Archive for the 'Media' Category

What did you do on #elevennine?

Every generation has days where they remember exactly where they were and what they were doing when they heard the news. John F. Kennedy’s assassination was one for my parents. The earliest one I remember is the Challenger explosion; also Princess Diana’s death, maybe. 9/11 is, of course, one of those days as well, and still very much in recent memory.

11/9 is, I think, going to be another one. It already has been a day of note in past years; 9 November 1938 was Kristallnacht, and 9 November 1989 was the fall of the Berlin Wall. It remains to be seen just what kind of a marker 9 November 2016 will be remembered as; one way or the other, though — as I tell other historians — we are seeing periodization in action. This is close of one chapter and the beginning of the other; 11/9 is a day we will see as a dividing line of some kind.

So where was I and what did I do on 11/9?

We had been up watching the returns since the first polls closed Tuesday night. We watched his speech, and at 3:30 in the morning turned in. I got up to go chant Orthros and Divine Liturgy for St. Nektarios of Aegina, praising God and his saints with my voice as best I could, and then I went to go teach the undergraduates taking my Ancient Greek History survey course.

I walked in and saw a lot of low, low faces. Some of them were gathered around a laptop. “She’s speaking right now,” one of them said.

“Right,” I said. “I’ll put it up on the projector screen.”

We watched her concede.

I had a lesson planned for the day. I thought to myself, screw it.

“Okay, folks, obviously today is going to be a little different –”

“The next four years are going to be a little different,” one of my students said.

“Yeah. Well, I’ll tell you what.” I pulled up an article from “Patriotic Folks dot Com”, one of the alt-right sites to which some of my ultra-conservative Facebook connections are always posting links, and put it up on the projector screen. “You know why I’m always harping on questions like audience, genre, agenda, view of the past, and so on? Because of pieces like this.” I show them the article, which seemed to assert that some famous Hollywood actor had posted a picture of himself holding up a pro-Trump sign, and then aggregated tweets from both right and left showing their reactions. Of course, the headline presented it as “Liberal Twitter melting down”. Of course the picture is fake, and the article even acknowledges that it’s fake, at the very end. The only point of the piece is to point out how the image punks the “other side”, while naturally ignoring that “their” side got punk’d, too.

“I make you think about those questions precisely because we all get bombarded with this stuff every day, and unlike the tabloids when I was a kid, where you could distinguish based on format and location in the store, everything looks equally authoritative when shared as a Facebook link. You have to evaluate based on content, not format, and if you can’t do that, we’re all going to be in trouble. My generation has not been well-educated about this, neither has the generation before mine. You have to figure it out. The point isn’t really whether Thucydides is ‘more reliable’ as a ‘scientific historian’ than Herodotus; the point is, that’s an exercise that will help you evaluate garbage like this. If a historian five hundred years from now sees this website and can’t answer those kinds of questions, then this is going to be useless as a source; but if you can think about it and answer those questions, then it can tell you a lot.”

A Mexican woman told me, We’re not rapists and criminals. And nobody gets “sent” here in the first place.

An African American woman told me, I grew up in Boston. I had heard about racism and xenophobia as issues, but I had never really seen the extent to which they were things real people actually did.

“See, for eleven years, I lived twenty minutes south of the birthplace of the KKK, right on the edge of what is, for all intents and purposes, rural and culturally Southern. That’s an experience that means I’m surprised by this outcome, but not blindsided. I’ve seen this face to face.”

Then I showed them the video from Monday night of Pres. Obama in New Hampshire telling the story of the woman in Greenwood, South Carolina, one of twenty people at one of his early 2008 campaign meetings, who got the room excited for him by saying “All fired up! Ready to go!” This was the woman, he said, who made him realize that “…one voice can change a room… And if it can change a room, it can change a city. And if it can change a city, it can change a state. And if it can change a state, it can change a nation. And if it can change a nation, it can change the world.”

Be the voice that changes the room, I told them.

Then I went to a rehearsal and sang beautiful music as best as I could.

That is how I spent 11/9. What did you do?

And then, today, on 11/10, the real question — what are you and I going to do? Because there’s a lot to be done.

Review Essay: The Oecumenical Patriarchate in the Orthodox Church

maxresdefaultA couple of years ago, I contributed this piece to the sadly-now-defunct Red Egg Review. It seems quite relevant now, so I repost it in full here.

I find it curious that, amidst a series of heavier news reports of import to Orthodox Christians being covered in American media, such as the conflict between Ukraine and Russia and the civil war in Syria, the recent synaxis of the Orthodox primates at the Ecumenical Patriarchate made the Huffington Post via a Reuters story (although somebody at the HuffPo concocted an ill-informed headline on the piece, announcing that the synaxis had planned a new “ecumenical council” for 2016, and I’m not the only one who noticed this).  As can be typical, the writers of the piece seemed to stumble a bit when it came to explaining the role of the Ecumenical Patriarch; +Bartholomew is “the spiritual leader” of the Orthodox, the “senior-most Orthodox leader” who has a “prestige” position but a “tiny” church, with “no authority over other churches” and “none of the resources the large Russian church enjoys”.

The Ecumenical Patriarch is often a lightning rod for confusion and criticism by Anglophones, Orthodox and non-Orthodox alike. Not only is the American media not certain in what box to put him, but online chatter about the Patriarchate among American Orthodox converts is often sharply negative. He is critiqued for his support of environmental concerns and framing of them as a matter of Christian stewardship, for his willingness to interact with the Pope, for what the critics portray as a penchant for consolidating his own power, for a willingness to embrace political expediency in Turkey rather than bravely face martyrdom (as was at the heart of some critical reviews of his book, such as those by Rod Dreher and Charlotte Allen), and for a lack of concern for American issues besides shoring up support for the position of the Greek Orthodox Archdiocese. Fr. Peter Gillquist’s allegation of the EP’s (+Demetrios in those days) poor treatment of the delegation from the Evangelical Orthodox Church is a story that is not easily forgotten, and it is trotted out with some regularity. Others offer the hypothesis that the Patriarchate seeks to establish itself as the “Orthodox papacy” specifically so that, when (so this line of thinking goes) +Bartholomew enters into reunion with Rome, it will be no conceptual difficulty to hand that authority over to the Roman Pope. Uncompromising reassertions of the primacy of the Ecumenical Patriarchate by Metropolitan Elpidophoros (Lambrianides) of Bursa have not helped the matter (at the same time, neither have similarly aggressive-sounding words from Moscow).

There are parallels here to the situation in 1970s. Greece had just emerged from its military dictatorship in 1974, the same year as the coup in Cyprus and subsequent Turkish invasion Lebanon’s civil war started in 1975; Soviet Russia was at its height – and the Orthodox world was preparing for a council. Preparatory meetings had been held since 1961, at Rhodes and at Chambesy, and in 1972, the same year that Patriarch Athenagoras passed away and a year after the Theological School in Halki was closed, a collection of the introductory reports of the Preparatory Commission were published under the title Towards the Great Council, the introduction to which contains the rather charming and confident statement that “[t]he Great and Holy Council of the Orthodox Church is planned to be held in all probability some time during 1974[.]”

