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Kanon of St. Kosmas for the Nativity of Christ by Jessica Suchy-Pilalis

Happy new year! Christ is baptized! For those of you on the Old Calendar — well, hope Nativity Eve is treating you well and you get all the All-Night Vigil you’re able to handle. Theophany falls on Sunday next year on the New Calendar, and I’ve suggested to the priest here that we do a full All-Night Vigil for it. I’m not sure how seriously he took it, and I’m not sure how seriously I meant it, but we’ll see. I figure if you start at 9pm, you’re done by 5am, and then you just sleep all day. What’s the problem?

It is a bit late, and I have been somewhat otherwise occupied to give this the full attention it deserved before Christmas, but in all fairness it didn’t come to my attention until rather late in the game in the first place. Dr. Jessica Suchy-Pilalis — herself an IU alumna — has published her setting of the first Nativity canon using Archimandrite Ephrem Lash’s translation, having recomposed the melodies by applying the Byzantine compositional principles to the English text. While I’m not enough of an expert in the formulae to be able to evaluate the setting at that level, I can say that it is very singable — certainly much more singable than the Kazan equivalent. Be aware that there is a small handful of typographical errors in the psaltic notation — I believe it will be shipping with an errata sheet in the future — but they are quite minor and if you follow the line where you think it’s going rather than what the notation says in these cases, you’ll wind up in the right spot.

One person made the comment to me that they found it odd that Lash’s translation doesn’t include the Nativity greeting in its customary English form, “Christ is born, glorify him!” and that as a result, strictly from a textual standpoint, they found Dr. Suchy-Pilalis’ setting unusable, even if it may be a more accurate rendering of the Greek. “Christ is born, give glory” is how Lash translates Χριστὸς γεννᾶται, δοξάσατε, and yes, it’s closer to the Greek. Lash’s translations are excellent renderings into modern English, but he does tend to disregard established ways of saying things in English when he thinks they’re wrong. As has been discussed here before, he makes an excellent argument for why the Trisagion is better translated as “Holy God, Holy Strong, Holy Immortal, have mercy on us”, but it still apparently sounds wrong to a lot of people. He also translates Χριστὸς ἀνέστη as “Christ HAS risen,” which better conveys the past tense of ἀνέστη (more literally, “Christ rose” or “Christ stood up”). “Christ is risen” is an archaic form of the perfect tense in English (think “Joy to the world! The Lord is come” or “Spring is sprung, the grass is ris”), but we don’t use it that way anymore, so there’s some shift of meaning. For me, the more “traditional” English translations can be quite awkward from time to time (Nasser’s Mode III Resurrectional Theotokion, for example — “Thee, who art the Mediatrix for the salvation of our race, we praise, O Virgin Theotokos” etc.), and I tend to find that Lash knows what he’s talking about, so I’m happy enough to use his translations when I have the chance.

Anyway, I got this in time to sing it at our Nativity Matins — the katabasiae, anyway, since we don’t do full canons at All Saints — and it worked well, even if the second canon was in pseudo-Jacobean (or “hieratic”, as my godson Lucas puts it) English. The pronouns didn’t match, but nobody died. Nobody has ever complained about pronouns not matching (at All Saints, we don’t have a uniform English approach in our Sunday morning Divine Liturgy to begin with, let alone the rest of our liturgical practice) but if anybody ever does complain, I want to find a nice way of saying, “This is the current state of Orthodox liturgical translation in English. If you don’t like it, please send a note with your suggested solutions to the bishop along with a check that says ‘Translation Fund’ in the memo. No? Then you can live with the pronouns not matching.”

There are a couple of little things I might criticize — I’ve had English rules of choral diction hammered into my head enough over the years that I really don’t like it when people set diphthongs as two syllables. It might make sense from a standpoint of compositional principles, but to sing it that way sounds terribly strange to my ears. I also wish she had included slow katabasiae. Still, these are quibbles that don’t take away from the excellent work Dr. Suchy-Pilalis has done. It’s too late for this year, but do keep it in mind for next year. It’s the kind of effort that needs to be encouraged and rewarded, and most importantly, actually sung in parishes.

In which the author keeps the Mass in Christmas and shares other various thoughts

Christ is born, glorify him!

I got a phone call from my priest a week after Thanksgiving with a proposed Nativity schedule of Royal Hours with Divine Liturgy Friday morning, with Matins and Divine Liturgy Saturday evening. I gently suggested in return that it would be good to verify that the Divine Liturgy he was suggesting for Friday morning wasn’t the one we weren’t supposed to have Friday morning, since Nativity fell on a Sunday this year. More importantly, however, I asked him, why would we not want to have our festal liturgy the morning of, the one time in six years when our usual reasons for not doing so aren’t applicable?

This reasoning apparently made sense, because when the December calendar for the parish was published, the Nativity weekend included Royal Hours Friday morning, Divine Liturgy Saturday morning, Vespers Saturday evening, and Matins and Liturgy Sunday morning.

Then, the Friday before last, I asked him, hey, if I can guarantee the presence of bread and wine, would you be up for doing Litya/Artoklasia the next couple of Saturdays, given that they are festal observances where it would be appropriate? Yes, he said, and so I baked the five loaves both Saturdays and donated a bottle of Greek ecclesiastical wine I still had in the house.

For the Vespers and the Liturgy for Nativity, I even did something I don’t normally do for purposes of voice saving, the Old Testament and Epistle readings. My cardinal rule with those is — thank you, John Boyer — “If you think you’re going too slow, slow down,” and it’s really tempting in a space with no resonance whatsoever to speed up, but I didn’t. Saturday evening, even with only three of the Old Testament readings, my — shall we say — unhurried ekphonesis plus Litya and Artoklasia and all of the extra stuff for Nativity meant that Vespers clocked in at an hour and forty-five minutes, easily the longest Vespers service that has ever been served at All Saints. It was probably about nine hours of singing all told, from Friday through Sunday morning. Next year, with Christmas falling on a Monday, I may suggest that we just do a real All-Night Vigil (Small Compline, Great Vespers, Matins, Divine Liturgy), but I suspect that will go over like a lead balloon.

Anyway, as soon as we got home after church on Sunday we had to start in on the goose. Cooking plus company meant that it was about 10:45pm before we actually got around to any gift unwrapping.

I’ll note that I find the whole discussion about whether or not churches should close on Christmas when it falls on Sunday a little odd. To the extent that Christmas (or Easter, for that matter) are components of a liturgical year that has been largely abandoned, why should Christmas be given any special treatment one way or the other? 25 December is less “Jesus’ birthday” than it is the first day of the twelve day liturgical celebration of the Feast of the Nativity of Christ, which really is something a bit different, coming as it does after a penitential fasting season and coming right before Epiphany/Theophany. I suppose Christmas really does primarily function as a family holiday without that context, so it may as well be one. Jesus may certainly be the reason for the season, but the expression of that season is based in an ecclesiastical setting, and if you don’t have that setting (and/or if your first criterion is whether or not service times are “kid friendly”, which I’ve heard as a reason for why Midnight Mass in Catholic circles is downplayed these days), what’s all the fuss about whether or not the churches are open? Can you keep the Christ in Christmas without also keeping the Mass in it, at least and have it mean the same thing? If we’re taking the liturgical celebration of the Incarnation of Christ with all of its beautiful and glorious imagery and theology and reversals of human wisdom and so on and having to recast it as Jesus’ birthday party in order for it to make any sense in our current world, then is it really Christmas, or is it basically a cultural winter holiday with distant Christian roots where it would be nice if we emphasized them more?

