with litia and artoklasia at 5:00 p.m.

Sunday, 8 April

  • Palm Sunday Matins at 8:50; Divine Liturgy at 10:00
  • Bridegroom Matins at 6:00pm

Monday, 9 April

  • Presanctified Liturgy at 9:00am
  • Bridegroom Matins at 6pm

Tuesday, 10 April

  • Presanctified Liturgy at 9:00am
  • Bridegroom Matins at 6pm

Wednesday, 11 April

  • Presanctified Liturgy at 9:00am
  • Holy Unction at 6pm

Thursday, 12 April

  • Divine Liturgy of Holy Thursday at 9am
  • Matins for Holy Friday (Reading of the 12 Passion Gospels), 6pm

Friday, 13 April

  • Royal Hours, 9am
  • Great Vespers of Holy Friday, 3pm
  • Lamentations, 6pm

Saturday, 14 April

  • Divine Liturgy of Holy Saturday, 9am
  • Rush, Paschal Matins, and Divine Liturgy, 10pm

Sunday, 15 April

  • Agape Vespers, 12pm

Following Agape Vespers, there will be a lamb roast (complete with a spit in the back yard) at my house. If you’re interested in coming to that, please e-mail me at rrbarret AT indiana.edu.

Not an April Fool’s joke — a sincere invitation

I don’t know who you might be, or what your circumstances are. Regardless, if you’re an Orthodox Christian (or are in the process of converting) and a musician, I’d like to invite you to come to Bloomington, Indiana.

Maybe, it being college decision time of year, you’re a graduating high school senior who has grown up singing in your choir or chanting at your analogion, you’re trying to figure out which of your many college acceptance offers to take, and Indiana University is one of your options. Maybe you’re a grad student who’s considering coming here. Maybe you’re an adult who’s at a transitional point for one reason or another and Bloomington has something else you’re looking for. I really have absolutely no idea to whom this invitation might speak, but I feel like it must be extended.

I will be frank. I have absolutely nothing to offer you. I have no means by which to negotiate a recruitment package. My own stipend is modest at best, and it’s as much as can responsibly fit into the parish’s budget, so I have no way to pay soloists or section leaders. In the long term, I am working on a way that eventually there might be scholarships that we can offer to incoming students who are interested in Orthodox music and are willing to make a commitment to the choir while they’re here, but that’s a few years off yet at least. It’s a building that’s a challenge to sing in, to put it mildly. I will expect you to make music here a priority — at the very least, to come to rehearsals on Thursday evenings, and I will hope that you choose to come to Vespers and Matins as well as Divine Liturgy. You will need to have a car, because the parish isn’t accessible any other way.

However, we are trying to build something at All Saints. We’re trying to develop the music at All Saints into something we’re proud of, to turn All Saints into a home for Orthodox music fitting for the only Orthodox church in the town that hosts one of the best schools of music in the United States. Right now, for a number of reasons, we’re focusing on Byzantine chant, and trying to do that as well as we can with what resources we have available. We’re hoping that very soon we will have concrete developments that we can announce with regard to a new building that will be, if all goes well, the best place to sing in Bloomington. We’re not there yet, but we’re trying as hard as we can to get there as soon as we can. The St. John of Damascus Society — and we’re still waiting for our tax-exempt status to come back, which is why I haven’t made any humongous formal announcement about anything we’re doing quite yet — is part of how we’re trying to get there.

So, again, if you’re an Orthodox Christian with an interest in and an aptitude for our liturgical music, and you for some reason or another might be considering a move, I invite you to consider Bloomington, Indiana. There is an Orthodox church here, we’re hoping to be able to carry out some big dreams, and we need your help to do it, if you’re so inclined to take a leap of faith. I’ve got no idea at all who you might be that you are in a station in life where what I have to say might speak to you. There’s nothing to lose by trying at least — but if there might be people out there and I don’t try, then nothing will have been accomplished. So, if you’re out there, give it some thought and some prayer.

If you have questions, you can reach me at rrbarret AT indiana . edu.

