Posts Tagged 'academic publishing'

An opera singer, a public intellectual, and a talk show host walk into a bar…

chiasmusI’m in between instances of getting drafts of my dissertation outline back with my advisor’s comments, plus Theodore is asleep, so I’m trying to get some blog posts done that I’ve had on my mind but haven’t had a chance to actually write.

In the last 2-3 weeks there have been a number of incidents in the popular media that impact, on one level or another, things that I care about. They make something of a nice, thematically-related grouping, centering around the question of semi-esoteric (or even elite) disciplines being understood by mainstream Western media. One case is related, broadly speaking, to one of my current active professional activities; another couple of cases are related to my former professional activities.

First off, there’s the matter of Reza Aslan’s FOX News interview. The first time I watched that, there were two things that didn’t sit right with me about how he presented himself. Of course Lauren Green was being an idiot; that goes without saying. Still, there was an initial eyebrow raise on my part when he claimed “fluency” in biblical Greek. “Fluency?” Really? I was under the impression that, by definition, we can’t claim “fluency” in dead languages. A nitpicky point, absolutely, but it was a moment where he rang false. Then, there was the thought — boy, he sure is making a big show of playing, and re-playing, and re-re-playing, the “I HAVE FOUR DEGREES” card and saying, essentially, “I’m kind of a big deal”. Then I wondered — wait, if this is a scholarly monograph as he seems to be suggesting it is, why the heck does FOX care? Out of curiosity, I looked up the book on Amazon, and saw the publisher — Random House. He’s trying to sell a book published by Random House as a work of serious scholarship? Huh? This doesn’t make any sense.

So then, recalling his very specific claim to be “a scholar of religions with four degrees, including one in the New Testament… my job [is] as an academic. I am a professor of religion, including the New Testament. That’s what I do for a living, actually”, I Googled him to find out just what his four degrees actually were and what classes he taught, and what did I find? That his PhD was in sociology, one of his four degrees is a MFA in Creative Writing, and in fact his academic post at UC Riverside is in the Creative Writing department.

To be absolutely clear, in terms of academic standing, I don’t care if Aslan’s Muslim, Buddhist, Hindu, Jewish, Shinto, atheist, or anything else, and neither should anybody else who has a clue about how scholarship works. Sidney Griffith is a Catholic scholar who has published on Islam; Steven Runciman was, I think, an atheist (correct me if I’m wrong — I’m going off of a statement from Met. Kallistos Ware that he was not part of any church whatsoever) who published extensively on Byzantine Christianity; and so on. It’s simply irrelevant what Aslan’s confessional leanings are; Ms. Green was way off the mark in making that the focal point of her interview.

Secondly, the issue is not the quality of the book itself. That also is basically a side issue.

The issue that I have with Aslan, who is without question somebody who can be labeled a “public intellectual”, might best be illustrated with a counterexample first. Bart Ehrman is another public intellectual, one who works in the Christian origins sphere and who publishes with trade presses and goes on The Daily Show and NPR and whatnot. Prof. Ehrman also has published peer-reviewed monographs, critical editions, and scholarly articles. So, yes, he takes all of the 3-syllable or more words out of monographs and repackages with a catchy title put out by mass-market publishers and makes a ton of money doing so, but he also has a demonstrable non-commercial scholarly record. His CV shows what qualifies him to do that. Think what you like about him, but he’s the real deal in terms of having done his homework, paid his dues, and then some.

Go to Aslan’s website and you see nothing of the kind. You see a string of popular books and articles; nothing, so far as I can tell, that’s peer-jockeyed or published with an academic press. In fact, according to Lisa Hajjar, a member of his dissertation committee, his dissertation was mostly an elaborated version of a trade press book he had already published. Now, to be clear, the point isn’t to suggest that Aslan “isn’t good enough” (whatever that means) to do what he says; the point is that what he says and what his CV and faculty page at UC Riverside say appear to be two different things.