On the “kid-friendly” point — my recollection is that I didn’t sleep much Christmas Eve as a little kid because of the anticipation of Christmas morning. So if your kid is going to be up all night with a lot of nervous energy to begin with, it seems to me an All-Night Vigil starting at 10pm Christmas Eve and going until 5am is perfect. You’ll all be getting home right about the time the kid was going to be up anyway, so what’s the problem?

A commenter recently weighed in on one of my postings on church architecture that Christ chose to be born in a lowly cave, so I’ll use that as the pivot from Christmas to my next set of thoughts.

St. Andrew’s Orthodox Church in Riverside, CA has gotten a fair amount of attention lately over their new church building. It is worth pointing out, however, that not all of the attention has been positive. There’s a good amount here worth thinking about, and I’ve been part of the discussion about building at my own parish for the last six years, so here goes.

A good twelve years or so ago, when I was attending St. Margaret’s Episcopal Church in Factoria, one of Bellevue’s commercial districts, they were embarking on a capital campaign to tear down the old nave and build a new one. The priest talked about the vision, what it would cost, and what the timeline was.

A woman raised her hand. “I have a question,” she said. “What if we waited? There are so many needs, in terms of supporting missions and giving to the poor. Why can’t we say, ‘We’re going to do that first,’ and put off building until we’ve done more in those areas?”

The priest was clearly expecting the question. “Well,” he said, “a couple of years ago we went through the exercise of asking, where do we think God is calling us to be as a parish in ten years? We looked at the ministries we support, how we’re going to continue supporting them, how we expect them to grow, and the other ministries we want to be able to support, and it was clear to us that in order to do these things, our current facilities were inadequate. So, that’s why the plan is to build.” The woman who asked the question clearly wasn’t buying the answer, but at least there was an answer.

Now, in my time in Episcopal circles, one thing you could never fault them on was process. Results — well, there they could be a little shakier. St. Margaret’s built a new church, most certainly — but they fell noticeably short of the ten year goal, from everything I’ve seen since I moved away in 2003. They lost people while they were building, the priest who married us left under some very unpleasant circumstances which caused more people to leave, and the series of interim leaders who followed meant that more people left because of uncertainty about where the parish was going. Bottom line is, the priest gave a good answer to a good question, that there was a plan and they were following it, and this plan will allow a both/and approach, but it still turned out to be the wrong thing to do, and right now the parish is drowning in debt (at least, that’s the picture I get from the website devoted to their debt reduction initiative).

I’ve written about this before, but one thing I experienced in Greece was that the poor congregate around churches. They hang out by the entrance of the narthex, some will sit quietly with hands up, some will hustle you, some will have something to try to sell, but the simple fact of the matter is that you can’t go into an urban church without having to interact with those whom Christ told you to feed and clothe on your way in. This is a good thing; their presence convicts you and hopefully prompts you to do something about it. We’re isolated from that experience in suburban churches, and to our own detriment.

At All Saints, we’re not a suburban church, we’re more of an exurban church. We’re in the middle of nowhere — no nice way to put it. There’s no way to get there if you don’t have a car — we’re in unincorporated county, so the closest bus stop is two and a half miles away, and trying to ride a bicycle or walk on these roads would be insane. We’re at the intersection of rural roads that are such that, even if I lived across the street, I’d still drive. We had a visiting priest tell us once, “Your remote location is a gift — it means you aren’t bothered by the concerns of being in a city like drug dealers and gangs and things like that.” This was some time after my return from Greece, and the first thing that went through my head was that this priest had sorely missed the point. The Church and the church building are not supposed to isolate us from the people we’re serving; they are supposed to help us serve them better. Right?

In Orthodox Christianity, as I understand it, the building is supposed to serve a number of functions — iconographic, practical, liturgical, and so on. Unfortunately, it seems like the conversations we have to have about building are required to assume that those functions have little to no bearing on what you’re actually going to be able to build, because we’re not actually building Orthodox churches in an Orthodox context — we’re building Orthodox shells in a Protestant context. What do I mean by that? Well, St. Irene Church in Athens does not have a fellowship hall, it does not have a set of Sunday school classrooms, it does not have a gym. It has offices for the priest; beyond that, it’s a church. By contrast, in the setting we have in this country, we’re supposed to have all of these other auxiliary services, and the fact is that they’re often the tail that wags the dog. At All Saints, we built a shoebox that looks like an office building first. It was envisioned as being the classroom wing of a three-wing facility that included a church; we built that first because the conventional wisdom was — so I’m told — “People come to church for church, but they stay for everything else a church does. This building allows us to do some of those other things while getting by as a church.” I had a conversation a week ago or so about another Orthodox building project where they’re building the hall first — the priest has evidently said that there’s simply no advantage in starting out by building the church, precisely because it’s the part everybody wants. Without that carrot to dangle, there will be no incentive to finish the project. So, we’re marginalizing our primary liturgical function because it’s just not practical when everybody is conditioned by the Protestant landscape to expect a buffet of secondary functions.

But, nonetheless, we’ve got a theology of how the church building functions iconographically and liturgically beyond merely the practical concern of needing a room in which to gather. Theoretically, we’re supposed to give the best of what we have to support those functions. We don’t do that to the exclusion of our duty to feed and clothe the poor — that is, to show mercy on our brothers and sisters — rather, it is part and parcel of it. Part of the function of the church building, as I am given to understand it (and as Lotar alludes to), is to be the property of the poor — something they have that is beautiful and divine in the midst of a life of hardship. (Which is why I’m a little less than impressed when I hear about churches that build facilities that they then go out of their way, with things like cardkey lock systems and whatnot, to make sure poor people can’t ever enter.)

Okay, so, fine, that’s the theological theory. All Saints has a complex relationship with those in need. First of all, we’re mostly a lower-middle to lower-class parish, so many of the needy whom the parish serves are its own parishioners. Second, we’re the first church listed in the Yellow Pages, so we tend to be the first called when people are calling churches looking for assistance of some kind. Our priest does what he can; our previous priest had a secular retirement plus the stipend the parish gave him, so he was in something of a position to give out of his own pocket to such people, but such are not the current priest’s circumstances. He tries to have a stock of prepaid debit cards and food on hand to be able to do something when people call; we used to have a relationship with a local homeless mission, and I’m not certain why we don’t anymore. A few years ago there was a discussion about trying to form some kind of an ecumenical effort in Bloomington to do more for the homeless, but the response the priest got from other pastors was, “Sorry, that’s just not going to work in this town.” Something the priest has started doing with catechumens is instructing them to have a bag of food in their cars that they can give to people who approach them on the street, and I think that’s a great step to be taking. Could we do more? Doubtless — who couldn’t? — but the structures aren’t really in place, and All Saints is not in a position to bear the administrative weight. We could hold a soup kitchen at All Saints, but who would come, and how would they get there? You need to do such things in the places where the people are, and that’s something we can’t do under current conditions.