The same year, Metropolitan Maximos of Sardes of blessed memory published a work of historical theology titled The Œcumenical Patriarchate in the Orthodox Church: A Study in the History and Canons of the Church, published by the Patriarchal Institute for Patristic Studies (Thessaloniki). The work begins in the Apostolic era, tracing the historical development of the office of the bishop through the Council of Nicea in 325, at which point +Maximos looks specifically at the episcopate as it developed in Constantinople. He spends quite a bit of time on the Council of Chalcedon, and then studies the way the role of the Patriarchate, as articulated at Chalcedon, was realized from the end of late antiquity up until the twentieth century. The book appears to have been conceived of in the context of an impending Great Council; +Maximos specifically has as his framing device the (then) recent memory of the first Conference at Rhodes in 1961, at which he was a delegate:

The conference was held primarily to demonstrate the unity which has held the Orthodox Church together in faith and service throughout the centuries, despite what at times has been considered as its injurious decentralization and the independence of the individual churches…  No doubt as a result of [such] misunderstandings, some curious articles have been published… about antagonism between the Oecumenical Patriarchate and the Russian Church, and about the victory of one over the other. Nothing could be further from the truth. No one scored a victory at Rhodes. Rhodes saw but one victory; the triumph of Orthodoxy (p. 15).

Space only permits a brief summary of +Maximos’ 327 pages’ worth of observations and conclusions; in a nutshell, the Church is a divinely-instituted, mystical (as in sacramental) Body; at the same time, it is a historical reality, with visible power and authority being given to the Apostles. The episcopate is a charismatic office that is derived from Apostolic origin but is not, essentially, apostolic in character; in other words, the Apostles had a fundamentally missionary role, whereas the episcopate has a fundamentally liturgical and pastoral role. Ultimately it is Christ who is the divine founder of the Church; it is the bishop who is the earthly – that is to say, historical – head; this power is properly considered to be within, rather than over, the Church, and the bishop is the personification of the organic unity of the Church.

As Christianity spread, and the need for bishops to decide things in synod developed, a system of precedence emerged out of necessity, with preference being given to the “mother church” of a given synod. As new communities started emerging in the periphery rather than the metropolitan centers, this practice of customary precedence came to represent concrete administrative power, but these prerogatives were accompanied with a “reciprocity” of obligation. As the 34th Apostolic Canon prescribed, the bishops in a given synod are not to do anything without their head, but neither is the head to act without his bishops, “because harmony and love must prevail amongst the bishops as an example to the clergy and people and for ‘the glory of God, through the Lord, by the Holy Ghost’” (322).

Within this system emerged metropolitans, then patriarchs of autocephalous churches, then the patriarchates of Rome and New Rome. This is a historical development that still must be seen as an organic necessity:

[O]nly in this organization can the Church continue to exist in the midst of human societies… Thus even the highest institutions of its historical development, such as the emergence of the office of patriarch in the oecumenical Church, must be seen as vitally necessary phenomena, deriving in ecclesiastical life by a gradual and continuous process from the ecclesiastical idea of order, organization, and perfection in administration, under the same conditions as those under which the whole administration of the oecumenical Church has evolved; phenomena fully in accord with the internal presuppositions of ecclesiastical order as these were recognized by the Church itself and were developed in its legislation… Thus even if all the bishops are equal by divine institution, enjoying to the same degree the gift of the episcopal grace and share the same unbroken Apostolic succession, they are not all equal-in-honor in the canonical system of the ecclesiastical administration… Some bishops emerge as senior to the others…Enjoying special privileges, they take the initiative in general ecclesiastical issues. (324-25)

In this context, the Patriarch of Constantinople has a precedence of honor that is related to his administrative function. This is not, +Maximos insists, a supremacy in all aspects of ecclesiastical life (the way he would define “neo-Papism”), but an authority in the context of the dual principles of “conciliarity and collegiality” and “non-intervention in the internal affairs of other churches” (326).

History does interfere, however. The Ottoman takeover of the former Empire is well-covered territory; more recently, +Maximos examines the problem of the rise of nationalism in the Balkans and Europe, where the boundaries of local churches were now being drawn according to self-consciously secular and political criteria – division by tribe; that is to say, racism. It was in this context that the Patriarchate condemned ethnophyletism in 1872: “We renounce, censure, and condemn racism, that is racial discrimination, ethnic feuds, hatreds, and dissensions within the Church of Christ, as contrary to the teaching of the Gospel and the holy canons of our blessed fathers which ‘support the holy Church and the entire Christian world, embellish it, and lead it to divine godliness’.” (300-309)

+Maximos also spends some time on the question of the diaspora (a loaded word for some in 2014 that presumably was assumed merely to be descriptive in the 1970s). He acknowledges the problem that the emphasis on national origins has posed in Europe, Canada, Australia, and North America: “This makes Orthodoxy appear divided and at odds with itself… with disastrous consequences when it comes to projecting its unity to the outside world” (309). +Maximos here suggests that the diaspora represents three problems to be solved: what the local principle in the organization of the Church means as an issue of dogma, the canonical jurisdiction of Constantinople over Orthodox Christians outside of the boundaries of established churches (per Chalcedon 28, which +Maximos deals with at great length in his fourth chapter), and the “so-called psychological question of ecclesiastical unity” (311). An article of Fr. Alexander Schmemann’s, dating from 1954 – sixteen years before Moscow’s granting of autocephaly to the Orthodox Church in America – is brought to bear in support of the Ecumenical Patriarch’s role in establishing unity in the diaspora. Apparently Schmemann was for the EP before he was against it.

The legacy of +Maximos’ book, particularly in Anglophone literature, is curious. The English translation was published in 1976. The Patriarchal Institute for Patristic Studies had commissioned Gamon McLellan, an Anglican who had been a student of +Kallistos Ware’s (now Metropolitan of Diokleia) and who was working with a team of paleographers at the Institute at the time of the commission. In preparation for writing this piece, I was fortunate enough to speak with Mr. McLellan by Skype, and I am indebted to him for his comments and his help in providing useful historical context for his work. He had a great deal of personal access to +Maximos, and they discussed his translation extensively. Mr. McLellan’s work was also reviewed by a team of senior theologians at the Patriarchal Institute. As much care as was put into the publication of the translation, however, it is unclear what the reception to the work was amongst English readers. WorldCat lists only forty-one libraries worldwide with a copy of Mr. McLellan’s translation in circulation, and the Patriarchal Institute in Thessaloniki has let the English edition go out of print. Indeed, while a second edition of the book was published in Greece in 1989, three years after +Maximos’ repose, no English translation has been published of that, and the Greek edition has proven impossible to acquire via Western interlibrary loan systems. On the whole, +Maximos does not appear to have been cited very much in English, save for a very small handful of scholarly works and a couple of essays on the Greek Orthodox Archdiocese of America website. And yet, a note of inquiry to +Elpidophoros of Bursa regarding the current appraisal of +Maximos’ study by the Patriarchate yields the following response: “…it does not merely reflect the thinking of the Ecumenical Patriarchate, it describes the Ecumenical Patriarchate as it is. After saying that I do not see any space for any Patriarch to change something about that.”

The book is, to be sure, a dense read. +Maximos’ command of historical sources is exhaustive. At the same time, Mr. McLellan’s translation renders the recounting of canons and Councils into English that is as readable as it could be, and it is rewarding and informative reading. While it is a different world today in terms of Anglophone scholarship than it was in 1976 – the translation of Metropolitan John (Zizioulas) of Pergamum’s ecclesiological studies into English has been monumental all by itself (and +Maximos relies on him greatly in the early chapters) – surely a refreshed translation of the 1989 second edition, along with perhaps a scholarly afterword bringing the study up to date, would be a worthwhile project for a publisher like Holy Cross Orthodox Press.