I should clarify a couple of things. First, why is the sociology thing a big deal? Isn’t sociology of religion a legitimate subfield, thereby qualifying you to talk about yourself as a scholar of religion? Well, sure. But even then, you have to be clear on what you’re qualified to talk about. A friend of mine is the son-in-law of a very well-known sociologist of religion, but he knows what he is and is not trained to do. One of the big differences is language training; another friend of mine wanted to go into academia studying Christianity but was turned off by the language overhead; Greek, Latin, French, German, Italian, probably Syriac, maybe Coptic, etc. This well-known sociologist told him straight up: Do sociology. The language requirements are basically nonexistent. Aslan’s own PhD advisor said that the switch to sociology was made to eliminate some language requirements. This matters because, for the most part, reading a source in translation is a no-go for making serious arguments about it as a piece of evidence. That’s not to say there aren’t any exceptions, but Aslan claiming “fluency” in biblical Greek while also having changed departments to obviate language requirements is, at the very least, a major red flag.

It’s also entirely possible that what’s going on here is that Aslan is on a career track that isn’t really about academic scholarship, peer-reviewed articles, and the like — in fact, if he’s in a Creative Writing department, that’s probably the case. Not all academic jobs have the same tenure requirements, most certainly. For all I know, there’s a “public intellectual” career track where you’re supposed to be interviewed on a talk show a certain number of times per year, also have a Huffington Post column, and then you get to go up early for tenure if somebody picks a fight with you on FOX News. But, then, the issue is, you need to be clear about what authoritative claims you’re qualified to make.

Really, nothing here is a huge problem on its own. Claiming to be a historian is fine; that’s something reasonably broad. Pretty sure Herodotus didn’t have a PhD in History. Claiming to be a scholar of religion is fine; again, that’s a broad, interdisciplinary subject. Publishing with a trade press is fine (here I will note that one of the top five most influential books on me ever, Carl Sagan’s Cosmos, was a popularizing work published by Random House). Leaving the world of academic scholarship as he seems to have done is fine. The trouble is that then he makes the far more specific claim that his “job [is] as an academic. I am a professor of religion, including the New Testament. That’s what I do for a living, actually”, and the combination of all of these factors raises red flags (and again, picayune as this may be, as does saying he’s “fluent” in biblical Greek; it’s the use of a term of competency that, as he should know if he actually does have expertise in it, is not applicable to the subject named, just like it would be a bit eyebrow-raising for me to say I got a perfect 10 on my GPA. He is perhaps eliding the matter for FOX News, but it still clanks with his claim of academic authority). So, maybe he doesn’t have the CV of an academic scholar because he isn’t an academic scholar anymore, but he asserts the authority of an academic scholar in answering Ms. Green’s (admittedly stupid) questions? Is that not, at the very least, trying to have it both ways? What I’m happy to grant is that the situation was ridiculous and should have never happened at all, but if your response to questions — yes, even stupid ones from a FOX News interviewer — is going to be an arrogant trotting out of titles and credentials, make sure everything lines up, because if it doesn’t, people will notice and it will not reflect well on you. If he had left it at a vague statement of “I wrote the book because I have an academic and professional interest” rather than going for the soundbite of the list of degrees, I wouldn’t have given it a second thought.

Further, I’d say that these things matter because it matters how you represent yourself to the public (see also the flap over Dr. Laura Schlesinger’s doctorate), it matters under what circumstances you trot out your credentials and titles to claim authority (even — maybe even especially — when stupid people are arguing with you), it matters that those things look like what you say they are when people go and check. It matters because the “I HAVE A DEGREE!” card makes you look like a real dick, particularly when you play it as early as he did and particularly to the anti-intellectual audience he knew full well he had. To me, it more and more comes across simply as peacocking for the NYT Book Review crowd he knew would be Tweeting the video clip within hours.