The relationship with building is even more complex. Anything we build will take a capital campaign, and those are scary words for a lot of our people. The hard reality is that even more than St. Margaret’s in 1999, we have very little we’re able to do in our current facility. It doesn’t serve our needs liturgically, iconographically, or practically, beyond simply being four walls and a roof that’s sort of able to house services. At the very least, we can’t really grow without building, but there are parishioners who are adamant that we must grow before we can build. In a smallish community like ours, the big killer of any effort is apathy rather than opposition — opposition is at least engaging in the conversation. Apathy is not even acknowledging that there’s a conversation. Despite efforts over the years to get a conversation going about moving towards the permanent church building, there’s really no popular impetus to do anything. Some people have suggested that it might be better to talk about how we can expand the current space, but it just wasn’t designed in a way that would make that possible and cost-effective. 11 years ago, when they built it, they figured that it would allow them to grow to a point where they would be able to build the rest of it within five years, but neither the location nor the facilities are conducive to growth, and the realities of a college town with no real economic diversity to speak of have left the All Saints demographic in a position where many of them have had to leave Bloomington rather than stay and help grow the community they were part of establishing. Somebody told me a few days ago that the parcel of land in the middle of nowhere was partially justified as being someplace where maybe an archdiocesan retreat center could eventually be built, thus being a source of some income for the parish, but… well, it all takes money, money that people have not been thrilled about parting with for the last 11 years. So, six years ago, our priest said, “Now’s the time, we’re going to do it,” and six years later, we haven’t pounded a single nail. Will we ever? Hard to say. All Saints is an experiment, some say, in seeing if you can successfully plant an Orthodox church someplace in America where there have never been the usual reasons to have one. This is something of a strange way to put it to me; it’s clear that there has been a large community of Greeks in Bloomington since the early 20th century, they just apparently never felt terribly compelled to build a church. In any event, it seems to remain an open question as to whether or not the experiment was truly successful.

So, back to St. Andrew’s. It sounds to me like Lotar is probably a lot like the woman who asked the St. Margaret’s people, back in 1999, do we really have to do this now? Is building our dream church in the suburbs really so pressing a need that we’ve got to spend millions of dollars on it that could be spent on the things Christ actually told us to do? I’m torn, because I understand his point, but I also understand the point of building. Now, that said, he makes some swipes that strike me — as someone admittedly unfamiliar with the situation, particularly in contrast to Lotar — as uncalled for; it’s simply not true that “the whole of world Orthodoxy” does Italianate-style iconography while it’s only crazy American converts that want “Byzantine anachronisms”. What is true is that there are different styles that have been employed over the centuries, it’s somewhat cyclical, and right now there is a revival of the “Byzantine style” going on, not only among American “pseudo-pious” crazies, but certainly in Greece and in Russia as well. In Athens, yes, any church that was built in the nineteenth century is going to have western-looking icons, but anything painted in the last few decades isn’t going to look like that. If his story about the Georgian family is accurate, then that hardly makes it excusable, but I’m left wondering if there might not be more to the story because of how he has otherwise oversimplified some things.

My gut instinct is that there’s no way the Riverside project would have ever been justifiable in Lotar’s eyes; perhaps I’m wrong on that point, but I’m pretty sure that the answer the priest gave the woman at St. Margaret’s in 1999 didn’t turn her into a believer in the project, and from what I’ve encountered in various instances of these kinds of conversations, there are some disagreements that can only end in an angry standoff, with one side or the other bitterly claiming to having not been heard.

That said, reading the piece Lotar links to, I wish the priest had given an answer that was more like the one the Episcopal priest gave twelve years ago — that there’s a plan that is getting us to where we think we need to be in order to do the things we’re supposed to do as a parish, and this building is part of that plan. It’s not that what he says is wrong, exactly — and I can’t speak one way or the other to Lotar’s rebuttal on St. Andrew’s involvement with ministries for the poor — but it does seem easily read as unnecessarily self-justifying. It doesn’t seem to me to have been intended that way, but publicly dismissing those with questions as “small-souled” comes across as awkwardly off-message to say the least. There is a way to answer the concerns that people have in the context of a building project, but marginalizing them isn’t the way to do it. As I say, I get the impression that Lotar’s contempt for the project was probably a given from the get-go (and was probably a function of contempt for the community itself, or at least some segment of it), so maybe there’s no way that the outcome would have been different.

And maybe the thing that is unavoidable is that building projects are divisive. You’re not going to make everybody happy, you’re not going to be able to convince everybody that it needs to be done, you’re even not going to be able to convince everything that it isn’t a huge mistake. Yes, sometimes the naysayers are right; maybe they’re even right more often than we’d like to admit. I don’t know what the answer is; I don’t know if the Riverside church is a huge waste of money by a bunch of anachronistic and silly white people who are willfully skirting their obligations to the poor by building themselves a pretty toybox. I don’t know if All Saints needs to just get used to the idea that Orthodox Christianity in south central Indiana is a solution looking for a problem.

I believe the concerns of somebody like Lotar need to be heard and taken seriously. I also believe that Fr. Josiah is right in that the answer to those concerns is “both/and” — but the question is, how do you articulate the “both/and” such that the the person who believes they need to ask, “What if we waited?” actually believes that they’ve been heard and taken seriously, and so that the “both/and” actually gets realized? That’s a lot harder.

I feel compelled, for reasons I’m not entirely sure I can explain, to close with this passage from the ninth ode of the first canon for the Nativity:

A strange and wonderful mystery I see, the Cave is heaven, the Virgin the Cherubic throne, the Manger the Place in which Christ, the God whom nothing can contain, is laid. Him we praise and magnify.

Christ is born, glorify him! Merry Christmas!

Some last-minute gift ideas…

Obviously it’s Thursday, and Christmas is Sunday, so this isn’t even last-minute but last-second. Last-millisecond, even. Nonetheless, here are some suggestions for those of you foolish enough to think that my taste might be the slightest bit relevant:

Consider giving a gift to International Orthodox Christian Charities. Their mission: “IOCC, in the spirit of Christ’s love, offers emergency relief and development programs to those in need worldwide, without discrimination, and strengthens the capacity of the Orthodox Church to so respond.” They do a lot of wonderful work throughout the world like Palestine, Syria, Romania, Ethiopia, and more — including the United States.
A Tom Bihn Checkpoint Flyer. My Samsonite leather satchel fell apart on me over the summer, and I contemplated whether or not I could swing a Saddleback classic briefcase (my godson Lucas has one and it is a thing of beauty), but then Larry Anderson suggested I check out the options from Tom Bihn. I got a great traveling laptop briefcase for about a third of what the Saddleback bag I was considering would have cost, it’s got a lifetime guarantee, and it’s been perfect for when I’ve needed to travel with my 15″ MacBook Pro. Of course, the day after the bag arrived I bought an iPad 2 (yeah, yeah, earlier than I said I would, but no regrets, let me tell you), so I have tended to need to transport the laptop less (short version: to the extent that laptops have become desktop replacements, iPads are laptop replacements), but it’s stil been exactly right for what I need. It’s very elegantly designed, and it’s very good at making sure there is a place for everything. The one caveat I might add is that while the bag is plenty sturdy, the stretchy shoulder strap may feel like it’s more stressed than it actually is if you overload it. Not an issue if you don’t, well, overload it, and the bounce the shoulder stap provides makes the bag a lot easier to carry once you get used to it (it basically seems to function as a shock absorber).

Cappella Romana’s new disc Mt. Sinai: Frontier of Byzantium. A full review of this is forthcoming, but for right now suffice it to say that it’s a beautifully-sung account of medieval Byzantine chant manuscripts from St. Catherine’s Monastery in Sinai. Repertoire includes material for Vespers of the Feast of St. Catherine, as well as from the Service of the Three Youths in the Fiery Furnace, which used to be served on the Sunday before Nativity. Some of this has been recorded before by Lycourgos Angelopoulos and the Greek Byzantine Choir for a disc called “Byzantine Hymns” (and one can find the audio on YouTube but I can’t find out anything about the disc, so if anybody knows anything about it, please let me know), but Cappella Romana is a very different ensemble from GBC in a number of ways, and their rendering of the material is very much worth hearing. Like I said, full review coming, but this is a great stocking stuffer. For that matter, so is the reissue of the Epiphany disc under their own label. And, of course, their recording of Richard Toensing’s Kontakion on the Nativity of Christ is a must-have. One can also make a gift to Cappella Romana, either to their general operating fund or to support one of their several in-the-works recordings.

