Archive for the 'Academia' Category



John Michael Boyer at All Saints Orthodox Church, 22-24 January 2010

This has been in the works for a little over a year, but the time approaches quickly and with the new semester upon us, I am kicking the publicity into high gear (at least as high as I can working on my own).

John Michael Boyer, protopsaltis of the Metropolis of San Francisco (GOArch), protopsaltis and Director of Liturgy at Annunciation Greek Orthodox Church in Sacramento, and one of the principal singers of Cappella Romana, will be coming to Bloomington to conduct a series of lectures and workshops at All Saints Orthodox Church from 22-24 January 2010.

The schedule is as follows:

Friday, 22 January 2010
6-9pm: Lecture, Practicum, and Q&A – A Historical and Theoretical Overview of Issues in Byzantine Chant

Saturday, 23 January 2010
9am-12:30pm: Byzantine Chant Practicum, Pt. I
12:30-1:30: Lunch (on-site)
1:30-5:30pm: Byzantine Chant Practicum, Pt. II
6pm: Great Vespers
7-9pm: Conclusion of Chant Practicum

Sunday, 24 January 2010
8:30am: Resurrectional Orthros (Matins)
10am: The Divine Liturgy of St. John Chrysostom

Lecture, practica and services are free and open to the public; donations will be accepted, but just to clarify what’s happening here — between a private donor and very generous support from Indiana University’s Center for West European Studies, this is pretty much covered, but there are always last-minute expenditures one wasn’t expecting, and it is one of my goals to establish some seed money to be able to do something like this again. It’s good for All Saints to be able to do things like this that can draw the interest of the local and university communities, and musical events have a unique ability to attract a lot of different kinds of people. So, anyway, the point is, we’re not taking donations because this isn’t paid for; we’re taking donations because the next one (whatever it may turn out to be) isn’t.

If you want to come, there are two ways to register: You can either e-mail me at rrbarret (AT) indiana.edu and let me know that you’re coming, or you can RSVP on the Facebook event I’ve created. Either way, please let me know if you plan on bringing somebody besides yourself; it’s totally fine if you are, but I just need to know how many sets of materials to prepare.

If you want a press kit for this event to help get the word out, you can download a headshot here, get a press release here, and find a color flyer here.

(Side story about the press kits: on Monday, as I was starting to assemble a mailing of press kits to several different department chairs, newspapers, and neighboring parishes, I realized in horror that all of the materials listed the dates as 22-24 January 2009. This was, of course, after I had already spent money on color prints of the flyers, and naturally five different proofreaders had failed to notice it entirely. Twenty-four hours later, I had corrected versions of everything ready to go, and it was one of those weird quirks of fate that in putting together the 2010 version, I came up with an idea that made everything look far better than would have otherwise been the case. Of course, when I arrived at the post office with 27 individual manila envelopes to be individually weighed and stamped, the line to the counter was out the door and the line for the automated kiosk was about seven people long. Two or three of the people in line for the kiosk took a good ten minutes apiece; I felt rather self-conscious and guilty with my stack of things that was going to take a long time, and let several people go ahead of me who only had one thing to send off or who only wanted to buy stamps. When it was finally my turn, however, within about three minutes I had people hovering over my shoulders, until I finally turned to them and said, “With all respect, I let about eight people go ahead of me before you showed up.” They backed off, but I still got to be “that guy” for about 20 minutes or so. I at least waited to actually put the postage on the envelopes until I was out of line, but nonetheless, as Larry Miller said, “I was makin’ friends all over the place.”)

Anyway — more to come.

Update, 11 January 2010: A bit ran in the Bloomington Herald-Times about this on Sunday (won’t bother linking to it since it won’t do non-subscribers any good) and gave the church’s website as the only source of follow-up information. Thus, I have posted everything here.

“Why are you here?” as a research paper

The mandatory class for first-semester History graduate students was an interesting exercise. It was, as I’ve said before, largely the opportunity to read a number of things I wouldn’t have otherwise read, and to get a sense of whence certain ideas originate. Benedict Anderson’s Imagined Communities was worth thinking about, and popped up a couple of times in interesting contexts; one of the books I read for my Readings in Ancient Greek Forensic Oratory course referenced it, and it rather slapped me across the face when I volunteered for the Indianapolis International Fair last month (which should eventually be its own blog post). Foucault I still have more to say about, as I keep threatening.

For the final paper, there was a temptation to write a detailed response to Foucault, expanding on some of the ideas I discussed earlier. However, my final response paper, along with watching all of Christopher Nolan’s movies in chronological order (which should also eventually be its own blog post), suggested a different avenue that would be more interesting.

A rubric for the final paper which the professor offered as an experiment was to answer the question “Why are you here?” as a historical research paper. Using the last response paper as a jumping-off point, as well as drawing from the readings for the last week of the course, I decided to try to formulate the answer in a way that would examine the nature of my own memories. Foucault still wound up making an appearance, but it’s really only a cameo, and played for laughs.

It’s long; the assigned length was 15-20 pages, and with notes and bibliography I turned in something that was 32 pages long. (I turned it in five days early, however, so hopefully that gave the professor time to deal with it.) The title and the structure definitely reflect the influence of Christopher Nolan, but I really hope that it comes off as more than a party trick, because I don’t mean it as such.

Something I found out that surprised me was the direct role that the oil industry played in some of the circumstances of my life; I suppose, given my Alaskan origins, this should not have been a total shock, but I truly had no idea.

Anyway — here’s that up with which I came. (Or something. Sometimes not dangling one’s prepositions is awkward.) I can’t imagine I would have much of a venue for it otherwise.

(By the way — even if you don’t normally read notes, read notes 4 and 38.)

Memento Mori:

The Question “Why Am I Here?” and the Unintentionally Unreliable Narrator

By

Richard Barrett

Historicizing one’s own memories is a tricky proposition, for we are too often our own “unreliable narrator.” We may very well make our own history according to Marx,[1] but as Margaret MacMillan observes, “Being there does not necessarily give greater insight into events; indeed, sometimes the opposite is true.”[2] For one thing, if one is working with their own memories, then by definition one is already dealing with an unfinished, ever-changing product – “a perpetually active phenomenon, a bond tying us to the eternal present[.]”[3] To put it another way, if you have memories, you do not have all of the memories you will ever have – but if you lack the ability to make new memories, then you are either dead or there is something else wrong with you that likely renders you unable to communicate your own memories in a sustained, systematic fashion. History is the story of something that has already happened, but one’s memory is something that is still happening. A concrete example is this very essay; I do not yet remember having finished writing this paper, or turning it in, or getting it back with a grade. I cannot thus incorporate this essay into its own subject matter, at least not in full – but without the ability to make new memories, I would not be able to write the paper. This, combined with an inherent lack of objectivity dealing with personal memory, should give significant pause to the historian considering such a method.

This is not the only problem, however – how does one document their memory in a truly reliable fashion? At best, a historian can make the argument that somebody has claimed to remember something, but there is no empirical method by which one can actually verify the truth of that claim. I can claim that I remember what I was doing on 23 June 1989,[4] and perhaps somebody can even verify that I was doing what I say I remember doing, but nobody can prove that I remember what I claim to remember – the flipside to the problem of somebody claiming to not remember something, which is equally unverifiable.

Still more is the problem of making individual memory historical in and of itself. Is an individual’s set of memories a history? Or is real history a sorting through of the memories of a collective? Even then, what if one is the sole survivor of a particular community, and their memories are the only possible source of a particular kind of data – such as Jussi Huovinen, the only remaining “rune singer” of the Kalevala, the mammoth collection of Finnish poetry that represents their own collective cultural memory? While it is true that the text remains in print, he is the one man left alive who remembers this body of work incorporatively and not only inscriptively.[5] When he is gone, what will be lost?

What I aim to do with this essay is to examine the role of memory in the formation of an individual’s personal narratives. Personal histories, by definition, can only be constructed after the fact – we cannot remember what has not yet happened, and trying to do so is perhaps best called “conjecture,” or depending on how one spins that conjecture, “fear” or “hope,” which may well often (but not necessarily) be at odds with history. These personal narratives must also be reconciled with the histories of the communities with which the individual interacts – but how to best do this? As Elazar Barkan asks in the issue of American Historical Review current as of this writing, “Does constructing a ‘shared’ narrative mean giving equal time to all sides?”[6] How does the historian engaging in a self-reflexive historical study “[maintain] credibility and the appearance of historical impartiality[,]” particularly given the problem of memory and community?[7] Is it possible to “preserve the goal of not distorting the data to fit one’s conviction” when one is both subject and object of the study?[8] To put it another way, how can I, the individual historian, explore how I use my own memories to negotiate a place within the various communities I have had to exist in over the years, and in doing so “put the subjectivity of history not in the service of controlling or reversing the past, but rather to the delicate task of narrating the past in a way that enriches the present”?[9] How can I answer the question Why am I here? and know that I am in fact giving a truthful and complete answer and minimize the possibility of being self-serving, self-pitying, self-congratulating, and self-deceiving? What are the broader implications for the methodology of any historian of any period and any subject?