And if I seem to care a disproportionate amount about this — well, yeah, I do, and it’s because I’m a first-generation college graduate with close family members who think the sun rises and sets on FOX News. I already spend time trying to convince family members that academics aren’t mostly self-important, arrogant, d-bag jackasses who trot out their degrees principally for purposes of self-puffery, and it doesn’t help my case when something like this happens. From where I sit, Aslan’s behavior is bad for everybody.

But, it all comes down to what one actually means by calling Aslan an “academic” or a “scholar”. This may be not entirely unlike the problem with people like Andrea Boccelli or Jackie Evancho being called “opera singers” — that is, if you mean somebody who actually sings roles in operatic productions staged by opera houses, they’re most certainly not. But, if you just mean somebody who appears on PBS specials or Oprah and sings with heavy vibrato a repertoire that tends to be accompanied by an orchestra track, well, then maybe you can call them that. If by an “academic” or “scholar” you mean somebody who does academic, scholarly research, then it’s really unclear whether or not Aslan fits that bill, at least to me, looking at his CV. But, if you just mean somebody who is, to use this term again, basically a public intellectual of sorts, well, okay.

Which brings me to the next incident in question, Thomas Hampson’s interview with the BBC’s Sarah Montague on HARDtalk on the question whether or not opera is an elite art form that basically needs to be allowed to die off. Sarah Montague is grating and aggressive in this interview in ways she clearly doesn’t have the chops to pull off, but Thomas Hampson — by remarkable contrast to Aslan — keeps his cool, and maintains grace and humility while still answering the questions with genuine, unassuming authority. He never pulls out the “I AM AN EXPERT!” card, and as a result, everything he has to say can simply speak for itself.

But then we’ve got something that kind of muddies the waters, and that’s the case of Sean Panikkar, a legitimate operatic tenor in his own right who happens to be very good (I saw him as Lensky in Eugene Onegin at Opera Theatre of St. Louis three years ago, and he was great), appearing as a member of “poperatic” men’s trio “Forte” (doesn’t get any more on the nose than that, ladies and gentleman) on America’s Got Talent. Our godchildren Matt and Erin had gotten to know him in 2010 a bit while singing in the OTSL chorus, and they had mentioned that he was not, as a husband, father, and Christian, entirely enamored with the life of an opera singer (which this seems to bear out a bit), which I can completely understand. But still — putting himself in a situation where Howard Stern is evaluating him? Really?

There’s also this from the Saline Reporter piece —

…[Panikkar] and his agent decided it would be a good idea for him to join because it would help bring exposure to opera considering the show has between 10 and 12 million viewers.  The exposure could also dispel some of the myths surrounding opera, like it is boring or just for the elite, he said. “What I’ve found is when people give it a chance they love it,” he said.

Here’s my question — does that actually work? Now, somebody like Sean Panikkar (i.e., the real deal) doing it is maybe a different case, but at least what I’ve seen amongst people close to me (and yes, these are some of the same people mentioned above who are FOX devotees) is that they get enamored with figures like Josh Groban or Andrea Boccelli or Charlotte Church or whomever (I think I just showed my age with the figures I named — at least I didn’t say Mario Lanza), and maybe you get them to go to one legit opera (or oratorio, or something) performance, only to have them say, “Yeah, I was disappointed because it wasn’t what I was expecting,” and they never go again.

A friend of mine who is herself on her way to being Very, Very Famous Indeed (seriously), and who I think knows Sean, said that part of what’s going on here is the opera world realizing they need to engage the popular TV audience more — that back in the ’50s, ’60s, and ’70s, big opera stars appeared on the most popular television shows all the time, and people knew who they were — Beverly Sills showing up on Johnny Carson, for example. That’s certainly true; my dad, no opera fan he, says that everybody knew who Beverly Sills was in the ’60s and ’70s. The question with that, though, is this — was opera more mainstream because people like Carson had people like Beverly Sills on, or did he have people like Beverly Sills on because opera was more mainstream? Mario Lanza’s film The Great Caruso was one of the biggest movies of the year in 1951; while Lanza had considerable star power in his own right, the subject had to hold at least some built-in commercial appeal. Would it even be comprehensible today for somebody to propose, say, making a movie called The Great Pavarotti with somebody of any significant command of the box office?