A thought that emerges in my reading of this work is the applicability of the Byzantine love of paradox;[1] certainly, +Maximos is careful to acknowledge the paradoxical nature of the picture he paints. “Power and service are indeed mutually contradictory,” he writes, “power usually destroying any idea of service… However, when the Oecumenical throne exercises the power given it by the canons and by history, the aspect which predominates is that of offering service in the entire Orthodox economy, thus imitating and carrying on the unique example of Our Lord Jesus Christ” (327). Mutual contradiction – that is to say, paradox – does not represent an impossibility; it represents the chance for Christ to make Himself known (and one need only attend a Salutations service during Great Lent to hear the manifold ways this is expressed regarding the Mother of God in the Akathistos hymn).

+Maximos’ presentation of the Ecumenical Patriarchate on its own terms serves as a useful corrective to the all-too-convenient picture that can be presented of a weak, ethnocentric, would-be Pope, and for that even if for no other reason, it is a work that deserves more of a hearing amongst Anglophone Orthodox than it seems to have received. Seen in the light of the picture +Maximos paints, +Bartholomew is an Ecumenical Patriarch who is trying to serve the oecumene – that is, the civilized world – not take it over and hand it to Rome in a neatly-wrapped package. Even if the reader, after giving him a fair hearing, still disagrees with +Maximos’ conclusions, it will be an exercise that, by the end, will make the reader more informed about Orthodox ecclesiological theology and the historical nature of Orthodox ecclesiastical structure, and will also be greatly illuminating in terms of where the Patriarchate and Patriarch are locating themselves in the scheme of Christian history.

[1] See, for example, Anthony Kaldellis’ exploration of this theme with respect to the Mother of God: ‘“A Union of Opposites”: The Moral Logic and Corporeal Presence of the Theotokos on the Field of Battle,’ in C. Gastgeber et al., eds., Pour l’amour de Byzance: Hommage à Paolo Odorico (Frankfurt am Main: Peter Lang, 2013) 131-144.

 

Hey! Kids! Byzantine music books!

There’s a story here to be told another time, but this is another venture I’m helping out with. Interested in buying Byzantine music books in North America without the retail import and shipping premiums? Talk to us. Visit http://www.byzantinemusicbooks.com, and e-mail me at richardbarrett AT johnofdamascus SPACE org.

byz chant books flyer

A new Thing

Hi.

I’ve kinda sucked as a blogger the last year.

Life has been complicated. I will explain in detail later, but for now what I’ll say is that the Barretts have stayed in Boston, the Barretts have broadened our brood with a baby girl, and the rest… well, it’s still up for negotiation. I’ve been writing, and I’ve continued to contribute pieces elsewhere, but a lot of other things I’ve wanted to work on, like this blog, have rather sat collecting dust since May of last year.

I’m trying to pull my mojo back together. I’m still planning on finishing my dissertation. I’m also still planning on doing the Boston series (I’ve even written a large chunk of a draft of the first segment, it’s just that — to repeat myself — life has been complicated).

I will be honest and say that I’m very intentionally looking for ways to make some amount of money from the blogging effort; I’ve historically found this very challenging (I’ve always teetered between laughing hysterically and sobbing at the moment in Julie and Julia where Julie’s friends tell her, “Oh, you know, you can just put a PayPal button on your site and everybody will start sending you money”), but I’d like to crack it if I can.

(As an aside, I’ll mention a very weird conversation I had a couple of months ago with somebody who does make a living as a blogger. We were put in touch by a mutual friend who thought that he might be able to be of some help to me; we kind of sat there in awkward silence for a few minutes until he said, essentially, I really hope you aren’t waiting for me to talk, because I’m not interested in telling you anything helpful. We don’t stay in business by telling everybody else how it’s done, sorry.)

Anyway, as part of this undertaking of mojo reconstitution, I have started a Patreon, and I think I may have also coined I appear to have appropriated the term “jotcasting”.

Ideally, this will feed into the ongoing effort here. Please, if you can, support the Patreon; I’ve structured it as a monthly subscription starting at $1, and for that $1, you get daily posts of jokes, weekly rough drafts of essays, and monthly random other things. Some of that stuff may get polished and repurposed here and elsewhere; some of it may become still other stuff entirely. In any event, I’m shooting for it to be interesting if nothing else, and hopefully interesting enough for you to be willing to ante up a dollar a month for it.

Okay. More soon, promise.

A pitch that never even got a rejection: Surprised By Nachos – Making Friends, Building Community, and Creating Family Through Food in Bloomington, Indiana

Last spring I proposed the following as a magazine article. It never even generated a “no”, alas, but it’s a piece that I still think could be worth writing, even though ten months later I’d have to re-think parts of it. Anybody want to read this story?

The reader of [MAGAZINE NAME REDACTED] will know that food culture is passed on by communities and families as a way of reinforcing bonds within those groups — but can it work the other way, where somebody builds family and community from scratch, in a place he was unlikely to end up at and where he knows nobody, with food?

In 2003, when we were in our mid-20s, my wife and I left busy, cosmopolitan Seattle — and all of our friends and family — for what we thought would be a brief stint in Bloomington, Indiana, a town most famous for a basketball coach who threw chairs into the court, so that I could finish a degree at Indiana University’s prestigious School of Music. Life took some unexpected directions, however (as well as added a few more university degrees) and Bloomington became home for over a decade. Far away from the people we knew, the strategy we stumbled upon for making friends was, put simply, “feed the neighborhood”. This helped make friends, yes, but the regular gathering of people around our dinner table, combined with at once a strong local food movement, a restaurant scene that’s expensive for small town Indiana, and a diverse, rotating company of omnivorous guests, turned those friends into family over the years, even as they moved away and we stayed behind.

My story starts with the world’s most awesome nachos being made once a week for what was ultimately 20-30 people, and this going on for a year and half; as our circle of friends grew, so did our repertoire (often inspired by a gift subscription to [MAGAZINE NAME REDACTED] my mother-in-law gave us). Dry-aged prime rib for a late winter dinner party and a Hungarian lamb stew for St. Patrick’s Day. An Italian Easter feast one year followed a Greek-style spit-roast lamb the following year. A standing commitment for a 3-day New Years celebration with a different themed menu every year. We made excursions into everything from butter-churning to home brewing to bread baking to coffee roasting to raw milk. Breakfast could be anything from eggs benedict with from-scratch Hollandaise and crumpets to the nothing-from-a-can biscuits and gravy a Kansas transplant taught us how to make when she moved here. People came to our table for celebratory nachos (and still do; there are people who have sung principal roles on the stage of the Metropolitan Opera who come back here and ask me to make nachos for them), for a convivial cocktail (usually something whiskey-based), and sometimes to cry in their soup (Tuscan kale and white bean). You don’t have to knock — the door is open, let me get you something. Are you hungry?

Time has gone by — Bloomington is a university town, so people have moved on. My wife and I now have a son. And, eleven years after arriving, we’re finally leaving. The coming New Years theme menu celebration will be in Boston — but with the same people. It’s a destination now, it’s family, it’s not just a relationship of convenience. Unlikely as it would have seemed when we got here, it’s what wanting to make good food for the people who came through our door — even when we didn’t know them — allowed us to build during our time here. Probably, though, when we get settled in the new place, I’ll offer to make somebody nachos.

My name is Richard Barrett, and I want to tell this story for [MAGAZINE NAME REDACTED]. I have published magazine features, poetry, and academic articles on a range of topics from religion to technical theatre. Matthew Murray at PCMag can tell you what I’m like to work with on assignment.

Thanks very much for your consideration.

Richard

Who are the Assyrian Christians?

(Once again, this post is intended for a more general audience than what I usually do. You can see yesterday’s post for some helpful background; unfortunately, current events dictated a more immediate followup than I really had in mind.)