I seek to do this by constructing a narrative out of my memories that asks exactly the opposite question asked by most narratives. If “history binds itself to strictly to temporal continuities, to progressions and to relations between things,”[10] then by unhooking memories from that continuity, perhaps it will create a space in which memory may be examined as memory rather than as a point along a progression. Therefore, rather than providing a series of events that prompts the reader to ask, “What happened next?” I will arrange the chronology of the account so that the reader instead should ask, “What happened before that?” I argue that narratives are in fact initially constructed by the narrator looking backwards in the first place; that is to say, for the historian, causality may only be seen in reverse. Foreshadowing is a literary device, not a historical method. We remember an event and muse about why it happened, prompting the recollection of a previous event to contextualize that one. The tapestry must be unraveled before it can be woven back into one piece; thus, the goal here is to examine the threads as they are pulled out – that is, before they are re-synthesized into a bigger picture.

Where possible, I will refer to primary sources – letters, diaries, blog posts, and other pieces of evidence from the period of my existence. Perhaps this will lead to an experience such as Timothy Garton Ash’s, where what I claim to remember now is different from what I claimed to remember then.[11] Where appropriate, I will also aim to provide a greater historical context, both in terms of the greater world as well as the state of the historical field contemporary with the events being described, seeking commentary and context from an issue of American Historical Review contemporary with the events being narrated, as well as other literature as necessary.

If I am answering the question Why am I here? then it is necessary to define what the question means, which to some extent involves an inventory of current memories and ways of constructing my identity. “Why” is a question that for present purposes will assume the current state of things as a telos, subsuming the question of “how” but also assuming the existence of some kind of impetus forward. “I” means a thirty-three year old man, married to another full-time graduate student, no children yet, living nearly three-quarters of the way across the country from where I grew up. “Here” means at the end of my first semester of graduate school as a matriculated, full-time student in the Department of History at Indiana University.

Previous to this semester, the memories closest at hand which appear relevant center around 20 February 2009, when I returned after lunch to my then-day job on campus as Office Services Assistant at the Archives of Traditional Music. Checking my e-mail, I discovered a message from Edward Watts titled “Re: Good news from the History department.” “Dear Richard,” Professor Watts wrote. “Congratulations! I am very happy that this has come to pass…”[12] Congratulations? Why? Wait – this was a response to something else, but what? I scrolled down, to find the original e-mail “Good news from the History department” from Wendy Gamber. “Dear Mr. Barrett,” the e-mail began. The key information was in the very first line:

Congratulations! I’m delighted to inform you that you have been admitted for graduate study to the History department with a multi-year funding package.[13]

Good news, indeed – my wife Megan was perhaps even more thrilled than I was, crying tears of joy when I told her – and it was only the beginning. I had also been admitted to the West European Studies M. A. program starting that semester, but I was still a part-timer, and WEST was more of a way to put a Masters degree together out of the thirty-plus graduate credits I already had so as to not leave IU with a jumble of hours that could never transfer anyplace. Nonetheless, within a couple of weeks of History’s offer, WEST also awarded me a Foreign Language and Area Studies fellowship for both the summer and the next academic year, meaning I now had a funding package with two fellowship years, and I would be spending my summer in Greece. With all four of these possibilities having come to fruition – WEST, History, and both FLAS awards — I had an undeniable embarrassment of riches. No longer was I to be “de-territorialized,” a “diasporic [person] [rooted] physically in [his] ‘hostlands,’ but… [being] refused assimilation to [it].”[14] No, I now had unambiguous permission to make myself at home at Indiana University. My blog from March reads:

One way or the other, this has all been a rather stunning turn of events for me. Although my path has remained less-than-linear, to say the least, it’s been a real game-changer of a year, let me tell you. Δόξα τῷ θεῷ πάντων ἕνεκεν![15]

Four eggs, four hatched chickens. Ricardus est insufficiens petitor neque enim, Deo gratias.[16]

My employers were thrilled for me, and the sadness for everybody was that it was a position in which I had jelled nicely during the year I had been there – for me, a singular occurrence at Indiana University. On the 5th of June I left the Archives of Traditional Music for the last time, and I posted the following:

I’ve enjoyed what I’ve done and with whom I’ve worked, I leave on good terms with all of those people, I leave not having counted down the seconds till I could quit, and without anybody saying to not let the door hit me where the good Lord split me. To put it in show business terms, I’ve been able to leave ‘em wanting more, and in a good way. It’s a really nice feeling. I close this chapter excited to see what happens next, but sad to be leaving this behind. I am moving on to the next thing without desperation for perhaps the first time in my life.[17]

On 10 June 2009 I got on a plane and flew to Greece, returning on 5 August; orientation for the fall semester started on 24 August.

Teasing out the thread of memory a little further, I come to Thursday, 16 October 2008.

Before I explain the significance of this particular date, I must explain that my original schedule for the fall semester of the 2008/2009 school year had me taking second year Syriac and first year Coptic. However, in a fit of despair over the apparent improbability that I would ever find a path that would make use of those languages, I consolidated those two courses into one, trading them for first year Modern Greek.

J. B. Shank’s assertion in the October 2008 issue of American Historical Review that “approaching the notion of historical change through the notion of crisis is not entirely misguided”[18] does not exactly inspire confidence, but he nonetheless concludes the following:

Accepting that historians are not empirical natural scientists but practitioners of a particular kind of hermeneutical science, one with deep connections to storytelling, the question, then, is not whether they are warranted in deploying the concept of crisis at all, but rather the kind of deployment that is appropriate.[19]

Certainly, the outcome of my own crisis was indeed a marked historical change for me. I discovered quickly that my study of Ancient Greek greatly facilitated the speed at which I was able to absorb the modern vernacular, and that the coursework I already had would be easily applied to a Masters degree in West European Studies. I would perhaps require two classes and a thesis to finish the program. The Greek instructor, an earnest, supportive man looking for graduate students to help build a program, was more than encouraging of my application. I began to contact professors for recommendation letters.

Professor Watts’ response took me rather by surprise. He said yes, that he was happy to write me another letter, but had I considered re-applying to History? We made an appointment to meet and discuss the matter further, and so I found myself in his office the morning of 16 October.

I was up front with Professor Watts; I had not considered re-applying to History, since the faculty member who had spoken with me when I was rejected the first time had said rather unambiguously that I need not consider that an option. “Well, I know you now, Richard,” he replied. “I’ve taught you, and I know how you think. You’re far more sophisticated than you were when you first came to see me three years ago, and you’ve got a lot more that you can prove you have to offer. You’re plenty competitive now, and I will advocate for you as much as I can. I can’t promise anything, but I think it’s worth the fifty bucks for you to throw your hat into the ring.” He suggested that I talk with Professor Deborah Deliyannis about what we had discussed, so that she could know what to say in her letter of recommendation as well. When I met with her, she was very much on board; on the other hand, as accustomed as she was to having those conversations with me by this point, she teasingly referred to me as a “professional applicant.” I had to admit I knew what she meant.

A blog post from the end of that month makes the following reference:

I’ll wrap this up for now by saying that my application for West European Studies has been submitted, and that now it’s just a matter of my letters of recommendation rolling in. Hopefully I’ll know something soon. In the meantime, another option has come up in terms of a departmental home, and the person who suggested it did so unprompted. I don’t want to say much more about it for the time being. For right now I’ll just say that I’m flipping two coins, West European Studies and this other possibility, and we’ll see what comes up. Maybe both will come up heads, in which case I’m decidedly not opposed to leaving IU with more rather than less. Maybe both will come up tails, and I really will have to leave here with 30+ worthless graduate credits. We’ll see. Meanwhile, a near-annual conversation with a particular faculty member about said options has led to this person dubbing me a “professional applicant.” I suppose he/she isn’t wrong.[20]

The next thread of memory picks up seven months earlier, on 3 March 2008. Work was miserable, as was now the daily norm, with my support staff position in one of the campus recruitment offices having grown unbearably precarious over the previous year. I had not started looking for other jobs because I hoped to be a full-time student in the fall anyway. Still, e-mail had brought no good news yet, which meant that every day I checked the postal mailbox when I got home to see if bad news had come instead.

