Byzantine Chant, Authenticity, and Identity: Musicological Historiography Through the Eyes of Folklore

Wanting to keep the blog alive but not yet having time to devote to catching people up on what’s happening, I wanted to share this essay — it was written for my Modern Greek class last spring, and was heavily informed by an ethnomusicology seminar I was auditing on music and sacred experience. I thought about perhaps trying to publish it, and both my Greek instructor as well as the professor teaching the ethno seminar responded positively to it, but neither thought it was sufficiently in their field for it to be publishable in their circles. So, here it is for now. Some of these issues have been discussed here as well.

6 February 2012 — Removed for reasons I’m very happy about. I’ll say more later.

16 May 2012 — You can now find this essay in Greek Orthodox Theological Review, Vol. 55.1-4, pp. 181-98. Please contact me at rrbarret AT indiana DOT edu if you do not have access to a library system that has this available.

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1 Response to “Byzantine Chant, Authenticity, and Identity: Musicological Historiography Through the Eyes of Folklore”



  1. 1 On package deals « Leitourgeia kai Qurbana: Contra den Zeitgeist Trackback on 29 April 2011 at 11:47 am

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