Kanon of St. Kosmas for the Nativity of Christ by Jessica Suchy-Pilalis

Happy new year! Christ is baptized! For those of you on the Old Calendar — well, hope Nativity Eve is treating you well and you get all the All-Night Vigil you’re able to handle. Theophany falls on Sunday next year on the New Calendar, and I’ve suggested to the priest here that we do a full All-Night Vigil for it. I’m not sure how seriously he took it, and I’m not sure how seriously I meant it, but we’ll see. I figure if you start at 9pm, you’re done by 5am, and then you just sleep all day. What’s the problem?

It is a bit late, and I have been somewhat otherwise occupied to give this the full attention it deserved before Christmas, but in all fairness it didn’t come to my attention until rather late in the game in the first place. Dr. Jessica Suchy-Pilalis — herself an IU alumna — has published her setting of the first Nativity canon using Archimandrite Ephrem Lash’s translation, having recomposed the melodies by applying the Byzantine compositional principles to the English text. While I’m not enough of an expert in the formulae to be able to evaluate the setting at that level, I can say that it is very singable — certainly much more singable than the Kazan equivalent. Be aware that there is a small handful of typographical errors in the psaltic notation — I believe it will be shipping with an errata sheet in the future — but they are quite minor and if you follow the line where you think it’s going rather than what the notation says in these cases, you’ll wind up in the right spot.

One person made the comment to me that they found it odd that Lash’s translation doesn’t include the Nativity greeting in its customary English form, “Christ is born, glorify him!” and that as a result, strictly from a textual standpoint, they found Dr. Suchy-Pilalis’ setting unusable, even if it may be a more accurate rendering of the Greek. “Christ is born, give glory” is how Lash translates Χριστὸς γεννᾶται, δοξάσατε, and yes, it’s closer to the Greek. Lash’s translations are excellent renderings into modern English, but he does tend to disregard established ways of saying things in English when he thinks they’re wrong. As has been discussed here before, he makes an excellent argument for why the Trisagion is better translated as “Holy God, Holy Strong, Holy Immortal, have mercy on us”, but it still apparently sounds wrong to a lot of people. He also translates Χριστὸς ἀνέστη as “Christ HAS risen,” which better conveys the past tense of ἀνέστη (more literally, “Christ rose” or “Christ stood up”). “Christ is risen” is an archaic form of the perfect tense in English (think “Joy to the world! The Lord is come” or “Spring is sprung, the grass is ris”), but we don’t use it that way anymore, so there’s some shift of meaning. For me, the more “traditional” English translations can be quite awkward from time to time (Nasser’s Mode III Resurrectional Theotokion, for example — “Thee, who art the Mediatrix for the salvation of our race, we praise, O Virgin Theotokos” etc.), and I tend to find that Lash knows what he’s talking about, so I’m happy enough to use his translations when I have the chance.

Anyway, I got this in time to sing it at our Nativity Matins — the katabasiae, anyway, since we don’t do full canons at All Saints — and it worked well, even if the second canon was in pseudo-Jacobean (or “hieratic”, as my godson Lucas puts it) English. The pronouns didn’t match, but nobody died. Nobody has ever complained about pronouns not matching (at All Saints, we don’t have a uniform English approach in our Sunday morning Divine Liturgy to begin with, let alone the rest of our liturgical practice) but if anybody ever does complain, I want to find a nice way of saying, “This is the current state of Orthodox liturgical translation in English. If you don’t like it, please send a note with your suggested solutions to the bishop along with a check that says ‘Translation Fund’ in the memo. No? Then you can live with the pronouns not matching.”

There are a couple of little things I might criticize — I’ve had English rules of choral diction hammered into my head enough over the years that I really don’t like it when people set diphthongs as two syllables. It might make sense from a standpoint of compositional principles, but to sing it that way sounds terribly strange to my ears. I also wish she had included slow katabasiae. Still, these are quibbles that don’t take away from the excellent work Dr. Suchy-Pilalis has done. It’s too late for this year, but do keep it in mind for next year. It’s the kind of effort that needs to be encouraged and rewarded, and most importantly, actually sung in parishes.


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