On this particular Monday, I flipped up the lid of the box on my front porch, and saw an envelope from the Indiana University Department of Religious Studies. I knew what it contained before I even opened it, and I almost threw it away still sealed rather than force myself to read the words.

“Thank you for your application…due to a high number of strong applicants…” I stopped there, crumpled it up, and tossed it in the trash. I sent a confused e-mail to the faculty member in Religious Studies who had encouraged me to apply, called in sick the next day, and started applying for other support staff positions.

I posted the following to my blog a week later:

So, Cheesefare Week, as noted earlier, started off with some bad news. I had been obliquely informed about a month ago that good news would come via e-mail, and bad news would come via postal mail; therefore, when I saw the envelope in my mailbox on Monday, I knew exactly what it contained before I even opened it. Bottom line: I will not be a matriculated graduate student this fall. Ricardus est insufficiens petitor.

Exactly what is next for me is unclear. I was instructed to thank God for keeping me from going down this path since He obviously has something better in mind for me, so I’ll start there. There are some well-placed people who have told me they absolutely believe I can do this and want to talk about what happened and what they think I can do from here; I’m more than happy to listen, but in the meantime, I am beginning to consider what my other options are, up to and including the possibility that, being 31, perhaps my window of opportunity just isn’t open anymore.[21]

The next month was a series of very understanding nods and deep sighs from the well-meaning people who had written my letters for this application. What I tended to hear, including from the faculty member who had suggested that I would be welcomed with open arms in the first place, was that whatever impression I might make in class, whatever my grades and test scores were, whatever my letters might say, the details of how I looked on paper were problematic, at least as far as an admissions committee for a humanities program at a big liberal arts university was concerned. “If you spoke to our Director of Graduate Studies right now, she’d probably sound a lot like History did a couple of years ago,” one person told me. “You’re just going to have to go someplace where they aren’t freaked out by a music degree,” said another. I recount one of these conversations in my blog:

So, I had a conversation a couple of days ago with one of the people who wrote letters of recommendation for me. This person wasn’t directly involved with the admission process, but had knowledge of what had happened, and was pretty up front with me about it. I wasn’t told anything I hadn’t already figured out, but this person remained encouraging, and had some concrete suggestions about better paths for me.

The bottom line seems to be this — there’s not really a way to make me look like a conventional applicant on paper… It’s one thing for faculty members to say, “Well, he doesn’t fit in this particular box, but he’s very capable, he’s a known quantity and has proven himself,” but when it comes down to having to make hard decisions, admissions committees have to look at me and say, “He may be capable and a known quantity, but he doesn’t fit into the same box as everybody else we’re admitting.” Without a liberal arts undergraduate degree, my application goes into a different pile than those who do, and that’s not the pile which makes it to the next round of cuts, regardless of my other qualifications. There was the hope on the part of those who supported me that I would be able to transcend these limitations, but sheer numbers did not allow for that.

As I said, this wasn’t anything I hadn’t already figured out. Two years ago I was told what ducks I needed to get in a row for grad school, but the person giving me this advice also said, quite bluntly, “Even then, if it’s somebody like me reading your application, you’re not going to have a lot of luck.” With a non-liberal arts background, plus the fact that within five seconds it becomes clear that it took me eleven years to finish a four year degree (i.e., I was a dropout), I was told, my letters of recommendation appear to be talking about a totally different person and can’t be seen as reliable. The person I was talking to on Tuesday told me that, unfortunately, all of that may be harsh, but it is not necessarily wrong, particularly when a humanities department is faced with more graduate applications than they’ve ever had before. “The reality is, we’re admitting people who have the option to turn us down to go to Princeton, Yale, Duke, and Columbia,” I was told. There is also the issue that my particular academic interests are generally more specifically addressed at religiously affiliated institutions, not big liberal arts universities. Being a “non-traditional applicant” combined with my interests being, in the long run, not the greatest fit in the world for how things are done here, and the work I’ve done over the last couple of years simply does not level the paper playing field.

So what will? In an ideal world, my interests would have been identified, encouraged, and fostered during my early teens, I suppose, but this isn’t what happened, and in the woeful absence of a Time-Turner, I must find a different path.[22]

My employment situation reached its nadir towards the end of the same month; thankfully, I was offered another position just as that crisis peaked, and I started at the Archives of Traditional Music on 21 April 2008.

Among my duties at the Archives was to schedule use of a meeting facility in Morrison Hall known as the Hoagy Carmichael Room. On 23 April, I received an e-mail from Debra Melsheimer, graduate secretary in Religious Studies, cancelling one of the two reservations they had for the room during the coming Fall Orientation. “Since we will have no ‘new’ incoming graduate students for the AY 2008-09 we will only need to hold one (1) meeting time…”[23] I politely confirmed the cancellation and angrily forwarded the e-mail to friends of mine in the department, asking if they knew what was going on. In short, everybody to whom they made offers were, as I was told, prospects who could turn them down for schools such as Yale and Columbia, and that is exactly what all of them did. Unfortunately, nobody turned them down in time for the department to be able to make other offers.

Thursday, 19 January 2006 is the next point along the timeline to which my memory turns. I had graduated from the Indiana University School of Music with my B. Mus. the month before at the age of twenty-nine, having taken eleven years to finish a four-year degree. My entire final semester of my undergraduate career, my focus was taking a wild turn from the operatic career I had come to Indiana University in 2003 to pursue. I spent the term embracing my new identity as a scholar who happened to sing rather than a singer who liked to read, and my course on Early Music History gave me plenty of opportunities for this – as did an undergraduate survey course on Medieval History taught by Professor Deborah Deliyannis. Much of the personal reading I had done over the past three years came in handy in both classes, to say nothing of the experience of the Eastern Orthodox liturgical cycle (enhanced by taking on choir directing duties the previous summer). Perhaps my areas of interest and the approach I found myself taking meant that I was complicit in “failing to break the grip of a history that roots humanity’s origins in Mesopotamia some 6,000 years ago” at a moment when there was “an intellectual and moral imperative” [24] to not fall into that trap, but so be it.

A conversation one day with Prof. Deliyannis led both of us to the conclusion that if I was looking for a post-opera path, perhaps History was the way to go. She said she was willing to write a recommendation, and she thought that it would probably be no particular trouble to admit me as a terminal Masters student, given what she had seen in class. She suggested I talk to Professor Ed Watts, and also said it would help if I could find a summer Latin program somewhere, but encouraged me to go ahead with the particulars of the application.

I took the GRE. I asked for letters of recommendation from the instructors for my more academic courses in the School of Music. I met with Prof. Watts. I found a summer Latin program at University College Cork in Ireland. I submitted my application to the Department of History.

Graduation came and went, as December graduations do. In January, I took a job as a bank teller, figuring I wasn’t going to be there past June if I was going to Ireland for the summer.

Then, an e-mail from Prof. Deliyannis came, strongly suggesting that I set up a meeting with a particular professor regarding my graduate application. I entered this person’s office on 19 January with knots in my stomach, knowing that this likely was not a promising development.

In short, what I heard was, “I don’t think you can get there from here.” Prof. Deliyannis had meant well, I was told, but was unfamiliar with the particulars of how the History department handled graduate applications. In the first place, History did not offer a terminal Masters. In the second place, History did not admit anybody they did not fund. In the third place, whatever my letters might have said about me and whatever my grades and test scores were, a B. Mus. simply could not be given the same weight as a B. A. and thus my letters and my grades could not be taken as seriously as they might be otherwise. In the fourth place, I needed at least some Greek and Latin before I could be admitted.

So what do I do? I asked.

“If I were you, I’d take classes as a non-matriculated student for a couple of years, and then apply elsewhere,” this person told me, stressing the word. “If it’s somebody like me reading your application, there’s very little you’re going to be able to do to make yourself competitive here.”

I left that office devastated (to say nothing of late for work). I had no idea that History would be so fundamentally different from the School of Music, where essentially the non-funded students paid for the funded students. Well, there was nothing for it; if I had to make myself a better applicant on paper, then that was exactly what I would do. By June I had found an on-campus job that had a tuition benefit, and fall of 2006 I started first year Ancient Greek.