If you’re an iPad user who thinks that the soft-tipped styli that you’re likely to find at Best Buy don’t really do what you need them to do, I highly recommend the Jot-Pro. It makes handwriting and drawing much easier.

For another music suggestion, Marcel Peres/Ensemble Organum’s recording of Christmas music from the Old Roman Chant repertory, Chant de l’Eglise de Rome: VIe-XIIIe Siècles, is a fascinating and beautiful reconstruction of a time when East and West had a lot more in common, culturally and spiritually, than we’re used to now. “Reconstruction” is often a euphemism in early music circles for “making nonsense up”, but as I’ve noted before, I think Peres (collaborating with Lycourgos Angelopoulos) makes a pretty compelling case.

If you’re a Mac user and a writer who needs to manage a decent amount of research, notes, ideas, dates, etc., Scrivener and Tinderbox are a pretty powerful one-two punch. If you’re already a Scrivener user, there’s also deal on Tinderbox. I’m new to Tinderbox myself, but I’ve been using Scrivener for several years now, and I find it to be fantastically helpful in terms of its set of writing tools. I’ve written (and am still revising) a children’s book and several academic papers with it. The only thing I wish it had was cleaner EndNote integration, and I also have to make sure I remember to not send compiled *.rtf documents as finished drafts (must save as a Word doc or a *.pdf), lest the person on the other end simply open it in a text editor by default and think I’ve made the rookie mistake of not including any footnotes. (Yes, this has happened. Recently.)

Horrified as I am by the K-Cup craze, I’m going to suggest the paleocafephile route (I think I just invented a word) — the briki/ibrik, with which one makes Greek/Turkish/Arabic coffee. You don’t have little plastic containers that keep you from ever handling grounds; nonononono. Heh. No. Instead, you grind the beans to powder, boil the grounds directly (no filter), pour it into a cup, add sugar (and maybe cardamom if you’re Cypriot), and then you deal with the sludge at the bottom of the cup. It’s the only way to fly in a word that wants to make your coffee experience as safe and plastic and single-serving-sized as possible.

Michael Uslan is, without doubt, the comic book geek made good to end all comic book geeks made good. His memoir, The Boy Who Loved Batman, is tremendously inspiring, and is a must-read for anybody, whether they’ve read a comic book or not, who has ever been told, “Kid, you can’t get there from here.”

All right — may the last few days of the fast treat everybody well!

Facebook and digital bumper stickers

I have no idea who Demetri Martin is, except that my godson Lucas often quotes the following from him: “A lot of people don’t like bumper stickers. I don’t mind bumper stickers. To me a bumper sticker is a shortcut. It’s like a little sign that says ‘Hey, let’s never hang out.'”

Things that people post on Facebook can be like bumper stickers, except they can be a lot longer, and they can be intended to be seen by a key group of people whom they know will get that warm and fuzzy feeling in their stomach that one gets when one hears a clever soundbite that they agree with. Or both.

Here are a couple of recent examples — “recent” meaning “having shown up a lot over the last several months/years, and it’s only in the last week that I’ve finally hit the last straw with them”:

Exhibit A: “You can safely assume that you’ve created God in your own image when it turns out that God hates all the same people you do.” – Anne Lamott

I’m not the world’s biggest Anne Lamott fan, and I find this particular gem to be really annoying with its oh-so-cleverly-stated, but still intellectually dishonest, tone. On the other hand, I assume God loves Anne Lamott, so I guess at least on that point, I pass her cute little test. Still, the “Very Liberal And You Know It Because I Put the Word ‘Very’ In Front of It on Facebook” crowd can’t help but rah-rah this whenever it shows up, and the cycle seems to take about a week.

Yeah, yeah, fine, I’m uncharacteristically grumpy. I’m about to turn 35; I guess it happens. Rassafrassafrickfrackindamnkidsgetoffmylawn. Let me clarify a couple of things.

First — I find that, for my own sanity, Anne Lamott is best treated as what we might call devotional satire. Satire is great, love satire, but it seems to me that with most satire, if you’re not the target audience then you’re just the target, and I’m acutely aware when I encounter Lamott’s writings that I am not the target audience.

Second — I actually don’t disagree with what I see as the broader point here; I just don’t find that Lamott has put it in a terribly constructive way. It’s intellectually dishonest because it’s pointing the finger at people who point the finger to show them why pointing the finger is wrong (language I borrow from anti-death penalty slogans — “Why do we kill people who kill people in order to show that killing people is wrong?”). That said, it’s a kind of intellectually dishonesty that’s fairly common to satire, so perhaps what bothers me about it is a feature and not a bug, and again, I’m just not part of the target audience.

So, thought experiment time. Let’s take somebody like, say, Frederica Mathewes-Green, or to take it several hundreds of steps further, Ann Coulter, and let’s say that she comes up with a pithy, digestible quote that goes something like this: “You can safely assume that you’ve created God in your own image when it turns out that God approves of everything you do.” This would be a problematic statement, right? It would be smug, cloying, and it would smack of trying to generate a spiritual fist-pump from everybody who already agrees with you as well as pointing the finger at everybody who doesn’t, not-so-subtly (explicitly, really) accusing them of bad faith.

And I think you’d be right to think that. I’d have the same problem with such a statement. To me, there’s a bigger picture here that can be stated constructively (and maybe even catechetically): God, when we follow Him, will challenge our comfort zones. That’s a great thing to be reminded of; I sure need reminders of that, constantly. As stated by Lamott and hypothetical-Mathewes-Coulter, however, it’s put in a manner that’s intended to provoke self-righteous indignation against Everybody Who’s Like That. And it seems to me, from what I have encountered of Lamott’s work, that she probably would howl at my hypothetical reversal. So, yes, while I need reminders of the broader point, I do not seek them from Anne Lamott as a rule. She’s no St. John Chrysostom, as far as I’m concerned.

At least, that’s how I see it, which, to get back to my first point, maybe just all underscores that — say it with me — I am not part of the target audience for Anne Lamott.

If that makes me a grump who’s just wrong about this, well, fine, but just so you know it’s not just squishy lefty nonsense that bugs me but also let’s-have-Glenn-Beck-rewrite-history right-wing crap, there’s also this:

Exhibit B: “‘Should we look to kings and princes to put right the inequalities between rich and poor? Should we require soldiers to come and seize the rich person’s gold and distribute it among his destitute neighbors? Should we beg the emperor to impose a tax on the rich so great that it reduces them to the level of the poor and then to share the proceeds of that tax among everyone? Equality imposed by force would achieve nothing, and do much harm. Those who combined both cruel hearts and sharp minds would soon find ways of making themselves rich again. Worse still, the rich whose gold was taken away would feel bitter and resentful; while the poor who received the gold form the hands of soldiers would feel no gratitude, because no generosity would have prompted the gift. Far from bringing moral benefit to society, it would actually do moral harm. Material justice cannot be accomplished by compulsion, a change of heart will not follow. The only way to achieve true justice is to change people’s hearts first – and then they will joyfully share their wealth.’ St. John Chrysostom on the poor from On Living Simply XLIII.”

First of all, I’d like to point out that I included the attribution as part of the quote. That’s key here.