CNN reports that ISIS militants are presently holding as many as 150 “Assyrian” Christians hostage and are threatening to kill them. Yesterday, there were news stories that ISIS militants took some 90 Assyrians in northeastern Syria as they retreated from Kurdish forces, but the number appears to have been underestimated. The BBC’s account says that the incident took place in a town called Tal Tamr, which it locates on a map as shown to the left.

The BBC describes the “Assyrian” Christians thusly:

Assyrians, of whom there were about 40,000 in Syria, are Nestorian Christians and speak Syriac, a form of Aramaic, the language of Christ.

The largest concentration of Assyrians in Syria is in Hassakeh province, but there are also smaller communities in Aleppo, Homs and Damascus.

Again, as I tried to explain in yesterday’s piece on Coptic Christians, this is not altogether wrong, but neither is it as clear as would be ideal about who they are or why they are considered a separate group. The short version is that the Assyrian Church of the East is the modern Middle Eastern Christian group that claims continuity with the so-called Church of the East or Catholicosate of Seleucia-Ktesiphon of antiquity, a Christian group that was isolated from the Roman mainstream by the seventh century, although more because of geography and political boundaries than because of theological disputes.

To recap a couple of things from yesterday: Christianity in the early centuries emerged in a Mediterranean, Roman context where two things mattered — what major city you were in or closest to, and how close to the sea that city was. Egypt’s Alexandria and Syria’s Antioch were cities that pretty much ruled the roost as far as intellectual culture and theological thought were concerned, and represented the major poles that governed the development of orthodox (intentional lower-case “o”) Christianity. The major common language of education in this period was Greek, a language that already had a well-developed vocabulary and rhetorical approach for talking about complicated and nuanced philosophical ideas. At the same time, Latin was the language of the state, and there were of course local languages. Semitic languages were the linguae francae in the eastern part of the empire with their own gravitational pull, including Aramaic (the so-called “language of Jesus”) and its dialects, like Syriac. These languages were often employed for monastic writing and other kinds of sacred literary production, although it was not at all uncommon for authors in these languages to borrow Greek theological terminology outright rather than attempt to translate them.

Another point is that from the standpoint of this Mediterranean, Roman world, the other major player of importance was the Persian Empire. Maps are always tricky, and the nature of frontier borders is that they’re contested and always moving, but here’s a broad — if simplified — sense of the parameters of the Roman Mediterranean in the first part of the fourth century:

Basically, in terms of present-day national identities, it was England, Spain, and North Africa on the Western side to Egypt, and Israel, Turkey, Lebanon, and Syria on the Eastern side, with the Mediterranean Sea smack dab in the middle — “frogs around a pond”, as Plato put it. To the north were various Germanic tribes; to the south was desert; to the East were a handful of small kingdoms, and then Persia. Again, maps are tricky, but here’s a pretty good one showing what the Roman-Persian frontier looked like over time:

Based on what I said earlier about proximity to major cities and proximity to the sea, it should be evident that, while the Roman/Persian frontier was of strategic importance, it wasn’t really anyplace anybody from the big cities would have been excited about being in, it was pretty far removed from the Greco-Roman culture of the area more central to the Mediterranean, and local languages like Syriac were far more prevalent than Greek. And, despite its strategic importance, it was at times a hard place for emperors to justify the cost of defending; Arab the sixth century saw the frontier left to its own devices on more than one occasion when Justinian was too busy trying to reclaim the Italian peninsula. It fell to allied Arab tribes and border kingdoms to defend Roman territories in the frontier.

Christianity on the frontier was intellectually and spiritually vibrant nonetheless, even if life on the border was uncertain. The fourth century produced one of the greatest Christian poets in history, Ephrem the Syrian, who worked first in the border town of Nisibis and then moved to the somewhat more centralized Syriac city of Edessa when Nisibis was surrendered to the Persians in 363 and the Christian communities expelled.

At the same time, there were Christian communities that emerged in Persia in antiquity, and the Persian capital of Seleucia-Ktesiphon was home to its own bishopric starting in the third century. This church was obviously isolated, and while Christian communities appear to have formed there in the first couple of centuries AD, it doesn’t seem to have been until 280 that visiting bishops were able to establish a working ecclesiastical structure there. Still, they were isolated, and tended be focused further East than towards the Mediterranean centers of ecclesial activity. (How far East? They sent missionaries to the Mongols in Central Asia and to China starting in the sixth and seventh centuries.) As such, many of the theological arguments swirling around Constantinople, Alexandria, and Antioch simply weren’t terribly relevant to the churches on the border or in Persia, and the remained loyal to what they saw as their own tradition. They identified with the Council of Nicea, perhaps, since that was everybody’s major point of reference following Constantine’s legalization of Christianity, but beyond that it got a little obscure.

There was a thread of intellectual continuity that made it from Byzantium to Ktesiphon, to be sure, but the supply lines were a bit tangled and on the thin side. A major theological figure of the Syrian East, the fourth/early fifth century Theodore of Mopsuestia (close to the southeastern border of modern-day Turkey), had been the student of Libanius, a major teacher of rhetoric in Antioch. Theodore appears to have had significant influence on the thought of Nestorius, whom you may recall from yesterday’s post as the Constantinopolitan bishop on the losing side at the Council of Ephesus in 431. In the aftermath of the Christological disputes of the fifth century, Nestorius’ followers relocated to Persia; the Persians perceived in their position a fundamental continuity with Theodore and their own strongly Antiochene perspective, and they welcomed the Nestorians with open arms.

There continued to be some awareness and mutual sympathy between Persian and Roman Christianity; as late as 614, the Persian Emperor Khosroes appears to have had a Christian wife (“but after the heresy of Nestorius”, the witness is clear to specify) who did much to aid Christian prisoners of war after Khosroes’ sack of Jerusalem. The writings of the seventh century Christian ascetic figure Isaac of Nineveh (modern Mosul, in Iraq), despite Isaac formally being a part of the Persian church, were nonetheless eagerly received in Byzantium and translated into Greek. (And, as the best sign of admiration, Greek authors wrote spurious works under Isaac’s name.)

Still, in 644, the Arab invaders under Umar overthrew — or perhaps subsumed — the Persian Empire, and the church under Seleucia-Ktesiphon was permanently isolated. Over time the Persian church came to be known variously as the Nestorian Church, the Church of the East, and the Assyrian Church of the East. Syriac (more about which in a moment) remains their predominant liturgical language, and like the Copts, they have a distinctive liturgical tradition. You can get a sense of it from this video (which is in English):

From the eighth to the thirteenth centuries, the Church of the East was at the center of the intellectual life in the Islamic world and played an important role in the translation of Greek texts into Arabic. Following the Mongol sacking of Baghdad in 1258, they retreated to the relative safety of the mountains of Northern Iraq. Their period of flourishing and expansion was over, and they were isolated again in northern Mesopotamia. Since then, their relatively small size, internal divisions, shifting ecclesial ties, and political instability in the region have meant that they’ve been forced to move around a lot over the last several centuries, and they have been largely concentrated in pockets of Iran, Iraq, and Syria. Their patriarch, or chief bishop, is at present in exile in Chicago.