A letter I wrote to a friend at the end of February 2006 provides this account:

I graduated in December. It only took me eleven years to finish a four year degree, and I am now sufficiently B.Mus’d (bemused). I don’t know exactly what’s happening with me next; I’m not doing another music degree here, and it frankly seems unlikely that I will be doing another degree at Indiana University, period. Megan’s program is opening all kinds of doors for her; she’s spending seven (paid) weeks in Germany this summer, she starts her PhD in the fall, and so on, but all of my attempts to figure out something useful to do in this environment have failed miserably. Medieval History seemed like a quite likely candidate (and it still does, just not here); I made a wonderful impression on a professor in a non-School of Music class last semester, and she started recruiting me. It seemed like a good fit (and still does), given my natural interests and proclivities, and I was able to get some strong letters of recommendation. Well, I can’t say that I know exactly what happened, except that in January, I was suddenly whisked into the office of somebody higher up in the food chain of the History department, who in no uncertain terms told me that the department’s interest in me had been vastly oversold, and that I needed to look at ways that I could make myself an attractive candidate “someplace else.” Like I say, I don’t know exactly what happened; the most I could get out of this person was that my recommendations didn’t really match the background my transcript showed, and that the recommendations aside, I’m just not competitive “on paper” as far as they’re concerned, coming from a music background. It rather came across as, “On paper, you look like an intellectual lightweight trying to change fields on somebody else’s dime.” What the professor who had been recruiting me said was, “I know what you’re capable of, I know your abilities, I know how you think and how you work, and I think you’re plenty competitive—but it’s not up to me.” I don’t know if, at the end of the day, my research interests…just didn’t match up well enough with those who actually had power to make decisions, or if this was more of an internal political conflict, or what. The plan of action from here, insofar as there is one at present, is to take a class or two a semester as a non-matriculated student for the next two or three years, and then when Megan is done with her coursework and exams, we can try to find a program where I can do my graduate studies and she can do post-doctoral work. I have to say, after the humiliating disappointment of my three years at the School of Music, this whole thing really took out of me whatever wind I had left in my sails.[25]

As we get farther away from the immediacy of the present, however, my memory is increasingly, but less-intentionally, elided. The same letter also contains this section:

To briefly sum up the various happenings of the last nine months… I am not at St. Vladimir’s. The idea was always that it would be fall of 2006 anyway, not fall of 2005, but that is not likely at this point. Perhaps fall of 2009 or 2010. In short, I visited there in October and loved it. Everything about the place impressed me—the location, the faculty, the campus life, the educational environment, the pastoral approach, and so on. Most especially, the centrality of the chapel in the rhythm of campus life just blew me away. However, two things happened—first, Megan, quite correctly and justly, decided that she was enjoying teaching and did not want to walk away from the remaining three years of her funding. Second, every person I talked to at St. Vlad’s gave me the same advice: wait as long as you can before coming. The answer was motivated in different ways by different people—the liturgical music professor said that they’re revamping the program so that it is aimed more towards people with a solid musical background, but that it’s going to be another five years or so before they get there. The dean of students said that spiritual maturity was going to be vital to one’s survival and education in that environment, and that a few years’ worth of time for things to settle would only help me. A student told me, “They will challenge everything you think you know, and your faith will need to be solid as a rock to withstand it. Let as much water run under the bridge as you can manage.” Excellent advice, all of it. I took it to heart, and combined with my wife’s circumstances, I hope to wind up there at some point in some capacity, but it won’t be this next year.[26]

Reading this section of the letter, I remember an entire series of events surrounding a campus visit to Saint Vladimir’s Orthodox Theological Seminary in October of 2005 and the exploration of the possibility of the priesthood. It was a trip that seemed so seminal, exciting, and which pointed an unmistakable way forward, but which rather spectacularly came to nothing in the end. Even so, it seems like I would at least remember it without prompting for purposes of a footnote, but it does not occur to me to remember it until faced with its record.

Tracing backwards from there, I am led to 13 February 2005. It was my fourth semester at the School of Music, and my penultimate term as an undergraduate. I had auditioned for the Masters program in Vocal Performance and was admitted, and I was still waiting for word on my funding to come through. My audition was good; it showed clear improvement during my time here in terms of range and musicality, and there was the matter of my article in The Journal of Singing making me the first School of Music person in some years to publish in the professional publication for voice teachers. At the beginning of March I was traveling to New York for the first time, having been invited to audition for the Metropolitan Opera’s Lindemann Young Artist Development Program, and I felt like I was singing well enough to feel good about such an opportunity.

It was in the midst of these hopeful circumstances that my wife and I converted to Eastern Orthodox Christianity on the second Sunday of the month, the day before Valentine’s Day. Our first confessions were heard, we were anointed with oil, and we received Communion for the first time. With some irony, the only family either of us had in attendance was my decidedly atheist father.

Larry A. Braskamp suggests that the interest in religion for students represents a “[search] for meaning and community… [which] often leads them away from the organized religious practices and beliefs of their past, [but] is… [nonetheless] a journey toward a more complex spiritual and religious identity.”[27] I can agree with him, but only partially; the “more complex spiritual and religious identity” in this case was far more organized and equipped with beliefs and practices than those of our past. It was amidst the collective memory of the Christian East, a memory both inscribed and incorporated, that I was faced with the “essential historicity of Christian religion,”[28] and I saw – or was shown? – that I had no other option than to find that compelling.

A handwritten diary records the following:

He [the priest] very nearly forgot to anoint our ears. Somewhat ironic, given what we do.

I am fighting a cold and sore throat, so I wound up not singing at all. However, several parts of the homily stuck with me. Deacon Lawrence preached, and he quoted several Church Fathers on the matter of choosing God’s will over one’s own. There are three options, one wrote. God’s way, our way, and the Devil’s way. The man who has not chosen God’s way is somebody who will clearly be ill at ease, who will find everything to be not right, who will not truly be at peace with anyone. That simply describes Dad to a “T”, I’m sorry to say.

Communion was very nearly over before it began; I carried my chrismation candle up to the Chalice with me, which was a touch awkward, and the spoon was in and out of my mouth before I really realized what had happened. No neon signs flashed in the sky, and truth be told… I didn’t need them to.

[…] While describing to Dad the night before just what he’d be seeing, it occurred to me that in many ways it would look like our wedding—we’d process to the front of the church, we’d answer questions, take some vows, and have jewelry put on us. As it worked out, gifts were also another similarity. We both now wear crosses that were given to us by our sponsors; my mother gave us a lovely pewter candle-snuffer; several of our friends made donations to All Saints’ building fund in our honor; the parents of our friend Benjamin also gave us a large ceramic pigeon we’ve named “Melvin”.[29]

It was after this affirmation and proclamation of faith that everything fell apart. The School of Music offered me less financial support than I had received as an undergraduate. My voice teacher pleaded with whom he could, but the most they would do is put it back to my undergraduate level, and they indicated to him that I should feel grateful for that. My New York trip was a fun first visit to the Big Apple, but that is all it ended up being – the audition yielded nothing. The final nail in the coffin was the audition for the fall’s operas, where inexplicably I simply had no high notes anymore. If I were to take my newly professed faith seriously, it would appear very much that God was closing the doors through which I was not supposed to venture.

Thinking that perhaps I could still stay in Music, I spoke with faculty members I knew in Musicology and Choral Conducting. Perhaps these would both be disciplines where my faith and how I practiced it could inform what I did without needing to be fundamentally challenged. As I would be studying specific practices rather than institutions or development of particular beliefs, I hoped that somehow I could be free of questions of “What is ‘religious’? How do we align our definitions with those of the persons we study? Where do we draw the disciplinary boundaries of ‘religious history’?”[30] Both departments told me the same thing, however – we would love to have you, they said. You would be a natural fit in either program. Unfortunately, we have no money at the Masters level, and if you come in as an unfunded student, it would hurt your chances of getting funding at the doctoral level.

Another letter from me to a friend reports the following:

Given how the graduate funding issue shook out, I decided to not accept the slot in the Master’s program here… [B]eing on the cusp of my thirties (having turned 28 this last November)… I do not feel like I can responsibly continue going into an indefinite amount of debt for an indefinite amount of time, while having no solid career prospects on the table. That raised the question, however, what are the implications of that for my career path? The blunt reality is that I don’t really have a career path at this stage of the game. By March of this year, in every respect, it had become quite plain to me that I could not, realistically, get “there” from here.[31]

The last (or is it the first?) of my memories to be strung along this thread is Saturday, 11 June 1994, the day of my high school graduation, being seventeen years old. There was so much to do, and the plan for the weekend had been formulated along very strict lines. Dad would fly in from Anchorage on Friday, the ceremony was on Saturday, there would be a family celebration following, and then he and Mom would fly to Anchorage together on Sunday, leaving Seattle for good. On Monday, I would supervise the movers as they packed up our house. A couple of weeks after that, I would fly to Anchorage myself, returning in the fall to start college at Western Washington University.