There are several problems with this. One, there is no Chrysostom homily called “On Living Simply XLIII”. On Living Simply is a collection of what are supposedly Chrysostom quotes edited by somebody named Robert Van de Weyer, and this is passage #43 in that volume. Unfortunately, Van de Weyer has not actually sourced these passages in any way that would actually tell anybody where he got them.

Now, I am not accusing Van de Weyer of making anything up. I have no evidence that he made anything up. I’m going to assume that he got the quote in a manner similar to how everybody is getting it from him (and this XKCD cartoon is perhaps relevant to the discussion). However, I do know two things:

1) Catherine Roth didn’t include anything vaguely like this reference in her compilation of Chrysostom’s greatest hits on the topic, On Wealth and Poverty. Now, that in and of itself could just be evidence that she didn’t include it, not that it doesn’t exist. Proving a negative is always really difficult.

2) Still, Thesaurus Linguae Graecae is text-complete for Chrysostom, and searching the corpus on various key Greek words that the English version of the passage suggests should be there comes up with nothing that looks anything like this. Gotta be careful with TLG, because as I’ve found out, searching on Chrysostom can for some reason trip their “He could be illicitly downloading all of our ancient Greek texts!” sensor, but I spent a good hour or so poking around for something that could even be loosely translated like this, and there’s nothing.

On a conceptual level, though — this “Chrysostom” claims that the wealthy will “feel bitter and resentful” as part of the argument against taxes. Well, here’s something I’m reasonably certain from sourced quotations that St. John Chrysostom did say:

…God says, “The earth has brought forth her increase, and you have not brought forth your tithes; but the theft of the poor is in your houses.” Since you have not given the accustomed offerings, He says, you have stolen the goods of the poor. He says this to show the rich that they hold the goods of the poor even if they have inherited them from their fathers or no matter how they have gathered their wealth. And elsewhere the Scripture says: “Deprive not the poor of his living.” To deprive is to take what belongs to another; for it is called deprivation when we take and keep what belongs to others. By this we are taught that when we do not show mercy, we will be punished just like those who steal. (Chrysostom, Sermon II on Lazarus and the Rich Man, trans. Roth)

Yeah, I can’t really say that I buy that Chrysostom actually cares about whether or not the wealthy will “feel bitter and resentful”.

“Well, I don’t care who actually said it, it’s still right,” I’ve heard a couple of people say to this. It actually matters quite a bit whether or not Chrysostom said it, and I think we all know this and why. Chrysostom is being given as the authority for something that looks like a remarkably specific policy position that is quite relevant to the present day. If he in fact said this, it carries a lot of a particular kind of weight; if he can’t be accurately cited as the source, then it doesn’t carry the same weight. One may still agree with it, but it doesn’t have the same kind of authority behind it.

Now, what I’m not saying is, “So, of course, Marx is how we deal with this.” All I’m saying is that, until Van de Weyer (or somebody) actually cites a source that can be checked, it is irresponsible to attribute this passage to Chrysostom. It may well be an ideological position that some find attractive, and it may well be what some convicted Christians believe is the “Christian position” and thus would love to have support for from the words of the Golden Mouth, but as of this moment, the matter of whether or not he actually said it is pretty sketchy. Whether or not I myself agree with the content of the passage is not relevant; the point is responsible attribution of texts, and I have yet to see that Van de Weyer has done so.

So bottom line for the evening is that Anne Lamott is no St. John Chrysostom, and as presented by Van de Weyer, Chrysostom’s no Chrysostom either. So can we pick some other bumper sticker-style pithy and clever quotes for our Facebook walls, please? Damnkidsgetoffmylawn.

Husbands, fathers, and All My Sons

Over the summer I saw a local production of Arthur Miller’s All My Sons. I’d never seen it before, but I was familiar enough with the premise, and familiar enough with Arthur Miller’s overall dramatic sensibility and style to know I wasn’t exactly in for a Whedonesque light-hearted romp. I had a small role and was also in the chorus for Indiana University’s first production of William Bolcom’s setting of A View From the Bridge back in 2005 (I say “first” because IU just revived it, which I have to say surprises me a bit), and Death of a Salesman is near and dear to my heart in a lot of ways. My junior year of high school, a neighboring high school’s theatre department did a wonderful production of it with now-working actor Chad Afanador as Willy Loman. (Chad, I’ll mention, shared my very first theatrical endeavor, Wellington Elementary’s 1984/5 production of You’re a Good Man, Charlie Brown, in which he was Linus and I was Charlie Brown; he also was with me on my first trip to Indiana, when I tagged along with his high school to the International Thespian Society’s 1993 Festival at Ball State University.) Chad was so good that I dragged my parents to it the second weekend; at intermission, I got a taste of certain disconnects to come because they insisted we leave. “He’s too believable for it to be the least bit enjoyable,” they said.

Anyway, All My Sons was, predictably, thought-provoking (perhaps, for some, a euphemism for “depressing”); its commentary on the failure of the American Dream is well-trodden ground, but I wonder how much its setting obscures what the play has to say for contemporary audiences who might not be clear whether to take it as a period piece or as a present-day work. It’s a key plot point, for example, that a conversation needed to happen in person because “you can’t prove a phone call”, which sounds bizarre to me, and I’m part of a generation that still remembers things like land lines and operators — I can’t imagine how it must clang against the ears for somebody who grew up with cell phones being the norm. That wasn’t a problem for this production, however, because I was the youngest person in the audience by probably twenty years; it was mostly a blue-hair crowd, and it was a small one at that. It was really too bad; war profiteering is hardly an irrelevant issue in our time, and it seems like the kind of thing a contemporary audience should eat up. Maybe not in southern Indiana.

More intriguing and immediate to me, however, was the issue of fatherhood. Joe Keller is a man, in wanting to be a good father, makes choices that turn him into a bad father — and when his choices threaten to spill over onto his son, he has only one way to atone so that his son’s honor is preserved. This is also an issue for Willy Loman, and in a more abstract way, for Eddie Carbone as well. Joe’s tragic flaw, it seems, is that he’s a great businessman, but he’s a great businessman who can’t see that the businessman’s instinct of self-preservation has much greater consequences when lives are on the line. A businessman who makes business decisions that inconvenience his competitors and/or his customers is ruthless, maybe, but when he makes those decisions and they cost lives, then he’s a murderer — and when it’s wartime and those decisions cost his country lives, he’s a traitor and a murderer. In a way, Joe — again, like Willy Loman — does only what he knows how to do; he can’t figure out how to adapt to the different circumstances of wartime. In not being able to adapt, he is also not able to the father he clearly wants and tries to be.

We have a lot of images of fathers in our world that are problematic, literally and figuratively. From Darth Vader to clergy abuse scandals, father figures are almost de facto untrustworthy, unlovable, unreliable, to be viewed with suspicion and fear. For myself, it is anxiety looking both forward and back; looking forward, I am perhaps within a year of being a father myself, and this is not a matter of small concern for me. Looking back — well, what perhaps would be least inappropriate for me to say is that the number of times we had to move while I was growing up, combined with financial difficulties, my parents moving away when I was 17 (quite literally the day after I graduated high school), their divorce being fresh when Megan and I were married — leading to another series of relocations on both of their parts — and my educational and career choices have all contributed to familial relationships that are complicated. I’ve seen for myself Joe Keller’s attitude of “dollars and cents, nickels and dimes,” the belief that as long as a businessman is making the decisions he thinks are best for his business, then he should be seen as above reproach regardless of any other factors, and I’ve seen that perspective ensure that there’s nothing left for, or for that matter of, the family of the person who thinks that way.