I’d like to be wrong. I’ve just never seen somebody learn to like opera from this kind of thing; quite the opposite. What I’ve seen is that you probably aren’t going care about opera qua opera without somebody being up front with you about what it is as well as what it isn’t.

So, perhaps, a guy with a real operatic career doing something like this means that something different is being brought to the table. If so, great; I’ll be curious to see what that actually looks like. I still don’t like Howard Stern’s opinion of him actually mattering.

To close off what seems to have become a chiasmus, there’s Timothy Michael Law, a legit, Oxford-trained scholar of Jewish studies, whose book When God Spoke Greek: The Septuagint and the Making of the Christian Bible is, it sounds like, an introductory scholarly work (not necessarily a popularizing work) published by an academic press, dealing with a concrete historical issue of Christian origins. Naturally, FOX doesn’t seem to have the slightest interest in him, and First Things seems to be the highest-profile coverage he’s getting, but he comes across basically the same way Thomas Hampson does — i.e., like he actually knows what he’s talking about and doesn’t have to show off to anybody to prove it. There’s a lesson here; I’m not sure exactly what it is.


New journal article: “Sensory Experience and the Women Martyrs of Najran”

A bit over a year ago, I announced, along with an impending next generation, that my first peer-reviewed article in my more-or-less official field (late antique Roman history) had been accepted for publication. Well, the issue of Journal of Early Christian Studies arrived in my mailbox today, and they have also posted it online. If you’re interested in the piece, you can either access the entire issue via a research library’s subscription, or I’ve posted the pdf to my profile. Onward and upward.

I should note that the issue includes an article by Jonathan Zecher, another former Seattleite and all-around cool guy whom I met via some mutual friends at North American Patristics Society last year (and with whom I had some other, unexpected friends in common); besides us punk kids, there is also an article by NAPS president Dennis Trout (it’s actually his address from last year’s conference), as well as Oxford legend Fergus Millar. All of that is to say, I find myself in unexpectedly good company — there goes the neighborhood, I guess.


An itinerary and a couple of labors of love

I’ve got three things to pass along, and I suppose I should relate them in order of interest from least to greatest. Otherwise, you’ll just read the first item and skip the rest.

First — I’m going to be mildly peripatetic in the coming months. 9-12 February I will be in New Jersey to participate in the Georges Florovsky Patristic Symposium, and then 12-15 February I will be in Boston to spend a few days at Holy Cross Greek Orthodox School of Theology. 2-4 March I will be in Emmaus, PA to give a presentation on church music as part of a Lenten retreat at St. Paul Orthodox Church. Then, looking ahead a bit farther, 24-26 May I will be participating in the North American Patristics Society (NAPS) annual meeting in Chicago. I realize that maybe I’m up to three regular readers (counting my parakeet), but if you happen to be anywhere near any of those places when I’m there, by all means let me know. I had the odd experience at the Antiochian Sacred Music Institute last summer of meeting a couple of people who said upon meeting me, “Oh! I read your blog,” and then I also met this gentleman at the Byzantine Studies conference this last October (although neither of us realized whom the other was until after we were both back home). Anyway, I won’t look at you funny or hiss at you if you introduce yourself, promise.

Second — my first peer-reviewed article, “Sensory Experience and the Women Martyrs of Najran”, has been accepted by The Journal of Early Christian Studies. It’s been an interesting road with this project; five years ago, during my initial year of being a non-matriculated continuing student, I took my first graduate seminar, a course on the Middle East in late antiquity, taught by the professor who would later become my advisor. It was my first exposure to scholars like Peter Brown and Susan Ashbrook Harvey and so on, and was a significant broadening of my horizons. The student makeup of the class was very telling; it was a History course that had no History students in it but rather three Religious Studies kids and me.