Dad had returned to Anchorage in the fall of 1993 to see if his luck might be better in the place where he had made his fortune to begin with; the idea of things getting any worse in Seattle was terrifying. His money had been too tied to Alaska for it to survive the so-called 1986 Oil Price Collapse,[32] and he had never sufficiently planted professional or financial roots in the Pacific Northwest to ride out the crisis. Since taking a loss of $100,000 on the house – to say nothing of having to sell virtually everything else that was not nailed down – in 1988, we had bounced more or less annually from rental to rental, each one less expensive than the previous, hoping that somehow things would turn around. Unfortunately, the rise of big box stores like Office Club, Office Depot and CostCo[33] were making it very difficult for the small office supply retailer to be competitive. Ironically, if we had just been able to hold on to the house for another six months, we would have caught the beginning of the suburban real estate boom in Seattle.[34] After five years of struggling unsuccessfully to make it work, returning to Alaska seemed to be the only option. My mother stayed behind so that I could finish high school where I had started, and since I was going to be starting college anyway, it seemed like a natural break.

The plan was executed neatly and efficiently, point by point. Dad flew in on Friday, I walked on Saturday, and they left together on Sunday. I drove my parents’ car back to our townhouse from the airport, which in its strewn-with-boxes state was no longer really “ours” except that I still lived there for one more day, and went to sleep that night as its sole occupant. The next day, the movers came. In the late afternoon I watched them drive the truck away with everything we owned in it, including my parents’ car. With it went any sense I had of any particular place being “home”; my parents now lived someplace I did not, and while it did not follow that I now had a new home as well, my old home (which itself had only been “ours” for nine months) was no longer mine to occupy. While surely not exactly what Steven Ruggles had in mind when he made this argument, I could have nonetheless independently confirmed his thesis that “a rise in economic resources of the elderly” – to use the term broadly – “…would have resulted in an increase of residence with kin[.]”[35] His larger argument that “the past century has witnessed a radical transformation of residential preferences [of families]”[36] was surely something to which I could also attest, having experienced the bizarre reversal of growing up, graduating high school – and having my parents move away.

Much as I began by observing that I cannot remember this project’s completion and outcome while still working on it, I must end with something else of which I can have no memory and must rely on the memories of others – or, rather, my memory of their memories. (Or, even more to the point, my claim to remember what they claim to remember.) My parents met in Anchorage, Alaska in 1974. In the same year, Lynn White, Jr. wrote that “[p]eople are organized… by the basic presuppositions – often unverbalized – that they share: their axioms.”[37] If this is true, then perhaps it is no real surprise that my parents were always disorganized. Both had been born in Alaska, but there the similarities effectively end. Dick, my father, was the second youngest of a large merchant-class family; his own father, Jack, had owned the first Piggly-Wiggly grocery stores in Alaska.[38] My mother was from a working-class family; her father was a truck driver for a dairy (ironically, a supplier to my other grandfather’s stores). The family business, of which my father was president, was Barrett Office Supply, a thriving supplier of office furniture in an economic environment fueled, as it were, by the 1968 discovery of oil in Prudhoe Bay on the state’s North Slope.[39] My mother had started working as a receptionist for Barrett Office Supply at nineteen shortly after her first divorce; my father was also recovering from his own first divorce.

The ferment of post-1960s sexual mores being what they were, it seemed like a good idea to the office to try to cheer Dick up by sending him to Hawaii – with Shirley, with whom he had never exchanged more than a few, intimidating (by her recollection) words. It is tempting to digress here into an examination of how the supposed liberation from the bourgeois repression of sexuality, in reality, set up an environment in which it was acceptable for a man and a woman to cede sexual agency and be “drafted,” more or less, into a sexual relationship which not only resulted in consequences not intended by the “drafters” (such as this author), but also in which were located many axes of power – an eight year age difference, inequality of family status, a status/power difference at a mutual place of employment, income disparity, and so on.[40] However, this would not further discussion of the main point at hand. Suffice it to say that shortly after their return from Hawaii, they moved in together. In 1976, the year the French language edition of Michel Foucault’s The History of Sexuality: An Introduction was first published, a second trip to Hawaii in February led to my birth on 21 November. They were married on 13 May 1977 – a Friday the 13th, incidentally, and just over a month before the first barrel of oil would be pumped from Prudhoe Bay into the newly completed Trans-Alaska Pipeline on 20 June 1977.[41]

Thus is the chain of memories upon which I draw to answer the question “Why am I here?” – but do any of them really answer the question? Can these disparate pieces actually be synthesized into a historical argument, or do they represent a draft of Richard Barrett, The Early Years: A Reader? Can I actually answer that question myself, or will it require a later historian to assemble the fragments into a mosaic? Would the picture that historian might assemble look like anything I would recognize myself as my own life? Is it my responsibility to remember in a way convenient for the historian? If the references to American Historical Review as a sort of historian’s Greek chorus show anything, it is that  how I remember things and what the discipline of history would like me to do with those memories are not always the same thing – for example, whether or not historians are entirely comfortable with the word “crisis” does not impact my experience of an event as a crisis. Good historians analyze memories, better historians synthesize them, but it does not follow that what they (or we, as I must remind myself) need to accomplish those tasks will instill a sense of obligation in the individual recounting their own memories to remember the way the historian would find ideal.

What forward-looking narratives might be assembled from these pieces, anyway? Am I here because God ordained it? Am I here because of how fluctuations in oil prices in the mid-1980s interacted with suburban expansion? Am I here because of how the Sexual Revolution manifested itself in Anchorage, Alaska? Am I here because intense feelings of abandonment led me to seek out community and identity in a highly structured religious environment, rich in traditions and practices that lend themselves to study? Am I here because my great-great-grandfather won at Palmetto Ranch? Am I here because I just plain was too dumb to know when to give up? All of these things? None of them? Even if I, as a Christian, lean towards the first of those explanations, it is incumbent upon me to remember that “the purpose of a historical understanding is not so much to detect the Divine action in history as to understand the human action, that is, human activities, in the bewildering variety and confusion in which they appear to a human observer.”[42]

Can I be trusted to be reliable with my own memories? I already know that some of the other parties involved recount some of the same events differently from how I do, but that does not change how I remember those events. In any case, it should be clear that I have elided, compressed, omitted, selectively emphasized, and otherwise edited my memories for public consumption, even if I have not done so intending to mislead. There is the matter of the abandoned pursuit of the priesthood, which I had entirely forgotten to remember until I saw my own words describing it. Did Professor Deliyannis really “recruit” me in 2005, as I told my correspondent? I thought that word appropriate at the time, but now I am not certain. It is unambiguously fitting for Professor Watts, who suggested of his own volition that I apply, and there is the not insignificant matter that I was actually admitted this time around. As well, the memories presented here certainly do not answer all questions about everything, and substantial gaps are left. The simple fact is that to “tell everything” can only be a pretty-sounding fiction.

Even within the convention I have attempted to follow of presenting memories in the order in which I access them, it is still necessary to contextualize and construct and narrate, to tell things in the order of before and after at least to some extent, in order for them to make sense. To the extent that there is such thing as “purity” of memory, it would seem that it might only be preserved as long as the memory does not need to be communicated to anybody else. That this problem begins to touch upon and intertwine problems both of an epistemological as well as an ontological nature greatly concerns me, but what to do about it? It suggests that I can only truly know what I think I know as long as I have no need to pass it on, in which case it becomes what I claim to know and must be held in suspicion by, above all, myself. However, if I cannot exist without some need to communicate with others, than what I think I know is constantly in tension with what I am, or perhaps what I need to be. The problem here is that I am neither philosopher nor theologian; I cannot dwell on such questions for too long without my head starting to hurt. I know what I know, and I remember what I remember, or at least I think I do. What can I say except “That’s my story, and I’m sticking to it”?

“The power of memory is great, exceedingly great, O God, a large and limitless inner hall,” writes St. Augustine. “Who has come to its foundation? Yet it is a power of this my soul, and it belongs to my nature, but I myself do not grasp all that I am.”[43] Maybe I am unable to answer the question “Why am I here?” I can produce my memories of what I think are the relevant events that led up to being here, but I cannot myself yet see the beyond the present moment sufficiently to synthesize those events into a meaning. Perhaps it is also telling that the greater the distance from the event being remembered, the easier time I have putting that event into a historical context – thus, again, I am too close to now to be able to see it in perspective. If I am so unfortunate as to draw the attention of another historian – or worse, a biographer – down the road, then perhaps that person will be able to construct a forest for the trees.

Which is all to say – that’s my story, and I’m sticking to it.

Works Cited

Ames, Christine Caldwell. “Does Inquisition Belong to Religious History?” American Historical Review 110, no. 1 (2005): 11-37.

Ash, Timothy Garton. The File. New York, NY: Random House, 1997.

Barkan, Elazar. “A. H. R. Forum: Truth and Reconciliation in History. Introduction: Historians and Historical Reconciliation.” American Historical Review 114, no. 4 (2009): 899-913.