A last point for the moment. Concerning language: Syriac is often referred to in Western media as “the language of Christ”. This is fundamentally misleading, but it also reveals a certain myopia of our media outlets and worldview. Jesus, as a Jew in Roman Judea, probably spoke the Galilean dialect of Aramaic as his native language, a Semitic language related to Hebrew and modern Arabic. More than likely, he spoke some Greek as well, since that was the common language of business and society for a Roman province. Classical Syriac began as the dialect of Aramaic of the city of Edessa, and it developed into a key literary and liturgical language perhaps in the second century; certainly the Old Testament was translated from Hebrew to Syriac in the second century (although a complete New Testament has murkier origins, without a clear appearance until the fifth century). It should be clear, however, that a form of Syriac remains a living, albeit endangered, language in some Assyrian communities, which means that it has developed and evolved from its classical iteration. Much as calling Modern Greek “the language of Homer”, or modern Italian “the language of Virgil”, or modern English “the language of Beowulf” misleadingly elides centuries of language change, calling Syriac “the language of Christ” does the same. It also ignores the far more interesting linguistic relationship between ancient Aramaic, classical Syriac, and the modern language known by its speakers as Assyrian, and also implies that these people, their culture, their history, and their language are only of secondary interest to an imaginary reconstruction of the world of the New Testament. That is to do sufficient justice neither to the Syriac/Assyrian people and heritage, which are under significant and immediate attack now (besides the kidnapping, there’s also Sunday’s burning of Mosul’s library), nor to Christianity and its history, nor to the history of the Roman East and the Roman/Persian frontier in antiquity as its own fully-qualified subject of interest. There is far more going on in current events with far deeper roots than these one-paragraph summaries would have you believe, and pithy statements like “Syriac is the language of Christ” do nothing to illuminate that.

Lord have mercy on the Assyrian Christians!

(I am grateful to Sam Noble, Eric Jobe, David Maldonado-Rivera, Fr. Andrew Damick, and Lucas Christensen for their helpful comments on yesterday’s piece as well as today’s. Any errors that remain are, of course, my own.)

Who are the Copts?

Icon the 21 Coptic New Martyrs of Libya, painted by Tony Rezk.(Note: this piece is intended for a general audience, not necessarily my normal two readers, whom I would expect would be familiar with at least some of the issues discussed here.)

On or before 14 Feburary, an “affiliate” of ISIS beheaded 21 Coptic Orthodox Christians on a beach in Libya, as depicted in a video the ISIS affiliate released to the public. The story made international news, and the Coptic Pope Tawadros (Theodore) II declared that they were to remembered as martyr saints and added them to the Coptic Synaxarion, the book that lists the saints commemorated by calendar day. Their future commemoration will be on 15 February.

CNN’s story on the beheading had this brief statement explaining Coptic Christian identity:

Coptic Christians are part of the Orthodox Christian tradition, one of three main traditions under the Christian umbrella, alongside Catholicism and Protestantism. Copts split from other Christians in the fifth century over the definition of the divinity of Jesus Christ.

Well, that’s not entirely wrong, but it could do with some unpacking. The short version is that Copts are the modern Christian group that count themselves as the present-day successors of the historic Church in Alexandria, Egypt, one of the five major episcopates in late antiquity, the others being Rome, Constantinople, Antioch, and Jerusalem. Copts are generally understood as belonging to the so-called Oriental Orthodox tradition, as opposed to the Greek or Eastern Orthodox tradition; The Oriental Orthodox communion includes the Syriac, Ethiopian, Eritrean, Armenian, and Indian Orthodox Churches. Oriental Orthodox recognize the first three Ecumenical Councils — Nicea, Constantinople, and Ephesus; by contrast, the Greek Orthodox are normally said to recognize the first seven, and Roman Catholics recognize twenty-one, up to Vatican II in the 20th century. Copts remain principally Egyptian in terms of modern national heritage. They have their own distinctive liturgical tradition that is separate from the Byzantine and Roman/Frankish rites, and you can get a sense of the current practice of it here.

Why do the Copts exist as a separate group? To make a complicated story a little shorter, Christianity in the early centuries emerged in a Mediterranean, Roman context where two things mattered — what major city you were in or closest to, and how close to the sea that city was. Egypt’s Alexandria and Syria’s Antioch were cities that pretty much ruled the roost as far as intellectual culture and theological thought were concerned, and represented the major poles that governed the development of orthodox (intentional lower-case “o”) Christianity. The major common language of education in this period was Greek, a language that already had a well-developed vocabulary and rhetorical approach for talking about complicated and nuanced philosophical ideas. At the same time, Latin was the language of the state, and there were of course local languages. Semitic languages were common in the eastern part of the empire, including Aramaic (the so-called “language of Jesus”) and its dialects, like Syriac. Egypt still spoke Egyptian, with a major literary dialect known as Bohairic, commonly known as “Coptic”. This dialect had been used continuously going back to the pharaohs, and for historical reasons, it adopted the Greek alphabet and some Greek vocabulary. These local languages were often employed for monastic writing and other kinds of sacred literary production, although it was not at all uncommon for authors in these languages to borrow Greek theological terminology outright rather than attempt to translate them.

In 325, Constantine started to build his New Rome at the site of Byzantium, a port town that straddled the western edge of Europe and the eastern edge of Asia Minor. Constantinople may have been the new capital by fiat, but it had to earn its intellectual credibility, and while the first two ecumenical councils were held in or near Constantinople, the theological and ecclesial powers at play were Antiochene and Alexandrian. The arguments were certainly about the nature of Christ in content; inter-city Roman politics were part of the context nonetheless.

In the early decades of the 400s, Constantinople was ready to try its hand at theology, and it was a disaster. Nestorius, the capital’s archbishop, got involved in a Christological argument, and in 431 at the Council of Ephesus (the third Ecumenical Council) he got his head handed to him by Cyril, the Patriarch of Alexandria and heavyweight champion of theological disputes. Incidentally, it is because of the Council of Ephesus that the Virgin Mary’s status as “Mother of God” is a dogmatic point for Oriental and Greek Orthodox, as well as for Roman Catholics; the base question, despite an awkward appellation in English (the Greek word, Theotokos, is more literally, if woodenly, rendered as “One who carried God in her womb”), is strictly whether the child to whom Mary gave birth was God from conception or not, not a matter of Mary as the source of Christ’s divinity.

In any event, the memory of Cyril as the voice of authority at Ephesus was powerful, and over the next twenty years there was jockeying for control of his memory amongst successors and putative successors in Constantinople, Rome, and Alexandria. In addition, there were residual issues left over from Ephesus, as Cyril’s Christological formulations that dogmatized the Virgin Mary as Theotokos also raised new questions. A council in 449 convened by Emperor Theodosius II to address the new theological disputes seemed inclined to favor Dioscorus, Cyril’s successor as Patriarch of Alexandria, and to do at the expense of Flavian, Constantinople’s own patriarch. Then Theodosius died, and his successor, Marcian, convened a council in Chalcedon (modern-day Kadıköy in Turkey) that favored Rome and Constantinople at Dioscorus’ expense. Dioscorus was exiled, and Constantinople appointed their own Patriarch of Alexandria. He didn’t last long; the Alexandrians forced him out to elect whom they wanted as Dioscorus’ successor.

The disputes were made worse by the linguistic issues; the Christological formulations relied on specific vocabulary in Greek that was difficult to render in other languages. Monks in Palestine, Egypt, and Syria felt that the faith of their beloved Cyril was being sacrificed at the altar of politics in favor of settled heresy being rehabilitated by sophistry. The so-called Tome of Pope Leo I, a sort of “friend of the court” briefing for the Second Council of Ephesus (although not read until Chalcedon) that was written in Latin, only made things worse in its (possibly deliberately) clumsy approximation of Greek theological vocabulary. Imperial fiat did not fix the problem either; a compromise decree by the Emperor Zeno in 482 made nobody happy, and hardened the division between those who adhered to Chalcedon and those who were, by now, fairly described as anti-Chalcedonian.