Anyway, among other things, we read Sebastian Brock and Susan Ashbrook Harvey’s translation of the section of the Second Letter of Simeon of Beth-Arsham that deals with the martyrdoms of the women during the Himyarites’ sack of Najran, and the in-class discussion sparked something for me. Other students were focused on the gory nature of the martyrdom details for their own sake — I specifically remember one person commenting, “I never understood the connection people draw between martyrdom and sadomasochism before now” — but it was clear to me that there was something else governing how those details were conveyed, namely shared liturgical experience. I raised this point, and I still remember the look that I got as clear as day. Needless to say, it didn’t get a lot of traction in class, but when paper topics had to be proposed, I mentioned it to the professor as a possibility. “I can almost guarantee you I won’t buy your argument,” he said. “You’ll have to go a long way for me to see it as at all legitimate.” Well, that’s a challenge, now isn’t it? I wrote the paper, making what I saw as explicit as I could and relating it to known liturgical practices as clearly as I was able. I presented an overview in class, and the professor was quiet for a moment. “You know,” he said, “not only am I convinced, but now I can’t see it any other way. Good for you.”

Later, as I was applying for IU’s Religious Studies graduate program, the paper was used as my writing sample. At the same time, I was alerted to one of the big religious studies journals doing a themed issue on religious violence; I figured, hey, what the heck, if it gets in it can only help the application, and I sent them the paper. I also submitted it to Dorushe, a graduate conference on Syriac studies that was being held at Notre Dame. Well, the outcome of the Religious Studies application was detailed, if somewhat obscurely, here; as far as the paper went, it got into Dorushe, but the response from the journal was a little more ambivalent. The answer was ultimately no, but they included the reviewers’ comments, and said that if I were to revise it they would be willing to look at it again (while making it clear that this was not a “revise and resubmit”). Since at that point I didn’t think I was going to have the chance to go to grad school, publication didn’t really matter anymore, and I shoved the paper and the comments sheet in a drawer. The Dorushe experience was a little weird in some ways (maybe due more to some heightened self-consciousness on my part than anything), but I met some interesting people, and Sidney Griffith, at least, liked the paper, saying, “The way you lay it out, it’s obvious.”

After actually getting in to grad school, I thought to myself a number of times, I should go back and look at those reviewers’ comments, and finally last June I spent a few days thoroughly reworking the paper. I transferred it from Word to Scrivener, I restructured it following the reviewers’ suggestions, and did what was nearly a page one-rewrite so that it reflected better what my scholarly voice (to the extent that I might pretentiously assert the existence of such a thing) actually sounds like these days. Part of this involved reducing block quotes of secondary literature (a bad habit of which I was cured by the wonderful Prof. Sarah Bassett over in Art History, who in the three years that she’s been here has really proven herself to be one of the great, if somewhat unsung, reasons to study Late Antiquity at Indiana University) down to footnotes and paraphrases, and it also involved an overall refinement of the writing style. Don’t worry, I’m still wordy as hell, but I’ve tried to make the wordiness a little more elegant. Also, there’s some additional literature on the Najran incident that’s come out in the intervening five years, and I had to make sure that all got referenced properly. Anyway, once it was done, I opted to not go back to the original publication, instead sending it off to The Journal of Early Christian Studies. In September, I got a note back from the editor telling me that the reviewers’ recommendation was “revise and resubmit”, saying that this was good news and if I took the feedback seriously, there was no reason I couldn’t have a publishable article. By November the revision was re-submitted, and I got word back this last Tuesday that it was in. Now, I have some style adjustments to make before it’s totally done, but at this stage of the game it looks like it will be appearing in the Spring 2013 issue.

