I started my last week of class today. It’s Immersion Level V. Different teacher, different classmates. Different ballgame, in fact. Why?
Well, here’s the deal. There are two other people in the class — one is Fedelique, a French woman who has been in Greece for thirty years. Thirty, as in 3-0. Her Greek is already nearly flawless. Why is she taking the class? Because she’s spent much of that time in the country, and she wants to sound more like an Athenian.
The other person in the class is Irini, a young Greek American woman (who, incidentally, just graduated from IU and was also a student of Frank Hess’ during her time there) who, you guessed it, has grown up hearing it all of her life, speaks it nearly flawlessly, and is mostly here killing time before she starts law school at University of Chicago. Dimitra, the teacher, is a native speaker, φυσικά.
Oh yeah, I’m there too.
At the break, Dimitra asked me, “Is this going to be okay for you?” She asked this because all three of them were speaking so quickly in class that I clearly had major comprehension difficulties. Even simple sentences I couldn’t follow because of how words were running together; even when they slowed down, words were compressed together in a way that I couldn’t even break out the individual words properly the way they were talking, let alone parse them correctly.
I explained. I had a good chunk of Ancient Greek before I started Modern Greek; this gave me enough of a grammatical foundation for Modern Greek that Frank thought it appropriate to bump me from first semester to fourth semester; this had the benefit of keeping me from being bored out of my mind for three semesters, and keeping up with the grammar was no problem, but the university classes unfortunately did nothing for my listening ability. In first semester, people spoke slowly and made a lot of mistakes; in the fourth semester, they were speaking really fast but still making the same mistakes. My ear had nothing to latch onto, and when Frank spoke I didn’t have any idea what to listen for, because while he was speaking correctly, he was also speaking quickly. So, I’ve been hearing it spoken for less than a year, and mostly by non-native speakers. Reading comprehension isn’t a problem, grasp of grammatical concepts isn’t a problem, I just need everything repeated five times in order for me to get half of it.
Here, my problem has been that Greek people don’t want to speak Greek to me once they find out I’m an American or hear any hint of an American accent. Remember what I said about the guy at the bakery on Aegina? That was the other dynamic to that encounter. I asked, in Greek, what a particular pastry was; “Cheese pie,” he said in English. “Τυρόπιτα;” I repeated in Greek, to try to emphasize that he should talk to me in Greek, at which point he just nodded and put one in a bag for me. I asked again, in Greek, what something else was, and exactly the same thing happened. I have to be honest and say that I don’t understand at all what happened there; if it really was a way for him to hard-sell me or if it was just that confusing to him that I was trying to speak to him in Greek. At a café yesterday, I told the waiter, in Greek, I was ready to pay, and he replied in English, “You want the check?”
Then there was the guy who played a song for me and said, “It’s in Greek. Listen and see if you can understand.” The first line of the song wasn’t even over when he just started translating, making it impossible for me to hear the Greek words at all.
The other frustrating part is that there are times when I get hung up on a particular part of something somebody says, and I’m trying to parse it in my head, and the other person just assumes I didn’t understand any part of it and repeats the whole thing in English. Or, perhaps the person repeats in Greek, explaining the meaning of every Greek word in English as they go.
“Yeah, that’s very common,” Dimitra said, nodding. It’s difficult because I could really slow down the flow of the class for the other two, but grammatically it’s the most appropriate section for me to be in. She’s not sure what to tell me except that when I don’t understand something, I need to insist on having it explained, and that she’ll give me as much advance warning on readings and whatnot as she can so that I have time to prepare. The bottom line is that I’m only there for the first week, so it won’t be too disruptive. It’ll be a good closing windsprint for me, I suppose, then I’ll be gone and they can do what they need to do.
I mean, fine, I get that if you’re not a language pedagogue, and your English is better than my Greek, it’s probably just going to be faster to speak in English. However, that can come across sometimes as “You’re really wasting your time, to say nothing of mine, by trying.”
The part that I wonder about is this. Since I was thirteen or so, my musical tastes have, in one form or another, included material to which I cannot listen for content. Cocteau Twins was the first dip of the toe into this kind of thing; that plus the years and years I listened to opera (to say nothing of sacred music) before I was ever able to study the languages meant that I had to ignore the meanings of words and simply listen to sounds. This means I have spent God only knows how many hours over the last twenty years or so with that part of my brain deliberately disengaged when I listen to a large chunk of my music collection. Might this be an issue? I really don’t know — I want to say I didn’t exactly have this problem with German, French, or Italian, but I also never tried to do quite as much with those three.
Maybe the bottom line is just this — a lot’s been crammed into my head in the last year and it needs time to settle and take root. I am, to be sure, hearing better now than I was six weeks ago, it’s just not as dramatic of an improvement as I would have liked. As well, in the last class and in this class, I’ve started to get used to new words being explained to me in Greek, and Anna, the teacher from levels III and IV, said that she thought I was probably ready to start using a Greek-Greek dictionary. That’ll help with vocabulary, sure — but I’m not sure what it will do for my listening comprehension.
Guess it’ll be interesting to see how the week goes.
So, the reality is, there are something like 10-20 boats per gate. It is good that I realized this, because I was sitting at a café 
The marina in the town of Aegina is very charming; pistachio nut stands are everywhere (these evidently being one of the island’s big exports), there is no shortage of restaurants and cafés on the water, and plenty of bakeries and shops and so on and so forth.