Is it realistic to think that a father can pass on a legacy worth having to his family in this age? I don’t mean a material inheritance necessarily, but what about a way of life? A set of values? An identity? A memory? Or do things just change too fast nowadays for who a father is to mean anything to the next generation? Even taking up the idea of a material inheritance for the moment — I have one friend whose parents, still married, live in the house they bought in the early 1970s, and I have a neighbor who inherited the house he grew up in when his mother passed away, but these seem like outliers to me. I also just happened to read Conan Doyle’s “The Hound of the Baskervilles” recently, and Henry Baskerville’s conviction that “[h]ouse, land, and dollars must go together” strikes me as a perspective that just doesn’t work in the present day. Even factoring out tax laws, that just doesn’t seem to be how the world works at this point.

Is being a good father in 1947 (when All My Sons premiered) the same thing as being a good father in 2011? What about being a good husband? I’ve been married almost eleven years, long enough that I’ve seen friends’ marriages break up, including a few that I never, ever thought would, and a couple that are truly tragic with respect to the human frailty involved. We’ve survived, but I can’t pretend to have any particular expert knowledge about how it works, and I’m still figuring out how I can come anywhere close to being either the husband I want to be or that my wife wishes I could be, but thankfully Flesh of My Flesh has buckets of grace to spare.

Unlikely realities

Something that occasionally can seem like lazy historiography to me is when scholars call something “unlikely” to explain why they think it probably didn’t happen. It’s a way to argue with something that may show up in a primary source without necessarily having to reason your way through the disagreement; oh, well, such-and-such gives X account of this event but that’s “unlikely”, so we’ll assume it didn’t happen.

Here’s the thing. At the risk of getting all Dr. Manhattan on both of my regular readers, “unlikely” things happen all the time. I am an extraordinarily unlikely occurrence, given who my parents are, their personalities, their respective stations in life when they met, etc. It’s highly unlikely that my randomly going to a party one night while nearing emotional rock bottom should result, six years later, in me getting married to a person I met there (principally as somebody another friend of mine had a crush on). It’s highly unlikely that a college choir director deciding she was going plan a European tour should start a chain of events that would result in a conversion to Orthodox Christianity nine years later. And yet, these things defiantly happen nonetheless with callous disregard to whether or not a historian will later believe that they did.

A couple of other fairly unlikely things have happened to me in the last two or three weeks: for example, Megan and I, along with our godchildren Matt and Erin and our dear friend Anna, attended Lyric Opera of Chicago’s recent production of Tales of Hoffman. Not necessarily unlikely in and of itself (but since the last time we went to the Lyric was 9 years ago for Bryn Terfel’s Sweeney Todd, certainly not a regular occurrence), but consider the following: Hoffman was supposed to be produced at my first undergraduate institution, Western Washington University, my freshman year. WWU had put on a production of La Boheme a couple of years previous that had received national attention, was developing something of a reputation for being a good undergrad program for people who wanted to do opera, and Hoffman was going to be the big followup that would prove that Boheme wasn’t a fluke. Well — as the story was told to me in dribs and drabs from a few different people — political, economic, and practical concerns meant that this didn’t happen. Hoffman was nonetheless on my radar for the first time, and in short order the 1989 recording with Placido Domingo was the very first opera recording I ever owned. That disc featured people I’d never heard of before like Edita Gruberova and James Morris, and I played it over and over again.

Somebody who was in my freshman class was a soprano and cellist named Erin Wall. She was in 8am Music Theory with me the very first day of classes, we were in the same voice studio, and she was one of a group of Canadian students who were in Western’s music department for voice. She had a nice, full voice at a time when there were a lot of soubrettes hanging around; the last time I heard her during my time there was when she was one of the Flower Girls in The Marriage of Figaro in 1996, but after I dropped out I believe she got to do the title role in Susannah. Over the years I found out she was having quite the meteoric rise; she was a finalist for Canada in the Cardiff Singer of the World, she was part of Lyric Opera of Chicago’s young artist program, and then she started to get really busy.

A few months after leaving Western in ’97 I went to work for a Major Software Company and, shall we say, did a reasonable impersonation of a tester for a few years while trying to get to the next step as a singer. One of the things I tested had to do with web browsing, and one day I happened upon a student website for a soprano at Rice University named Anna Christy. There wasn’t anything particularly distinctive about the website, but I always remembered that I had hit it, particularly when I started seeing her name in Opera News a few years later as somebody who would be singing at Wolf Trap and so on.

Fall of 2003, after just starting at IU, I was flown back to Seattle to sing as the tenor soloist for a concert of Bach cantatas with the Seattle Symphony, John Harbison conducting. It was the biggest professional thing I ever got to do, and except for the check, it was a real waste for me and for the Seattle Symphony people. I was cast in a role at IU that I was removed from over this; the Seattle contract had been signed months ago, and I was to be gone the second to last week before opening. I didn’t even know I was up for anything in this particular show, and I explained my situation as soon as I found out I was cast. “Take it up with the stage director when staging rehearsals start,” I was told. Well, as soon as the stage manager said at the first staging rehearsal, “We’re not excusing anybody for any reason from any rehearsals,” I knew I had a problem, and sure enough, I was kicked out. (This was, of course, considered to be my fault from the standpoint of the opera administration, but never mind that now.) Not only that, but as soon as I got off the plane in Seattle, I came down with probably the worst sore throat I’ve ever had in my life, and my ability to phonate, still reasonable at the first rehearsal, was in tatters by the concerts. It was the first (well, only) time I’d ever been on a gig like this, I had no idea whom to talk to or what to do, and while I managed to sort of scrape by in the concerts — well, funny thing, the Seattle Symphony folks never called me again. (My voice teacher in Seattle, who had sent Seattle Symphony my way in the first place, said that from what he had heard it wasn’t exactly a “He’ll never sing in this town again” kind of thing, but that I was remembered as somebody who had problems, and he’d have to specifically arrange an audition for me down the road when the time came. Needless to say, the time never came, and thank God.)

Anyway, the bass in the solo quartet was one Christian Van Horn, who had just won the Met auditions. I doubt he would have any memory of who I am, and if he did remember me I doubt he’d remember me well, given the circumstances, but he was a tough guy to forget — physically and vocally imposing, to say the least.

My second year at IU, a mezzo-soprano named Jamie Barton started her Masters. She distinguished herself quickly in operas like La Cenerentola, but she was also a frequent guest at Chez Barrett, back in the day when I used to host large gatherings of IU voice people over nachos on a weekly basis. (Hey, that’s how I made friends when I first moved here — I fed people.) She won the Mets a few years ago, and since then, she’s been one popular mezzo.

So Chicago’s Hoffman featured James Morris (from that first recording) as the four villains, Erin Wall as Antonia, Anna Christy as Olympia, Christian Van Horn as Crespel, and Jamie Barton as Antonia’s Mother. (As well as Matthew Polenzani as Hoffman, whom I had last heard ten years ago in Seattle as Almaviva in Barber of Seville.) And with me in the audience — what an unlikely confluence of people and circumstances! If I took a time machine back to that first day of freshman year in September of 1994 and told the 19 year old Erin what would be happening in seventeen years, she’d laugh in my face, I’m sure. (The set looking like it was reproduced from a Chris Van Allsburg book was also pretty unlikely. Fascinating looking at times, but unlikely.)