So, that first seminar five years ago got me my advisor, my overall area of interest (the interaction of liturgy and history), and my first published article. (Although, while the Najran paper is related conceptually and methodologically to where I think my dissertation is going, it looks like a paper I wrote for a class I took the previous semester, fall of 2006, served as a first stab at the actual dissertation topic. I’ll have more to say after NAPS, I think.) It’s been the gift that’s kept on giving, to say the least.

Okay, on to the final, and most interesting, bit of news.

Third — on or around 26 June 2012, assuming all goes well and without incident, there will be another Barrett on the earth. Yes, be afraid, my genes are propagating, insanity, puns, tendencies towards a prolix approach of oversharing, and all. Thankfully, this child will also be carrying the genes of Flesh of My Flesh, and those characteristics involve practicality, common sense, order, and normality. (To say nothing of great beauty and brilliance.)

We had intended for the last couple of years that we would start trying once Megan got back from Germany, and we were told to prepare for it taking awhile. Well, apparently not. By the beginning of November we at least knew informally, and then our first OB appointment was Tuesday of Thanksgiving week, which confirmed matters and indicated we were nine weeks along. We spent most of the drive to our Thanksgiving destination on the phone with my mother and then Megan’s mother and stepmother; my mom got the first call, since she’s the one parent who doesn’t have any grandchildren already, and she burst into tears immediately.

We’ve been telling friends and family ever since, but a couple of things made it desirable that we wait a bit before making it “Facebook public”, as it were. Anyway, here we are, and I suppose it will be a source of reflection in the coming months/years/etc. If you’re on Facebook and want to be kept more or less up-to-date, you can join the group “Fans of Baby Barrett“; there’s not a lot to tell at this point except that we’re choosing to not find out whether it’s a boy or a girl. We’ve got some name ideas, yes, but it’s hardly practical to openly discuss those when you don’t know if it’s a boy or a girl, so I’m not going to go there except to say that there are some “legacy names”, as it were, that might make sense, and you know that we’re going to be getting one of these. We’ll see.

By the way, if you happen to be having a baby in or around Bloomington, Indiana, I really can’t recommend Bloomington Area Birth Services (AKA “BABS”) enough. We’re doing their eight-week birthing class (cue Bill Cosby: “Natural childbirth… intellectuals go to class to study how to do this”), and while, I must admit, it’s a little more of the NPR-listening “educated class” culture than I really expected, it’s a lot of excellent information that’s provided very sensitively and accessibly. I kind of surprise myself with my own reactions to some things; it should really be no surprise that “birth culture” a) exists b) is hyper-feminized, but I find a certain kind of stereotypical “maleness” emerging in how I’m processing some of the information, and it is very much out of character for me. It’s probably mostly a reflexive reaction to the explicit hyper-feminization of what’s being presented, which probably has everything to do with me and nothing to do with them, because they really are terrific at what they do. I’m just really not used to what they do. Anyway, I’ll have more to say about this as time goes on, I think.

So, there’s the news. Two different kinds of babies, I guess. There’s a third kind of baby on the way that I hope to be able to talk about more in depth soon, but it’s an outgrowth of some of the musical efforts I’ve had going here the last couple of years. For now, follow this, and I’ll be able to tell all in the next month or so, I think.

Prayers for all of these babies, please, and prayers most of all for Flesh of My Flesh. She’s got to carry our child in her womb and write a dissertation.

Poking my head back up…

…at least for a moment. The thing about blogging is, when you’re doing it, you’re able to do it. When you’re not doing it, it’s hard to get back into it because you feel like you’ve got so much catching up to do.