Emperors and bishops continued waging these internal battles for another century before the non-Chalcedonians became a separate ecclesial entity; the sixth century emperor Justinian held several “heretical” bishops from Alexandria and Syria under house arrest in Constantinople, and they consecrated a monk named Jacob as a bishop. Jacob traveled in rags throughout the regions sympathetic to Alexandria, consecrating close to a hundred bishops and perhaps thousands of priests. An ecclesial structure parallel to, but separate from, the Church of the Roman Empire had been established.

Whatever hope there may have been at reunification and reconciliation was lost in the seventh century, when the Rashidun Caliphate captured Alexandria, Antioch, and other major regions in the East where there had been anti-Chalcedonian sentiment and a non-Chalcedonian church structure. Egypt remained predominantly Christian for some time, but by the 12th century the Christian community was a minority.

The Oriental and Greek Orthodox remain separated and “out of communion” in the present day; there have been theological discussions in the last several decades to attempt to resolve the issues once and for all, but the division remains an official reality. In the Middle East, however, there is a great deal of practical cooperation between Christian groups, regardless of official structural division.

In modern Egypt, Coptic Orthodox make up perhaps 7-10% of the country’s population, and in recent years there have been a number of reports of violent attacks in Alexandria. A bomb at the Coptic church of Al-Qiddissin on New Year’s Day 2011 killed twenty-one people, for example, and there have been additional attacks throughout the cities and countryside.

In Libya, where the beheadings took place, Copts are the largest Christian group.

Coptic New Martyrs of Libya, pray for us!

Follow up on choir schools, with a suggested course of action

Well, the spike in traffic the last few days leads me to believe that maybe the idea of an Orthodox choir school has drawn the attention of more than my usual two readers. Cool. If that’s so, then let me go into some more detail, and let me suggest a course of action.

First of all, thanks for all of the positive reactions. It’s great to see that there’s a way to describe this vision so that people get it and get excited about it; I hope that this is a sign of things to come. Please continue to share these posts far and wide; it’s an idea that has to gain a certain critical mass before it can go anywhere besides this blog.

Also, there have been a number of excellent suggestions that have come from my “Orthodox choir school: how I’d do it” post. Suggestions about cities, about teaching methods, about other schools to look at, and so on. I appreciate all of that, and I’m all ears for that kind of input. When (I repeat, when) the time comes, that will all be extremely useful — keep it coming!

Something that has been brought up is that there have been people who have toiled in Orthodox children’s music education for years, and there are existing programs that struggle to stay afloat. Wouldn’t it be better to try to build everybody up rather than concentrating efforts in one location? Might putting all the eggs in one basket be a well-intentioned, but ultimately misplaced, idea?

I had a response to this, but before I go into that, I want to make everybody aware of some valuable resources that should be looked at if this subject is going to be taken seriously. There is the Choir Schools’ Association in the UK, and they have a document titled “Reaching Out”, which is a great overview of the current state of the tradition in England. One is a doctoral thesis by one Daniel James McGrath titled “The Choir School in the American Church: a study of the choir school and other current chorister training models in Episcopal and Anglican parishes”. There’s also a doctoral thesis by Lucas Matthew Tappan, “The Madeleine Choir School (Salt Lake City, Utah): A Contemporary American Choral Foundation”.

IMG_3755Something that, alas, I can’t link to but that you should be able to acquire if you want a copy, is the 50th anniversary season brochure for St. Paul”s Choir School. They have them out for the taking in the narthex at St. Paul’s; I got a copy when I went to their Christmas concert on Friday. If you contact the school and ask for one, I have to imagine they’ll send it to you.

Nota bene — with all of these resources, one has to make sure that one takes them mutatis mutandis to a certain extent. McGrath and St. Paul’s are dealing with a context of boys’ choirs, and I’m talking about a co-ed approach, for example. The Madeleine Choir School and St. Paul’s are Catholic, and McGrath is writing from an Anglican perspective. Nonetheless, all are extremely useful in terms of how they talk about organization, curriculum, challenges, and so on — Tappan in particular explicitly has the objective of serving as a “road map” (his words) for those who might want to follow the Madeleine’s lead. Handy, that.

One of the main things I want to put forth here is this passage from Tappan’s thesis on the Madeleine as the justification for a choir school:

…a choir school consists of an institution where children are given a well-rounded musical education as well as liturgical formation in the ars celebrandi, and where they put these skills at the service of the sacred liturgy on a regular basis within a specific community (often that of a cathedral or collegiate chapel). In return, these children are given an outstanding elementary and religious education.

Even though these qualities constitute the basic elements of a choir school, each institution is a unique place where the choir school tradition exists within a particular time and culture… Perhaps the church musician will find in the choir school a model for training young people in an art that has the power to transform lives and to bring many out of the isolation of modern living into a living community of musicians and believers, forming young musicians “for the lifelong praise and worship of God” (p. 2).

But then there’s the epiphany of Gregory Glenn, the founder of the Madeleine Choir School, when he spent three months at Westminster Cathedral Choir School in London:

What Glenn realized was that the institution itself was the formator (emphasis mine). The incessant rounds of daily rehearsals and liturgies in the cathedrals and the process of going through a massive amount of repertoire year after year was crucial to being able to sing, for example, a Poulenc Mass on short notice. The choristers sight-read so easily that rehearsal time was never spent learning notes. There might be a false note or two the first time through a work, but the boys usually corrected themselves the second time around. Choir masters were able to spend the majority of rehearsal time working toward a more musical performance of the repertoire. According to Glenn, the Madeleine Choir School is still working toward this goal, but it becomes more of a reality with time. (Tappan, p. 26)

Here was my answer to the concern about concentrating efforts in one location:

I spent 11 years in a location that was, theoretically, fairly central in the United States, but as far as Orthodox Christianity went, was about as isolated as you could be without being in Wyoming. Almost anything and everything the parish there took on could be (and often was) fairly described as “being a lot of effort for one location”, right down to building a church. It still needed to be done. Along the same lines, the Madeleine school is certainly “a lot of effort for one location” (in Salt Lake City, no less!), but it’s still worth doing.

The other thing I’ll say is that musical efforts in particular often get problematized in “American Orthodoxy” (whatever we mean by that) as “reinventing the wheel”, that reduplication of effort doesn’t accomplish anything… What needs to be recognized is that not all wheels will travel on the same roads[…], people and institutions need to play to their strengths, and dispersion of effort that hangs everything on the energies of either one person or a tiny handful of people is a disaster waiting to happen. The Madeleine Choir School is not the only Catholic school in the Salt Lake City metro area, for example, but its existence allows for the faculty and students to play to a particular set of strengths, and the result is an example that is inspiring. Supporting music education in existing Orthodox schools is a great thing to do, but it also seems to me that establishing a model school that focuses particularly on that aspect will allow for a level of excellence to develop and be made manifest publicly. I think we accomplish a lot more when we’re able to work together than when we’re isolated; my experience is that most of us Orthodox musicians are too isolated from each other as it is, and that that is a bad thing.

Beyond that — as I said earlier, I attended a Christmas concert sung by the choirs of the St. Paul’s Choir School Friday evening with Megan and Theodore; one of the big takeaways was that Theodore was absolutely enrapt when the boys processed in, wearing black cassocks and singing “One in Royal David’s City”. I’ll say that the evening was was mostly the work of the the preparatory choir (the main choir had their big concert yesterday with Britten’s “A Ceremony of Carols”), but everybody did something, and they’ve got a good thing going there.

So, where to, folks? How do we get there from here? I’ve told you how I’d do it — and, I have to say, it’s remarkably similar to what Tappan describes Gregory Glenn, the Madeleine Choir School’s founder, as having done (and I discovered Tappan after I wrote that post) — he put a great deal of time in visiting model institutions and putting together a feasibility study/planning document with a proposed budget. Realistically, I think this is going to be somebody’s full-time task for at least six months.