The second unlikely thing to occur was a week ago today. I’ve written here and there about my lifelong fascination with Batman; well, as I had known for some time, Michael Uslan, the Executive Producer of the Batman films starting with the 1989 Tim Burton effort — and really the guy without whom a modern Batman on screen doesn’t happen — was an IU alumnus. He’s spoken on campus a few times since I’ve been here, but I’d never been able to go, so when I heard that there would be a screening of The Dark Knight in the new IU Cinema facility with Michael Uslan introducing the film, I made it a point to clear my calendar for the day and to order a copy of his memoir, The Boy Who Loved Batmanin time for the screening. As it happened, he gave a lecture in the afternoon in addition to the screening, and I was able to go to both. There is a brief account of the day here (hmmm — “RRB”, familiar initials, aren’t they?) so I’ll just say that the guy is one hell of an inspirational speaker, to say nothing of one hell of a self-promoter; he’s basically a comic book geek who has figured out how to make being so respectable, lucrative, and attractive. He was incredibly generous with his time at both the lecture and the screening; he kept answering questions until he was hooked off the stage, and during the book signing he talked to everybody.

So, chain of events — I find a book called Collecting Comic Books by Marcia Leiter at the Redmond Library in 1985, and my life is forever changed. Four years later on 23 June 1989, Batman introduces me to a way of thinking about movies that cares who’s in them, who directs them, who writes them, who designs the sets, who writes the music, and so on. I had been a Star Wars kid and then some, but I couldn’t have told you who George Lucas was. After the summer of 1989, though, damn skippy I cared who Tim Burton was and what else he had done and was going to do, who Danny Elfman was and what kind of music he did (followed by an obsession with Oingo Boingo for awhile), who Sam Hamm was and why it seemed he never wrote another movie anybody cared about, who Jon Peters was and why a former hairstylist was suddenly one of the most powerful producers in Hollywood, etc. At the very least, without Danny Elfman’s score, my interest in classical music probably doesn’t happen. (And then there’s something about a girl in high school that gets me starting to take voice lessons, but that’s somewhat beside the point at present.) Anyway, I then go to Indiana University in 2003 for music, which just happens to be Uslan’s beloved alma mater, leading to last week’s events. Again — how incredibly unlikely!

No historian will ever care about any of these things, I’m certain. If one were to ever to try to reconstruct these chains of events and concurrences of people and places and things, surely it would strain credibility. This doesn’t mean we have to interpret all of these things teleologically, necessarily, but it also means that just dismissing them is not really reflecting on how life works and how things play out.

Sander/Lapaev, As Far as the East is from the West now available

I said I’d post an update when this happened, and I’m probably a little late on doing so, but nonetheless, As Far as the East is from the West, featuring the choral music of Kurt Sander and Gennadiy Lapaev, is now available for purchase from several outlets, both as a CD and as a download. Buy early, buy often — it’s good stuff.

Review: Orthodoxy and Heterodoxy: Exploring Belief Systems Through The Lens of the Ancient Christian Faith, by Fr. Andrew Stephen Damick

First of all, in an ideal world, this would have gone up about three months ago. I had requested a review copy back at the beginning of May, and for one reason or another the copy wasn’t sent out until the beginning of August or thereabouts, which meant that I wasn’t actually in physical possession of the book until I got home from Oxford, and by that point it was off to the races for the start of the academic year. More about all of that elsewhere, however.

About six years ago or so, I was corresponding with a gentleman named Charles Carter. Charles was a Baptist who was something of a presence in Anglican online discussion groups, often as something of a gadfly. He was a strict five-point Calvinist (although I don’t know that he himself used that phrase), he had no patience for any kind of sacramental theology, and liked to say things like, “The Reformers had to whitewash the churches and tear out the organs in order to give them back to the people,” or recount how, growing up as a Baptist in the South, he “sincerely” wondered whether or not Catholics were Christians.

When Charles discovered that I was a former Episcopalian who had converted to Orthodox Christianity, he was perplexed to say the least. How was that the least bit justified? “Did you even consider the ‘Geneva option’?” he asked. One of his sticking points was the practice of so-called “closed Communion”, and he argued that any church organization that would exclude other Christians from partaking is demonstrating its lack of catholicity, not affirming it. (“If Jesus visited your Orthodox parish, would you let him take Communion?” was another one of his rhetorical questions. I pointed out that actually, Christ would serve as the celebrant, since he’s the high priest. He wasn’t impressed.) I suggested that this in the context of the historical self-understanding of the Orthodox and Catholics, Charles’ point of view imposed a definition of “catholicity” on them that didn’t take them on their own terms. Charles insisted that in contemporary times, no group that claims to be a Christian organization may presume to be “the Church,” but he acknowledged being largely ignorant of pre-Reformation history, and was open to hearing the historical argument that one might make.

I walked Charles through the history as I understood it, explained how I had resolved certain questions for myself, and also had him read the Florovsky essay “The Worshipping Church” for some background on the relationship between liturgy, ecclesiology, and catholicity, and for a while it seemed like we might be getting someplace. Still, he ultimately couldn’t get past his own presuppositions, and while he initially was quite taken with Florovsky, for example, his last word on it was, “It’s a compelling piece on its own terms, but I’m pretty sure I can disprove his whole argument from scripture.” As far as the historical argument went, he saw it in the end as question-begging (not illegitimate, I suppose, from a Protestant point of view), and our correspondence petered out when it became clear that the differences were insuperable. I’m not entirely sure what happened to him, although there was a commenter who called himself “Bubba” on Rod Dreher‘s old Crunchy Con blog who had an eerily similar temperament and set of pet issues when it came to Christians coming out of a sacramental tradition. I asked “Bubba” once if he was Charles, and he gave a strange, non-responsive answer that seemed to amount to, “Don’t call me that around here,” so I let it drop.

Today, if I were to find myself in a similar exchange, I would still have the person read Florovsky, but I would give him Fr. John McGuckin’s The Orthodox Church: An Introduction to its History, Doctrine, and Spiritual Culture for the history, and Fr. Andrew Stephen Damick’s Orthodoxy and Hetorodoxy: Exploring Belief Systems Through the Lens of the Ancient Christian Faith for a clear statement of how Orthodox Christianity sees itself in the midst of religious pluralism, be that Christian pluralism or non-Christian pluralism.

The project of Orthodoxy and Heterodoxy is to give the reader a clear picture of where Orthodox Christianity positions itself relative to other Christian groups, major and minor, as well as select few non-Christian so-called “world religions”. To this end, Fr. Andrew starts out with a clear statement that, yes, this book is going to deal with doctrine, it is going to do so with the core assumption that Orthodox Christianity teaches the right doctrine, and while all humility is intended to be employed, that’s going to involve saying where we think we’re right and others are wrong. In calling ourselves Orthodox, that presumes that differences constitute heresy and/or heterodoxy, and we’re going to use those words. Key distinctives of Orthodox doctrine are sketched out, and Fr. Andrew then walks the reader through a number of issues, historical and doctrinal, having to do with Roman Catholicism, the various historic Protestant groups (that is, the offshoots from the “magisterial” and “radical” Reformers), Revivalists, fringe groups, and so on.