In brief, I was deliberately keeping blogging on the downlow the first half of April or so while a couple of situations finished playing themselves out, and they did, and everything turned out okay, but then it was Holy Week, and my mom was here, and then it was Finals Week, and then I’ve also been adjusting to a new job, and, and, and…

The other thing is that my new job is significantly less stressful than my old one. By metric tons, even, and for every imaginable reason. Between that and having a break from classes, the decompression rate is astounding. One of the things this has underscored for me is the sheer amount of stress with which I’ve lived for about the last year and a quarter — it’s been a pressure cooker, and not entirely for great, rewarding reasons. There are details on which I’m not going to elaborate here, so let’s just say for the moment that when somebody stops communicating with you, or intentionally communicates poorly, but still makes you responsible for what you would have known had they been communicating with you, and makes that standard operating procedure, there is no longer any reason to stick around — that person has already decided you don’t belong there. You’re not going to win, nor are you going to be able to fix anything.

Anyway, the point is, in decompressing, I have found myself picking up threads of particular projects that have lay fallow for much of the last year. This has been a good and productive thing — although the main one is not something I’m yet ready to discuss here — but it’s also taken time from other things I might have done more readily a month ago. Like blogging.

But here I am now, nonetheless.

I’m in the midst of reading Sunday Matins in the Byzantine Cathedral Rite, the doctoral dissertation of Dr. Alexander Lingas, the founding Artistic Director of Cappella Romana. I don’t have a lot of specific commentary on it just yet because I’m only about a quarter of the way through it, but one thing I will say is that I’m somewhat bemused by the fact that I’m having to read it in the form of a copy ordered from Proquest rather than an actual published book. lists it as having a publication date of 28 June 2008, but it is not yet available for pre-order; on the other hand, it is available for pre-order on However, if you go to the publisher’s website, it isn’t listed anywhere — neither as a forthcoming release nor anything else. Thing of it is, this has happened before; two years ago it had a publication date listed on Amazon of June 2006, and then right around May the date was yanked. An e-mail to Ashgate generated a reply that publication had been rescheduled to 2008, and here we are, but there’s nothing from Ashgate right now to suggest this is in fact happening. And, so far as I can tell, this has been going on with this particular work, with more than one publisher, for about ten years.

Gotta love academic publishing. I mean, it’s going to be approximately a $100 book, and I suspect that a thousand copies is a fairly optimistic estimate of the print run for this specific of a project, so I’m sure that whoever the publisher ultimately is, they’re not going to pull the trigger until the numbers make the most sense possible, and everything I hear about academic publishing says that, frankly, the numbers suck more often than not.

I’m also reading Bp. Hilarion Alfeyev’s The Spiritual World of St. Isaac the Syrian, and that’s another fascinating case with regard to publishing. It is readily available from its publisher, Cistercian Publications; however, for whatever inexplicable reason, it is not available through Amazon. That’s not all; the current edition really looks like it needed an editor. Capitalizations are extremely inconsistent, for example; a sample sentence tells us that “[t]he christological position ofthe Council of Ephesus was purely alexandrian: it took no account of the antiochene position, and it was precisely the antiochene (and not ‘nestorian’) Christology that was the Christology of the Church of the East” (p22, entire quote sic). Bp. Hilarion is a native Russian speaker, I believe, not a native English speaker, so perhaps that explains it, but one might expect that a native English-speaking editor would normalize these things.

In terms of my own adventures with academic publishing, I submitted my “Sensory Experience and the Women Martyrs of Najran” paper to a particular journal that had a call for papers that seemed appropriate. I got the response on Monday, and it was a bit curious. It wasn’t a “yes,” but it was a “no” that I wasn’t totally sure what to do with, since it wasn’t a form letter rejection (I’m very used to those). Basically they said, “This is really interesting, but in its current form it’s not appropriate for us. If you wanted to make it appropriate for us, here’s what our reviewers suggest.” The letter specifically says, “While we are not asking you to revise and resubmit, we would be happy to look at the paper again, provided you address all of our reviewer comments.”

So, what does this mean? Is this how journals try to let people down easily (“You’ve got a really great personality”), or does this mean it might be worth my time to make the revisions they suggest? If the latter, I’m going to need some help deciphering the editor-ese, so I’ll make dinner for whoever might be interested on that front.