My modest proposal, then, is this — a great Christmas gift to me, to your kids, and to our Church, would be a gift in support of this initial effort. Somebody shared the post saying, “I wish I had a million or two to give to such an undertaking”; well, it doesn’t need a million or two, not yet, and while you might not be in a position to give a million or two, maybe you can do something (particularly since it’s near year-end — taxes are coming!). It doesn’t really matter how much you might be able to do; if everybody who saw my posts over the last week even gave something relatively small, it would go a long way towards making this possible. Anyway, I don’t want to do a hard sell on giving right now. Rather, this is just the trial balloon — the question is, can we fund the initial planning activities, yes or no? You tell me. If we can, then maybe we can do this for real.

The way to give is through The Saint John of Damascus Society; click here, click on the donate button, and you’ll be taken to PayPal. The Society is a tax-exempt (501(c)3) non-profit, so all gifts are tax-deductible to the extent allowed by law. If you want to do something but don’t want to do it via PayPal, drop me a line at richardbarrett AT johnofdamascus DOT org.

I’m really not interested in asking for money right now, so we’re clear. This isn’t about money to me. At the same time, without some money, the next steps are really out of reach.

This is an open forum on the topic, so please, any questions, suggestions, comments, requests for more information, anything — keep it coming! And if you want one of the The Choir DVDs, e-mail me with an address.

Okay, my friends. I’ve made my pitch. You’ve all told me you’re interested and supportive; pray for us, tell me what we’re doing next, and share this far and wide if this is important to you. Thanks for sticking with me so far.

An Orthodox choir school: how I’d do it

Since I’ve just run a couple of posts that have touched upon the topic of choir schools, and last week I had occasion to run the pitch — such as it presently is — past a couple of friends, maybe I can take a moment to go into detail about how I could see an Orthodox choir school coming together.

First, what have I already done? Well, in 2005, I went to New York for the first time. While I was there, I visited St. Thomas Episcopal Church on 5th Ave, and heard their choir of men and boys for the first time. I learned more about the St. Thomas Choir School (there’s a video here that I can’t embed), and became fascinated by the model and its heritage, and convinced that it would be fantastically worthwhile to adapt it for Orthodox use. In 2007, I published this piece as a blog post (it originally had been intended for The Word, although, alas, the submission was never acknowledged). In 2009, it was picked up by AGAIN Magazine as an article titled “Teach a child to sing: Thoughts about Orthodox choir schools”. Fr. Chris Metropulos noticed the article, and interviewed me on the OCN show Come Receive the Light. All of this really amounted to me throwing the broad strokes of a big idea out there to see if anybody would run with it; I can’t really say I wasn’t given a platform, because I was, but nobody ran with it.

Which isn’t to say that nobody responded at all. I got an e-mail from a Mover and Shaker who was really intrigued, but who said, frankly, we’re so far away from being able to speak meaningfully of what a school could accomplish that there’s just no conversation to be had with anybody right now.

And that was that, until 2013, when a documentary on the Madeleine Choir School in Salt Lake City titled The Choir was released on DVD. I immediately bought ten copies in bulk and sent them out to various musical leaders on the American Orthodox scene with a copy of my AGAIN article saying, in essence, This is exactly what I was talking about. This is what we should be doing. Watch this and then let’s talk.

The same Mover and Shaker who had responded positively to the article was the sole person to respond to the mailing, and this person continued to respond positively. In fact, this person said — that’s great; now, here are another ten people who need to see this. So, I sent out another ten copies of the DVD with the article to the suggested names; no response.

Well, now there’s been a piece on a Catholic choir school that has run on CBS Good Morning. It’s a moment, a fleeting one, but I may as well try to take advantage of it.

So, I’m going to give you my pitch. If it inspires you, makes you want to help, please talk to me. This is a vision, to be clear, that I want to see succeed because I want there to be just such a school I can send my kids to. Certainly I want to facilitate the vision, but I want to be a participant, not an overlord. I’ll do whatever I have to, but I don’t need to run the show. I’m shouting it from the rooftops as much as I can until there’s a critical mass of others to do it, and then if there’s a capacity I can serve in that I’m actually suited to, I will, but I’ll be happy just to be a parent of a student. This is my vision thus far, but it need not be mine alone, and it need not be my baby that I guard jealously.

An Orthodox choir school is a parochial school attached to a parish or a cathedral that has as its educational mission the training of primary school-aged children from all Orthodox jurisdictions for excellence in Orthodox Christian musical service. They will receive, as part of their standard curriculum, a high level of musical education, both in terms of general musical skills as well as skills specific to Orthodox musical service, and they will be exposed broadly to the rich heritage of Eastern Orthodox liturgical music — Byzantine chant, Slavic chant and polyphony, Greek-American choral music, modern composers who engage Orthodox spirituality in concert works, and so on. The students will contribute regularly to the liturgical life of the parish/cathedral by singing services throughout the week; they will function as outreach to the community at large by means of concerts and recordings; they will also represent the school, the parish/cathedral, and the musical traditions of Orthodox Christianity by touring. Historically, many such schools are made up of boy trebles, who must then leave when their voices change; the vision here is that an Orthodox choir school will be co-educational, and there will be choirs for students to sing in as they get older.

The value of such a school hopefully is obvious. The next generation of musical leaders in America’s Orthodox churches is not going to fall out of the sky, and the major concern expressed at every Orthodox musical event I have ever attended is, “How do we get our kids involved?” This is a way to do it.

What is necessary to move forward? Well, a lot. How I’d do it, if resources were no object, is this:

I would first form a planning committee made up of people familiar with the broad range of Orthodox musical repertories and who had experience with working with children in particular. This planning committee would make an initial presentation to the Assembly of Canonical Orthodox Bishops and get their blessing to proceed. The committee would also seek to talk to organizations like PaTRAM, Cappella Romana, the National Forum of Greek Orthodox Church Musicians, Axion Estin, the Antiochian Department of Sacred Music, and so on, as well as music faculty at the Orthodox seminaries, and others, to get their input. From there, the job of this committee would be to assess how choir schools operate in this country and how Orthodox schools operate in this country. For the choir schools, we’d visit the Madeleine, St. Paul’s, St. Thomas Choir School in New York, and then also for perspective we’d go to England and spend some time at Westminster Cathedral’s choir school, as well as the Brompton Oratory’s choir school and a couple of others. For Orthodox schools, we’d look at Agia Sophia Academy in Portland, the Theophany School in Boston, the school of St. George Cathedral in Wichita, and then there are, I think, some in California we’d look at as well. (I’m already going to be visiting St. Paul’s at Harvard Square in January for an initial observation.)

The kinds of questions we’d be asking everybody are these: what’s the curriculum? How do you find students? How do you find teachers? What are the benefits and pitfalls for kids — spiritual, physical, emotional, otherwise? What are the benefits and pitfalls for the church communities that are served? How does everything get paid for? How do you keep it financially accessible for students, assuming that’s an objective? How does everything keep runing smoothly? How does accreditation work?

The next question we’d have to answer would be location. My guess is, at this point, such a school would need to be someplace where there is a diverse and sizable Orthodox community already, and where there would be a parish or cathedral big enough to be able to accommodate such an undertaking, given that in all likelihood such a school would not have its own classroom facilities at first. Perhaps the choir school could represent an expansion of a school that already existed. I’m not sure. In any event, I’m guessing there are very few places in the United States where this could be done successfully the first time, and that would have to be very carefully considered.