Barrett, Richard. Letter, 26 February 2006.

———. Letter, 15 May 2005.

———. “13 February 2005.” Personal diary. Bloomington, Indiana, 2005.

———. “Counting Hatched Chicken #4.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

———. “Counting Hatched Chickens, Nos. 1-3.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

———. “In Which the Author Finds Himself Intentionally, Joyfully, and yet with a Tinge of Sadness, Unemployed.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

———. “More on the Alleged Plurality of Means by Which One May Remove Flesh from a Feline.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

———. “On Forgiveness Sunday, the Alleged Plurality of Methods by Which One May Relieve a Feline of Its Flesh, and Other Musings.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

———. “Things You Think About When You’re Trying Not to Fall.” In Leitourgeia kai Qurbana: Contra den Zeitgeist. Bloomington, Indiana: WordPress, 2009.

Braskamp, Larry A. “The Religious and Spiritual Journeys of College Students.” In The American University in a Post-Secular Age, edited by Douglas Jacobsen and Rhonda Hustedt Jacobsen, 117-34. New York, NY: Oxford University Press, 2008.

Connerton, Paul. How Societies Remember. Cambridge, England: Cambridge University Press, 1989.

Florovsky, Georges. “The Predicament of the Christian Historian.” In Religion and Culture: Essays in Honor of Paul Tillich, edited by Walter Leibrecht, 140-66. New York, NY: Ayer Publishing, 1959. Reprint, 1972.

Foucault, Michel. The History of Sexuality: An Introduction. Vol. 1. New York: Vintage Books, 1978. Reprint, 1990.

Gamber, Wendy. Electronic mail, 20 February 2009.

Hippo, Augustine of. “Confessions.”

Hunt, Jeffrey. The Last Battle of the Civil War: Palmetto Ranch. Austin, Texas: University of Texas Press, 2002.

Koepp, Stephen. “Cheap Oil!” TIME Magazine, 14 April 1986.

Lee, In. “Office Depot’s E-Commerce Evolution.” International Journal of Cases on Electronic Commerce 1, no. 2 (2005): 44-56.

Lynn White, Jr. “Technology Assessment from the Stance of a Medieval Historian.” American Historical Review 79, no. 1 (1974): 1-13.

MacMillan, Margaret. Dangerous Games: The Uses and Abuses of History. 2 ed. New York, NY: Modern Library, 2008. Reprint, 2009.

Marx, Karl. “The Eighteenth Brumaire of Louis Bonaparte.” In The Marx-Engels Reader, edited by Robert C. Tucker, 594-617. New York: W. W. Norton and Company, Inc., 1978.

Melsheimer, Debra. Electronic mail, 23 April 2008.

Naske, Claus-M, and Herman E. Slotnick. Alaska: A History of the 49th State. 2 ed. Norman, OK: University of Oklahoma Press, 1994.

Nora, Pierre. “Between Memory and History: Les Lieux De Mémoire.” Representations no. 26 (1989): 7-24.

Parra, Francisco R. Oil Politics: A Modern History of Petroleum. London: I. B. Tauris, 2004.

Peirce, Neal, Curtis W. Johnson, and Betty Jane Narver. “The Peirce Report: 1. Congestion and Sprawl: A Thousand and One Delayed Decisions Are Taking Their Toll, and Environmental Time Is Running out Fast in Puget Paradise.” The Seattle Times, 1 October 1989.

Ruggles, Steven. “The Transformation of the American Family Structure.” American Historical Review 99, no. 1 (1994): 103-28.

Shank, J. B. “A. H. R. Forum. Crisis: A Useful Category of Post-Social Scientific Historical Analysis?” American Historical Review 113, no. 4 (2008): 1090-9.

Smail, Dan. “In the Grip of Sacred History.” American Historical Review 110, no. 5 (2005): 1337-61.

Spiegel, Gabrielle M. “Presidential Address: The Task of the Historian.” American Historical Review 114, no. 1 (2009): 1-15.

Watts, Edward. Electronic mail, 20 February 2009.


[1] Karl Marx, “The Eighteenth Brumaire of Louis Bonaparte,” in The Marx-Engels Reader, ed. Robert C. Tucker (New York: W. W. Norton and Company, Inc., 1978)., 595.

[2] Margaret MacMillan, Dangerous Games: The Uses and Abuses of History, 2 ed. (New York, NY: Modern Library, 2008; reprint, 2009)., 44.

[3] Pierre Nora, “Between Memory and History: Les Lieux De Mémoire,” Representations, no. 26 (1989)., 8.

[4] It is not relevant to the discussion – or is it? – but I was at the Luxury Alderwood Theater in Lynnwood, Washington, seeing the movie Batman on its opening day.

[5] Paul Connerton, How Societies Remember (Cambridge, England: Cambridge University Press, 1989)., 72-104.

[6] Elazar Barkan, “A. H. R. Forum: Truth and Reconciliation in History. Introduction: Historians and Historical Reconciliation,” American Historical Review 114, no. 4 (2009)., 903.

[7] Ibid., 908.

[8] Ibid.

[9] Ibid., 913.

[10] Nora, “Between Memory and History: Les Lieux De Mémoire.”, 9.

[11] Timothy Garton Ash, The File (New York, NY: Random House, 1997)., 9-11.

[12] Edward Watts, Electronic mail, 20 February 2009.

[13] Wendy Gamber, Electronic mail, 20 February 2009.

[14] Gabrielle M. Spiegel, “Presidential Address: The Task of the Historian,” American Historical Review 114, no. 1 (2009)., 12.

[15] Richard Barrett, “Counting Hatched Chickens, Nos. 1-3,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009). The Greek means, “Glory to God for all things!”

[16] ———, “Counting Hatched Chicken #4,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009). The Latin means, “Richard is no longer an unworthy applicant, thanks to God.”

[17] ———, “In Which the Author Finds Himself Intentionally, Joyfully, and yet with a Tinge of Sadness, Unemployed,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009).

[18] J. B. Shank, “A. H. R. Forum. Crisis: A Useful Category of Post-Social Scientific Historical Analysis?,” American Historical Review 113, no. 4 (2008)., 1096.

[19] Ibid., 1097.

[20] Richard Barrett, “Things You Think About When You’re Trying Not to Fall,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009).

[21] ———, “On Forgiveness Sunday, the Alleged Plurality of Methods by Which One May Relieve a Feline of Its Flesh, and Other Musings,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009). The Latin means, “Richard is an unworthy applicant.”

[22] ———, “More on the Alleged Plurality of Means by Which One May Remove Flesh from a Feline,” in Leitourgeia kai Qurbana: Contra den Zeitgeist (Bloomington, Indiana: WordPress, 2009).

[23] Debra Melsheimer, Electronic mail, 23 April 2008.

[24] Dan Smail, “In the Grip of Sacred History,” American Historical Review 110, no. 5 (2005)., 1361.

[25] Richard Barrett, Letter, 26 February 2006.

[26] Ibid.

[27] Larry A. Braskamp, “The Religious and Spiritual Journeys of College Students,” in The American University in a Post-Secular Age, ed. Douglas Jacobsen and Rhonda Hustedt Jacobsen (New York, NY: Oxford University Press, 2008)., 133.

[28] Georges Florovsky, “The Predicament of the Christian Historian,” in Religion and Culture: Essays in Honor of Paul Tillich, ed. Walter Leibrecht (New York, NY: Ayer Publishing, 1959; reprint, 1972)., 141.

[29] Richard Barrett, “13 February 2005,” (Bloomington, Indiana, 2005).

[30] Christine Caldwell Ames, “Does Inquisition Belong to Religious History?,” American Historical Review 110, no. 1 (2005)., 13.

[31] Richard Barrett, Letter, 15 May 2005.

[32] For a contemporary account of the issue, see Stephen Koepp, “Cheap Oil!,” TIME Magazine, 14 April 1986.

[33] For background on Office Depot and Office Club as an example, see In Lee, “Office Depot’s E-Commerce Evolution,” International Journal of Cases on Electronic Commerce 1, no. 2 (2005)., 45.

[34] For a contemporary account of the economic situation in the greater Seattle area in the late 1980s, see Neal Peirce, Curtis W. Johnson, and Betty Jane Narver, “The Peirce Report: 1. Congestion and Sprawl: A Thousand and One Delayed Decisions Are Taking Their Toll, and Environmental Time Is Running out Fast in Puget Paradise,” The Seattle Times, 1 October 1989.

[35] Steven Ruggles, “The Transformation of the American Family Structure,” American Historical Review 99, no. 1 (1994)., 126.

[36] Ibid., 127.

[37] Jr. Lynn White, “Technology Assessment from the Stance of a Medieval Historian,” American Historical Review 79, no. 1 (1974)., 1.