Humorous note: The salutation of the letter was, “Dear Prof. Barrett”. Heh. Uh, no, to say the least.

I will eventually have pictures and a more detailed report regarding Lazarus Saturday’s baptisms and chrismations, but there is a related matter I wish to mention regarding a couple of the people involved, and it’s not completely public knowledge yet. Watch this space.

In other matters… in case you were wondering, no, as it happens, melted wax from a beeswax candle does not improve the functionality of a laptop keyboard. My wife felt compelled to perform this experiment this last Friday, so please don’t think that you need to determine this for yourself. Now, thankfully, Dell laptop keyboards appear to be designed to have things spilled on them and are incredibly easy and inexpensive to replace with no further trouble; Triangle Laptops was a terrific source, and I have no complaints about their pricing or their service. Should this happen to you, that’s the first place I’d look.

There is an effort at All Saints underway to explore ways of “greening the church”; without wishing to get into an argument here and now about whether or not this is a concept with which Orthodox need concern themselves, I’ll pass along that there were a few ideas which immediate came to mind for me:

  1. Commit to burning only olive oil and beeswax (excluding incense) — no paraffin, in other words. Olive oil and beeswax are, first and foremost, the traditional materials to use for candles and lamps in the church, and they have the added benefit of being clean-burning. St. Gregory Palamas Monastery in Ohio, I believe, does this.
  2. Start an herb garden. Given the various liturgical uses of basil, at least, this strikes me as a no-brainer. No reason to spend tons of money on fresh basil for Holy Saturday and house blessings and so on when, for a small fraction of that cost, a church could grow its own. Grow enough and there might be a reason to have a regular presence at the local farmer’s market, which could itself be a form of outreach.
  3. On a completely basic, practical level–have a rain barrel, or two, or three, or however many would be useful to have.

Anybody have any other thoughts?

I will wrap this up for the moment with a plug for the book The Oldways Table. If you’re a Michael Pollan or a Rod Dreher person, you may very well find that this book helps to suggest practical ways that some of their ideas might be put into practice. I’ll have more to say about it later once I’ve tried a few more of its ideas (and more importantly, adapted them into some of my own).

(And yes, I did in fact finish the Patriarch’s book on Lazarus Saturday; I’ve got plenty to say about it, but it can wait. Suffice it to say, for the moment, that I believe his intended audience for the book is not comprised of the Orthodox faithful, but that this does not in and of itself have to mean that the Orthodox faithful are justified in viewing what he says uncharitably.)


Richard’s Twitter

adventures in writing alexander lingas all saints bloomington all saints orthodox church american orthodox architecture american orthodox music american orthodoxy Antiochian Archdiocese Antiochian Orthodox Christian Archdiocese of North America Antiochians books byzantine chant cappella romana chant church architecture ecclesiastical chant ethnomusicologists ethnomusicology fellowship of ss. alban and sergius Greece Greek greek food greekness hazards of church music international travel tips ioannis arvanitis joe mckamey john michael boyer kurt sander Latin liturgical adventures liturgical architecture liturgical music liturgical texts and translation liturgy liturgy and life lycourgos angelopoulos medieval byzantine chant Metropolitan PHILIP militant americanist orthodoxy modern byzantine architecture modern greek music music as iconography my kids will latin and greek when they're newborns my kids will learn latin and greek when they're newborns orthodox architecture orthodox architecture is bloody expensive Orthodox choir schools Orthodox Ecclesiology orthodox outreach orthodox travel pascha at the singing school Patriarchate of Antioch Patriarch IGNATIUS IV Patriarch of Antioch publishing random acts of chant richard barrett in greece richard toensing rod dreher sacred music st. vlads st john of damascus society Syriac the Bishop MARK fan club the convert dilemma the dark knight The Episcopacy The Episcopate the only good language is a dead language this american church life travel we need more american saints why do we need beautiful music in churches?

Blog Stats

  • 227,510 hits

Flickr Photos