Probably, the committee would zero in on three candidate locations, and then survey Orthodox communities in those locations to see where there might be the largest concentration of prospective students.

Then, there would need to be a careful consideration of staffing. Who are the teachers? Where are they going to come from? What will they need to be paid? I anticipate that here, the committee would put together a wish list of faculty, and then make informal inquiries about interest, willingness to move if necessary, what it would take for them to accept an offer, and so on.

We’d then take our findings from all of these inquiries and create a planning document. This document would include the faculty/staff wish list, a projected budget for 5-10 years of operations, a narrative of what the school would do in its first five years from an academic standpoint, a musical standpoint, a recruiting standpoint, a facilities standpoint, and a development/fundraising standpoint. There would a curriculum plan as well, and sample concert programming.

This planning document would then serve as the basis for a major gifts campaign, at which point we would open our doors when we could do so responsibly.

Most, if not all, of these tasks could be undertaken under the aegis of the Saint John of Damascus Society; it would be well within the Society’s mission, and it would certainly be easier to perform these initial tasks via the mechanism of a nonprofit that already exists. Certainly, when it came time to move beyond planning stages, in all likelihood it would be ideal to spin the school off as its own entity, perhaps with its own foundation.

So, there you go. That’s the sketch of what I think would need to happen to move forward. There’s much more I could say, but that’s the backbone.

The Madeleine Choir School sends out a season booklet every summer, and last year that inspired me to try to put something together that’s similar, as kind of a proof of concept. I didn’t quite finish it — I have a dissertation to write, after all — but here are some pages from what I did finish. The names I list are nobody I’ve actually asked to do anything; they’re simply there to indicate real people who could serve this kind of school were it to be up and running. The concert programs are also strictly intended to be representative ideas. Nonetheless, see what you think.

If I might make a plea from the heart — if you’ve read anything I’ve written or seen anything I’ve done that has to do with Orthodox music, you know that this is a labor of love for me. Nowhere in that brochure mockup do you see my name; I am not trying to promote myself by any stretch of the imagination. I believe strongly that there is a desperate need that this fills — a desperate need for our churches, certainly, but also a desperate need for our world — and I hope to see that need filled. No more, no less.

If this is of any interest to you at all, let me know. If you want a copy of anything, ask — I’ve got a lot of resources related to choir schools, including somebody’s dissertation about the use of the choir school model in America. I’ve still got copies of the DVD of The Choir I can give out if that helps. I’m entirely and absolutely serious about wanting to see this happen; if you’re at least halfway serious about wanting to help, I’m all ears.

Okay, back to work for me.

This year’s gift ideas

Christmas gift ideas are something I’ve done before, and it’s that time again, to say the least. Christmas is a week from tomorrow, so probably you want to order whatever it is you’re going to order in the next couple of days if you want to make sure it’s received on time. Here are this year’s gift suggestions, from me to you:

– Fr. Ivan Moody’s new book, Modernism and Orthodox Spirituality in Contemporary Music. I’ll be review this book shortly for Orthodox Arts Journal, but I’ll go ahead and recommend it to you now. It’s a fascinating look at how 20th/21st century art music from around the world engages Orthodox liturgical music and vice versa, and really turns on its head the idea that “Orthodoxy doesn’t do art”.

 

– Keeping with the theme, the CD Arctic Light: Finnish Orthodox Music, with Fr. Ivan Moody conducting Cappella Romana. I reviewed it here, and it’s a terrific stocking stuffer for the lover of choral music who might like something a little different.

 

– The world-music collective Dünya has a really fascinating recording out titled A Story of the City: Constantinople, Istanbul. It’s a collection of Byzantine music, Ottoman classical music, and more; I highly recommend it.

 

 

– One more CD suggestion: Christmas in Harvard Square, by the St. Paul’s Choir School, Harvard Square. I just blogged something about the school, so they’re on my mind; plus, it’s a really nice treble sound.

 

 

The Tom Bihn Checkpoint Flyer briefcase was a gift suggestion here three years ago; this year, I’m pleased that I can finally suggest the Parental Unit, their brand spanking new diaper bag. I remain pleased with my Checkpoint Flyer three and a half years after buying it (as well as with Tom Bihn’s customer service; they’ve been as good as their word on the lifetime guarantee), and while the Parental Unit came along a little late for our needs with Theodore (as in two and a half years late), it looks like it’ll be great for future consideration. (Not an announcement, by the way.)

– Sometime in, I think, 1989, I read an interview in the long-defunct Comics Scene magazine with an animator named Richard Williams. He had just won two Oscars for his work on Who Framed Roger Rabbit, and he talked about how this was allowing him to finish, at long last, his decades-in-the-making masterpiece, The Thief and the Cobbler. The story of why this turned out not, in fact, to be case, why instead Disney released its, shall we say, fascinatingly similar film a few years later (arguably getting away with murder), and why you might find a $2 DVD in grocery store bargain bins titled Arabian Knight using some of the animation produced for Cobbler is nothing less than one of the artistic tragedies of the twentieth century. Over the last few years years, there has been something of a renaissance of interest in Cobbler, with an unofficial, so-called “recobbled” cut having been produced by one Garrett Gilchrist. Over the last year, there have been a couple of screenings of Williams’ workprint, both at the Academy of Motion Picture Arts and Sciences and at the British Film Institute. Filmmaker Kevin Schreck has also produced a documentary about Cobbler and why you never saw it titled The Persistence of Vision, and it has been very well-received in the festival circuit for the last year or so. While it’s a difficult film to license commercially for a number of reasons, Kevin has been able to produce a limited edition 2-disc DVD release of the documentary, and it also includes Williams’ workprint among the special features. It is available for what it is officially being called a donation of $25, and I recommend it highly — it really is fascinating.

– Averil Cameron’s new book, Byzantine Matters, is a concise, readable overview of the state of the field of Byzantine studies, as she sees it. There’s a lot here that’s worth thinking about, and while much of it is prompted by her ongoing feud with Byzantinists who work a bit later than she does, she is up front about that disagreement and what she thinks the problem is.

 

– Twin Peaks: The Entire Mystery. I’ve spoken my piece about Twin Peaks here already, so hopefully this speaks for itself. Just get it.

 

 

– If Twin Peaks is your thing, there’s also Reflections: An Oral History of Twin Peaks, a behind-the-scenes treatment of the series by Brad Dukes. I haven’t read this yet, but it looks really interesting.

 

 

 

StJohnDamascus-logo-color-420x230– Finally, if none of these speak to you, I offer the possibility that you could make a donation to The Saint John of Damascus Society. We’ve got a lot of different things that we’re working on, including the Psalm 103 project but also much more, and making a gift in the name of somebody you care about would be a lovely gesture for all concerned. All gifts are tax-deductible to the extent allowed by law. The above link will take you to our website’s “Support” page; click the “Donate” button and PayPal will take care of the rest. If you’re interested in giving a gift but want to have a conversation with a person about it, get in touch with me (either via the combox here or by e-mailing richardbarrett AT johnofdamascus . org), and I’ll be happy to talk to you.

And, should you for some unknown reason be looking to give me a Christmas gift, well — you can certainly give something to the Saint John of Damascus Society, and it will definitely make me happy. I also wouldn’t sneeze at Twin Peaks: The Entire Mystery, and there’s also a book called 75 Years of DC Comics that would be right up my alley. And, hey, this blog has its own “Make a Donation” button. If those options don’t speak to you, well, there’s always this. Or even this.

Okay — Christ is born! Glorify Him! May you all stay well the rest of the fast (and beyond, of course)!


Richard’s Twitter

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