[38] Jack’s own grandfather (my great-great-grandfather) was something of a footnote in Civil War history, being Colonel Theodore H. Barrett of the Union, commander of the 62nd U. S. Colored Infantry Regiment, winner of the Battle of Palmetto Ranch, the final conflict of the War Between the States – over a month after Appomattox. See Jeffrey Hunt, The Last Battle of the Civil War: Palmetto Ranch (Austin, Texas: University of Texas Press, 2002).

[39] For a brief overview, see Francisco R. Parra, Oil Politics: A Modern History of Petroleum (London: I. B. Tauris, 2004)., 269.

[40] Michel Foucault, The History of Sexuality: An Introduction, vol. 1 (New York: Vintage Books, 1978; reprint, 1990)., 120-7.

[41] Claus-M Naske and Herman E. Slotnick, Alaska: A History of the 49th State, 2 ed. (Norman, OK: University of Oklahoma Press, 1994)., 265.

[42] Florovsky, “The Predicament of the Christian Historian.”, 166.

[43] Augustine of Hippo, “Confessions.” Book 10, ch. 8. Translation mine.

Just posted: Hansen and Quinn notes and answers, Unit 5

Yes, believe it or not, I got it done before the fiery death of the universe. It’s amazing what having the semester over with will do for you. I’ll try to have another couple of units up before the end of the break.

(Yes, this break. Why do you ask?)

As always, if you have comments, corrections, or anything else, let me know. If you would like to motivate me to give this project a higher priority, I am all for it; you can PayPal me at richardtenor [AT] gmail.com.

(Crickets chirping)

Ah. Well, I guess I’m doing it my way and on my own time, then.

Review: Fellow Workers With God: Orthodox Thinking on Theosis by Norman Russell

I would like to note that I participated in what was originally going to be a group book review of Owen the Ochlophobist’s, but which ultimately because a review symposium hosted by Unmercenary Readers. We all read Norman Russell’s Fellow Workers With God: Orthodox Thinking on Theosis, and the reviews are being posted this week. Mine is now up.

I had to get a bit tough with them; they tried to force me to use a pseudonym. I pointed out that article #8 of their own manifesto encourages, but expressly does not require, pseudonyms, but suggested “Vassilis Taraxopoios” if they had to use something (a literal translation of the meaning of “Richard Barrett” into Greek — “King Troublemaker”). They were somewhat abashed at having their own manifesto used against them and consequently left it up to me. I had always intended to run it under my own name, and said so. I will be curious to see if I am the only one who does so, and further curious to see if the exercise causes them to revise their manifesto.

Embracing paleostructuralism

It is late afternoon on Wednesday, and I have somehow managed to accomplish everything I needed to accomplish by this time. On Friday, this seemed like a goal that was unattainable, so I am reasonably pleased.

Somebody mentioned to me this last Saturday, “I occasionally read your rants against post-structuralism.” It had not been explicitly discussed in class that Foucault and company actually constitute an “-ism”, so I’m sure I was a deer in the headlights for a second while I figured out what my friend meant. Flesh of My Flesh has been explicitly exposed to more theory than I have, so I’ve been hearing about the supposed difference between signifier and signified for some time, but again, that this movement had a name was new information for me. A couple of things clicked once I understood the label; this is the same friend who a few years ago overheard me saying that it made no sense to me to read modern ideas of sexual equality and identity into texts for which those ideas would be anachronistic, and consequently chided me for “not believing in gender theory,” adding, “Applying theory is not ‘reading something into’ anything. That’s just you having an ideological problem.”

For all I know, maybe he’s right. He’s in the English department, and maybe there’s a way these things actually make sense from the standpoint of literature. Maybe, too, this is the difference between a “scholar” and an “intellectual” — I do not give a fat, furry, flying rat’s hindquarters about theory. I have not entered an academic discipline because I am interested in the “isms” which seem to plague the humanities right now. (I am told that “thing theory” was rather well-represented at last week’s Byzantine Studies Association of North America conference, which makes me want to tear out my own teeth with a rusty screwdriver.) I have entered an academic discipline, because, funny and naïve and idealistic as it may sound, I am actually interested in, and even like, my subject of study.

What does that make me? A paleostructuralist? If so, then so be it. (“Paleostructuralist” sounds cooler and more dignified than “anti-post-structuralist” anyway.)

I still have more to write on Foucault in this space, but it’s going to have to wait a bit yet while I finish some other things. In the meantime, my most recent (and last) response paper for my “Introduction to the Professional Study of History” course starts to sketch out some of the thoughts that will show up there. Certain elements will be no surprise to those who visit here somewhat regularly, there are a couple of moments where it will be evident that I just got through watching all of Christopher Nolan’s movies in chronological order (which merits its own post), and the couple of somewhat coy suggestions that certain things should be discussed elsewhere will be developed in my final paper for this course.

The Safe Retreat into Omniscient Third-Person:

The Problem of Historicizing Oneself

Or

A Response to Kate Brown’s “A Place in Biography for Oneself”

(As Well as a Number of Other Bits and Pieces from the Fall 2009 H601 Course)

“Historians,” writes Kate Brown in her essay “A Place in Biography for Oneself,” “expose other people’s biographies, not their own.”[1] How can this be, however, when according to Marx, “[m]en make their own history” [2]? How, ultimately, may historians be their own agents of history while being true to their own profession? How might historians assume the first person voice in their own work, that is to say, our own work, or still more to the point, my own work – honestly?

To expand Marx’s quote, men make their own history, “but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly found, given and transmitted from the past.” Brown certainly did not choose her circumstances. She is from a small Midwestern town whose economic history could have stepped out of the pages of The Marx-Engels Reader; in her home town of Elgin, Illinois, as she tells it, the beginning of her life intersected with a narrative of Western expansion, labor strife, industry flight, economic redevelopment, and gentrification.[3] Her own retelling of the story gives significant credibility to Marx’s claim that “[t]he tradition of all the dead generations weighs like a nightmare on the brain of the living”[4]:

From Elgin… I came to understand how closely one’s biography is linked to one’s place… I recognized the impulse to bulldoze and start over, to push on toward a brighter, cleaned-up destiny, which meant abandoning some places and people and losers of an unannounced contest.[5]

The past – that is to say, one’s history – and its relationship to location are a weight that one must learn to carry or learn to jettison. Perhaps this can be understood as an inversion of the opening line of Pat Conroy’s novel The Prince of Tides – rather than the wound being geography, the anchorage, the port of call, it is geography, and the confluence of circumstances that one encounters in that geography, that is the wound.

All well and good — but how real is this confluence of circumstances? How objectively may its existence be assumed? Per Benedict Anderson and his analysis of how seemingly disconnected events make up the front page of a newspaper, perhaps not much:

Why are these events so juxtaposed? What connects them to each other? Not sheer caprice. Yet obviously most of them happen independently, without the actors being aware of each other or of what the others are up to. The arbitrariness of their inclusion and juxtaposition… shows that the linkage between them is imagined.[6]

What, then, is the difference between one’s life and the front page of a newspaper? Do they both represent a constructed – that is to say, not objectively real – and affected way of arranging events? For the historian, how does that construction and that affectation influence how they read history, view history, and write history? How does understanding how one’s life interacts with one’s work impact either, for better or for worse?

As a scholar, I have been carefully trained to avoid using the first person in my work. “Don’t ever say things like ‘We can see the following…’ in your research,” I remember being told in one undergraduate course. “This is not a journey ‘we’re’ going on together. It’s a research paper.” My training in languages also tends to inform how I view texts – “Read what it says, not what you think it means,” my first Greek instructor repeatedly told our class. My research goal, therefore, is typically to state a clear, impersonal thesis and then get the hell out of the way of my own argument, simply letting the facts and the observations speak for themselves as much as possible. If I present it as something that “I” think, then I will have fundamentally devalued and undermined my argument – why should anybody care what I think?

Naturally, there is far more to it than a hope to rest comfortably on objectivity. Why should anybody care what I think, indeed. I’m a nobody, a college dropout from nowhere, a first generation college graduate at the age of 29, having taken eleven years to finish a four year degree (a B. Mus. at that, not a liberal arts degree), who then, even with good grades and test scores, still had to do three years of coursework as an unmatriculated student before there was any way to be competitive for graduate schools, all the while hearing from a chorus of professors, “I’m more than happy to write you a letter of recommendation, but I’m not sure you’re going to be able to get there from here.” Why should anybody care what I think? Good heavens, I will need to make sure I publish under a pseudonym just to be taken at all seriously. Better yet, I should somehow indicate on my C. V. that I simply sprang forth fully-grown from the head of Zeus with my PhD already in hand.