There’s a very tricky space that the book is staking out from the first page; how do you accomplish the stated objective using the stated methodology without the book seeming like a non-stop polemic? It’s very easy to be tarred with the “anti-” brush just by pointing out where there is disagreement. Well, turns out that there is in fact a way to do it. Fr. Andrew’s approach is to discuss differences, yes, but to also always note agreement and similarities (where possible, at least), as well as points where there could be agreement, or at least similarity, should the other side clarify one or two things or move a little bit in some direction. In short, he calls a spade a spade, but he endeavors to do so to an extent where it acknowledges the positive as well as the negative. An example may be found in the conclusion to his chapter on Roman Catholicism:

…it is critical for Orthodox Christians to note that twentieth- and twenty-first-century Roman Catholicism has seen a number of developments bringing some theologians closer to Orthodoxy and others further away. There is much in the Ressourcement (French, “going back to the sources”) movement with its fresh emphasis on the Church Fathers that should encourage the Orthodox. At the same time, certain disturbing distortions occurred in some sectors of the Roman Catholic Church in the twentieth century, such as Liberation Theology, an attempt to wed church dogma with Marxist politics.

Because of these kinds of developments — as well as the ongoing problem of the gap between official Vatican teaching and what the average Roman Catholic personally believes or is taught from the pulpit — Orthodox believers should tread lightly in discussing theology with Roman Catholics. They may be closer to or further from Orthodoxy than what is officially taught by the Vatican. It is critical to discern what the person in front of you believes before launching into any sort of detailed refutation of Roman Catholic dogman and practice.

I also believe that much of modern Orthodox criticism of Roman Catholicism is based either on pre-twentieth-century models of Rome’s thought or simply on mischaracterizations and oversimplifications of its theology and practice. In my opinion, many of the Orthodox writers of our time have borrowed heavily from Protestant polemics against Rome, which are often based either in exaggerations of misunderstandings of Rome’s theology or are instead based on Protestant theology which is not consistent with Orthodoxy. Again, it is critical that we understand the theology of the person in front of us as well as our own (pp58-9).

Now, I have no doubt that somebody could jump all over him for a point or two here and there (I can think of one or two people who probably would not take kindly to his characterization of Liberation Theology as a “distortion”, for example, and I suspect that any positive assessment of Ressourcement would also raise the hackles of some others), but for my money there’s a lot to this approach to like. There is disagreement between Orthodoxy and Catholicism, but it is not monolithic; this is what’s good, this is what’s problematic, and we’re not exactly perfect in our own approaches to criticism, so let’s have some humility. That is more or less the tone of the whole book, and it is a welcome one.

That said, there are some things that come across more sharply than others. It is accurate to point out, as Fr. Andrew does, that since Orthodox Christianity sees the Church as the New Israel and God’s chosen people, present-day Israel and Judaism have no special status from an Orthodox perspective. It is also uncomfortable to read stated so matter-of-factly in so many words. Again, as noted earlier, pointing out disagreement seems to lend itself easily to accusations of prejudice in the current era. Nonetheless, Fr. Andrew both makes it abundantly clear that’s not where he’s coming from and extends the same notice of similarities and agreement that he does to every other religion discussed in the book.

Fr. Andrew’s writing style is clear and accessible, but it is also articulate enough that one never gets the sense that he is dumbing anything down. He says what he has to say, and explains what he thinks needs explaining, and the end result should be quite readable for the average person while still being sophisticated enough for the reader who perhaps might assume that the book is written for a fifth grade reading level. There are occasional moments where his lucid prose style is interrupted with a logical leap I couldn’t quite follow, but these are few and far between. He demonstrates a wide familiarity with source materials for other religions, and also a wider knowledge of Orthodox sources than I might have expected. His is perhaps the first “mainstream” book on Orthodox Christianity in the English language I’ve encountered that cites Fr. Seraphim Rose to support an argument, for example (and to my mind, that’s progress).

For me, there is only one truly awkward moment in the book, and I’ll be up front and say it’s probably a personal issue. It is when he invokes the Civil War in discussing the differing concepts of the episcopate between Roman Catholicism and Orthodoxy:

The vision of Church governance is not merely administrative but involves a theological outlook different from Orthodoxy’s collegial episcopacy. Students of American history will recognize a transition similar to the one in which centralized federal power won out in the Civil War against a looser federation of sovereign states. Just as Americans began thereafter to refer not to “these United Sates” but “the United Sates,” Roman Catholics who refer to the “the Church” most often have in mind the Vatican rather than a sense of the wholeness of the people of God (p35).

I will fully acknowledge that this quibble may well be my problem and my problem alone, but my godfather (himself the author of a book outlining the difference between Orthodox Christianity and Restorationist Christianity that would perhaps be a useful reference for Fr. Andrew in future editions) is a Southerner who refers to the Civil War as “the war of Northern aggression”, and Fr. Andrew is fairly outspoken publicly about his localist political views, so it is difficult for me to not see this carefully-worded paragraph as a moment where politics that are tangential to the topic are seeping through. It’s enough of a minor, subjective, and arguable point that I hesitate to even mention it, but I found myself reacting very strongly while reading it, so there we are.

If I have any suggestions for future editions or printings, consulting my godfather’s book for the chapter dealing with Campbell-Stone folks would be one; another would be to reconsider the subtitle. Last year I wrote a paper that used the word “lens”, much as this book’s subtitle does, to describe perspectives that shaped analysis (not the first time I’ve done so, mind), and the professor circled the word and wrote the comment, “In these troubled times, everybody is resorting to looking at things through lenses. It has become a cliché, so please find another way to phrase it.”

In sum, Fr. Andrew’s Orthodoxy and Heterodoxy is an articulate book that takes what could be treacherous subject matter and handles it with a lot of grace, authority, and humility. It strikes me as being a valuable resource for those who might have the responsibility of teaching adult catechism, as well as a worthwhile read for those non-Orthodox who want to get an adult-oriented, non-simplistic, reasonable take on just how much air there might be between Orthodoxy and their denomination. Recommended.

Announcement: debut issue of Journal of American Orthodox Church History

The Society for Orthodox Christian History in the Americas (SOCHA) has published the first issue of its journal, the Journal of American Orthodox Church History. It looks like SOCHA has set this up as a peer-reviewed electronic journal (although I’m told that they are toying with the possibility of a print edition for academic libraries), with scholarly articles, source translations, and book reviews in each issue. It will be published annually on the Feast of the Dormition of the Mother God, 15 August. Issues are $10 apiece, which I would suggest is more than reasonable for an academic journal. The table of contents for the first issue, a summary of submission guidelines, and a brief statement of purpose for the Journal by SOCHA Executive Director Fr. Oliver Herbel, may be found here.

This seems like a great effort to support, both by buying issues as they come out, by citing articles that get published, and by submitting articles of publishable quality. I intend to do all three as I am able; please consider doing the same.

The Sander/Lapaev sessions, a year later

I got home from the Sacred Music Institute at the Antiochian Village on Sunday evening (which will be worthy of its own blog post eventually) to find six copies waiting for me of the CD that represents the fruits of the four days of recording on the Northern Kentucky University campus last August. As Far as the East is from the West is not yet available for purchase — that will probably be in September; keep an eye on this page for details, and I’ll certainly post an update when it happens — but all of us who sang have our copies, as well as a handful of extras to give away.

Since I’m on the recording, I don’t think I can ethically review it, but I will say that having listened to it, much as was the case when I drove home from the sessions, it’s a project of which I’m very grateful to have been a part. The recording sounds very much how I expected it to sound based on the sessions, and my only real disappointment is that the liner notes (written by one Sergey Furmanov) mention that the choir included “church musicians from parishes in New York, Chicago, Cleveland, San Francisco, Montreal, and Philadelphia,” but, alas, leaves off Bloomington. Oh well, you can’t have everything.

In any event, my sincere hope is that this CD helps to kindle a more general interest in both Kurt Sander’s and Gennady Lapaev’s music in this country, and one way or the other it is a document of some wonderful examples of current Orthodox liturgical music, as well as a reminder of treasured memories.


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