There’s also a beautiful church along the water, the Cathedral of the Dormition (also called Panagitsa). It evidently dates from 1806; one very distinctive characteristic of this church is that, in addition to the 2+ centuries of incense permeating the walls, there is a very strong smell of honey as you walk in from the beeswax candles. Like many churches here, there is an ambo, but curiously enough they have removed the steps leading up to it, leaving only the pulpit portion in what is a clear state of disuse.
You can go to 
The other thing I want to point about the interior has to do with the chapel off to the south end of the nave, where some of the relics are. Particularly, the iconography — for example, here at the dome of the apse in the chapel (and I would look at the pictures of other frescoes in the chapel, too — time and space simply do not allow for a full discussion here). Does that look familiar? 
Only about half of the monastery proper is open to the public; this includes two (much) smaller churches, the chapel where St. Nectarios’ body is , two bookstores, and then his cell is open as an exhibit. The main thing I want to talk about here is seeing the veneration of his body, and (to some extent) participating in it myself; this is something that up to this point was rather foreign to me as an Orthodox Christian in the United States, given that, of the three analogous examples I can think of, only two are actual glorified saints (Ss. Herman of Alaska and John Maximovitch) and all are in California or Alaska (the third is Fr. Seraphim Rose), meaning that they’re rather remote for somebody whose Orthodox Christian life has been spent in the Midwest thus far.
People knelt and prayed at the casket which held his bones; I saw pilgrims weeping; and strangest of all, I saw people pressing their ears to the reliquary, as though they were listening for some sound from within. I really didn’t know exactly where to put myself in all of this, to be honest; I lit a candle, and I prayed at the reliquary, but my emotional response wasn’t quite that demonstrative — which isn’t to say that I didn’t have one, I did, it was just rather internalized — and since I didn’t know what was going on with the listening thing, I didn’t do it.
From the monastery, I took the bus to to the Temple of Aphaia which, as I noted earlier, is said to form an equilateral triangle with the Parthenon in Athens and the Temple of Poseidon at Sounio. There really is something very cool about being able to walk around structures from antiquity like this; that said, I think I would have rather come here first and then gone to the monastery. My head was simply too occupied by what I had witnessed there to really be able to appreciate what all I was seeing at the ruin. The Temple of Aphaia is certainly fascinating intellectually, but I was very much someplace else spiritually, so it left me a little cold.
Even if that was the case, however, I have to say that there were some really beautiful views from the top of the hill. It is nice being someplace where one can see water and hills and mountains, I can’t deny that.
I got on the bus back to the harbor. I had a Frappé (I am going to have to get a handheld mixer when I get back to the States so I can make these blasted things myself), and then settled down for a grilled fish dinner at Inomagirion, one of the waterfront restaurants. The fish was very good, as a local resident assured me (pictured left), and I had to agree with him, although he kept wanting to verify that it really was as good as he remembered. Being thankful for his help, I obliged a reasonable amount. (Best meal he’s had in weeks, I would have to guess.)
I tried to go to Vespers at Panagitsa before taking the boat back to Athens, but as it started at 7pm and was combined with 9th Hour, so I had to duck out at 7:30, when they had just begun “Lord I have cried…” Alas.
That centermost white dot is Tom Hanks.
A couple of weeks ago, I went with Frank (my Greek teacher at IU), his wife, and my fellow student Stefanos to see Phaedra with Helen Mirren at the ancient theatre of Epidauros. It was a really wonderful day all around; we first went swimming at a beach in Loutraki, a seaside town on the Peleponnesian peninsula — and let me say, swimming in the Gulf of Corinth ain’t bad. I think that’s the first time in probably eight years I’ve been in a body of water of any size, or salt water for that. Following the swim, we drove to the port town, and former Greek capital, of Nafplion. We ate a late lunch at a taverna called Vasillis (hey! That’s “Richard” translated into Greek! Perfect!), walked around the square, and also drove up to Palamidi, the Byzantine/Venetian/Ottoman mountaintop fortress which overlooks the city (“Real cities have medieval castles”).
The play was good; it was a bit weird, seeing a French Baroque playwright’s adaptation of Euripides, translated into English by a modern author, with Modern Greek supertitles, but there we are. It was very nearly a bare stage, with only a few chairs, some sort of small circular platform in the center, and a shell around the back of the stage with ramps leading off and on. Dress was modern, with Hippolytus pacing around the stage in a wifebeater in the first scene. Stanley Townsend was a larger-than-life, aged Theseus; for all of you IU kids reading along at home, think Tim Noble. Helen Mirren, naturally, owned the stage every second she was on it, and was downright creepy for much of the evening. I tend to think that her death scene didn’t have a ton of impact, but that seemed to be a bit of awkward staging more than anything.
The very next day, Giorgos took me for a drive along the coastline to Sounio — in myth, the place where Aegeus threw himself into the sea, and where there is a temple to Poseidon which is said to form an equilateral triangle with the Parthenon and the Temple of Aphaia on the island of Aegina. The point where Aegeus is said to jumped is very rocky and uneven with a lot of loose stones; to be honest, if there was an Aegeus, I find it more likely that he just tripped and
fell, black sails or no black sails. I was wearing Birkenstocks instead of my Merrells — bad idea.
The following Monday, I went to an event called the 
e between the seats and the field; they are evidently are various serious about not wanting fans to rush the pitch — not surprising, since it’s also used for soccer.
en I walked in to browse, somebody was immediately following me, asked if they could help me, and when I said I was just looking, they didn’t leave me alone. It was clear they didn’t want me in there (and I’m not altogether certain why), so I won’t burden them again.
Leitourgeia kai Qurbana: Contra den Zeitgeist 