But there is still more to it than that, surely. I’ve been at Indiana University in one capacity or another since 2003, somewhat ironically making it the longest I’ve ever lived anywhere. My family bounced around a lot for reasons best recounted elsewhere, and even now, they live, quite dispersed, in places I have never lived, in houses I never called home, in zip codes I never visited until they moved there. Brown can rely on her connection with the place of Elgin, Illinois as an anchor for where she is now, but I am literally from nowhere, in the sense that I have had to construct my notion of “home” from different raw materials than place and family, and I find it very difficult to relate to concepts of home that do center around place and family. If my family moved around for reasons having to do with the military or career development, than I might be able to legitimately claim – as a friend of mine, the son of a prominent Russian History scholar, does – to be a “citizen of the world,” to be from everywhere. Alas, I can claim nothing quite so romantic or interesting. Robert Frost once said that home is where, if you have to go there, they have to take you, but the places where that is even marginally true are places that have never actually been a part of my life. If Brown is correct that one’s biography is closely linked to place, than I truly am the Nowhere Man – so again, why should anybody care what I think?

But, of course, there is still more to it than that.

“In my quest to explore the human condition,” writes Brown, “I have hidden behind my subjects, using them as a scrim to project my own sentiments and feelings.”[7] There is an undeniable connection between who somebody is and what interests them; for her own part, Brown describes this connection by saying, “I believe that I was able to see stories that had not yet taken shape for other historians because of the sensitivities I acquired in my past.”[8] My advisor, Professor Edward Watts, is potentially an example; he is an academic raised in a family of academics. His parents are both academics, and his sister is an academic. What was the subject of his dissertation? Rhetorical education in Late Antique Alexandria and Athens. As I told him after I read the book, it is difficult to not see his work as having an aspect of meta-commentary on the academic life. He chuckled and said, “You wouldn’t necessarily be wrong.”

Beyond that example, I saw with my own eyes how the personal connection between historian and subject might manifest with my colleagues during orientation and initial class meetings:

“Hi, I’m Roberto Arroyo, and I’m interested in Latin American history.”

“My name is Isaac Rosenbaum, and I do Holocaust history.”

“I’m Lakshmi Patel, and I’m studying the history of relations between India and Pakistan.”

The Late Antique Byzantinist whose last name is not “Ioannides” or “Sotiriou” is left at something of a disadvantage in such company. Yes, there is, in fact, a personal reason that connects me to my subject of inquiry, a personal reason that should not be too hard to surmise for the careful observer (but one that is best discussed in another setting), but a personal reason that is nonetheless internal, abstract, and conceptual rather than immediately and concretely constructed by place or family – that is to say, by the circumstances which I did not choose. I have personal stakes that led me to my areas of interest, but because they are of my own choosing I must be circumspect in how I speak in terms of “I”, “we”, and “our” if I am to be seen as having sufficient distance from my subject to be credible as a scholar. Edward Said and Dipesh Chakrabarty appear adamant that cultures and societies must define themselves, that to not allow such self-definition is cultural imperialism,[9] and yet this mandate of courtesy with respect to communal identity does not appear to extend to those who have embraced certain communities voluntarily.

Of course, I also have the problem that I am not interested in my subject from a critical point of view; I find it anachronistic to explicitly read whatever my own political beliefs and values may be – and, for today’s purposes, we may broadly describe them as uncomfortably conservative as Russell Kirk defined the word, which according to contemporary definitions probably makes me liberal – into my historical subject, but per Elizabeth Blackmar as quoted by Ted Steinberg, we historians are not supposed to evade the question of politics.[10] According to Steinberg, the role of the historian in the present day is evidently to explore “the history of oppression,”[11] and this attitude is one I see largely borne out in my cohort. Nonetheless, the reality is that such a history is not the history of the Late Antique Eastern Roman Empire I have any desire to write. I have better things to do than study something with the express purpose of tearing it down. I fundamentally believe it is possible to be more productive and constructive – but do I only believe that because of my other beliefs in the first place? Is my choice of the word “constructive” itself telling, possibly signifying that I would rather buy into the social constructions that historians are supposed to deconstruct? The 3rd person voice of objectivity keeps me from having to mess with such potentially treacherous questions.

If men make their own history, but not under circumstances they choose for themselves, and history is supposed to be the history of oppression, then must a historian writing their own history engage in self-hatred by definition? Brown does not appear to write a piece of self-hatred, but it is clear that she is uncomfortable with the implications of her own essay – “My palms sweat as I write this… The intimacy of the first person takes down borders between author and subject, borders that are considered by many to be healthy in a profession situated between the social sciences and the humanities.”[12] Chakrabarty suggests one possible way out, explicitly referencing autobiography and history as two separate and distinct genres[13] – so not only is autobiography, the history of oneself, not history, but history isn’t a discipline anyway, it’s a genre. But here is the rub – if history is a genre somewhere “between” the social sciences and the humanities, and a historian writing their own history must find a methodologically honest way to not engage themselves at the level of self-hatred, which then in fact moves the work into a different genre altogether, then the historian can never actually engage in a real work of self-historicization that is not self-mutilatory.

At any rate, can we claim objectivity anyway by avoiding biographical detail or the first person? In a post-structuralist world where we must assume a fundamental disconnect between signifier and signified, does it really matter to begin with? Or is a research paper written in the omniscient third person much like Bruno Latour’s depiction of the laboratory[14] or Bonnie Smith’s history seminar and archive[15] – a socially constructed, that is to say false, space of knowledge-based privilege that can assert authority it does not actually have simply because a particular group of people have become convinced that it does?

I do not have answers to my own questions, posed at the outset of this musing. I am not certain where to go with them. My inclination is to say the various circumstances of my own life may appear as arbitrary as Anderson insists the front page of the newspaper actually is, but by virtue of the very fact that I in fact experience those circumstances in chronological order, I nonetheless perceive them as my own narrative. My inclination is to say that I cannot be forced to historicize my own life as a history of oppression any more than I can legally be required to self-incriminate in a court of law. My inclination is to say that nonetheless, I am better off keeping my arguments in the third person and keeping my “self” out of the voice of my own work, that regardless of what I think, we all know what a coffee table will feel like if we rap it with our knuckles, and that in saying that I am not privileging people who have hands or who do not have nerve damage. My inclination is to say that there must be a world outside of our own minds, and that there must be a way we can discuss it, even if our own minds tell us how we’re going to organize our perceptions of that world. Are these words and ideas too strong, too dangerous, too naïve, too uninformed? I do not know, but I do not know where else to start.

And perhaps that is why it is good I work in a period many people find irrelevant. It keeps me from becoming a danger to myself or to others.

Works Cited

Anderson, Benedict. Imagined Communities. 2 ed. New York: Verso, 2006.

Blackmar, Elizabeth. “Contemplating the Force of Nature.” Radical Historians Newsletter no. 70 (1994).

Brown, Kate. “A Place in Biography for Oneself.” American Historical Review no. 114 (2009): 596-605.

Chakrabarty, Dipesh. “Postcoloniality and the Artifice of History: Who Speaks For “Indian” Pasts?” Representations no. 37 (1992): 1-26.

Latour, Bruno. “Give Me a Laboratory and I Will Raise the World.” In Science Observed: Perpsectives on the Social Study of Science, edited by Karin Knorr-Cetina and Michael Mulkay, 141-70. London: Sage, 1983.

Marx, Karl. “The Eighteenth Brumaire of Louis Bonaparte.” In The Marx-Engels Reader, edited by Robert C. Tucker, 594-617. New York: W. W. Norton and Company, Inc., 1978.

Said, Edward. Orientalism. New York: Vintage Books, 1994. Reprint, 2003.

Smith, Bonnie. “Gender and the Practices of Scientific History: The Seminar and Archival Research.” American Historical Review 100, no. 4 (1998): 1150-76.

Steinberg, Ted. “Down to Earth: Nature, Agency, and Power in History.” American Historical Review 107, no. 3 (2002): 798-820.


[1] Kate Brown, “A Place in Biography for Oneself,” American Historical Review, no. 114 (2009), 603.

[2] Karl Marx, “The Eighteenth Brumaire of Louis Bonaparte,” in The Marx-Engels Reader, ed. Robert C. Tucker (New York: W. W. Norton and Company, Inc., 1978), 595.

[3] Brown, “A Place in Biography for Oneself,” 600-3.

[4] Marx, “The Eighteenth Brumaire of Louis Bonaparte,” 595.

[5] Brown, “A Place in Biography for Oneself,” 604.

[6] Benedict Anderson, Imagined Communities, 2 ed. (New York: Verso, 2006), 33.

[7] Brown, “A Place in Biography for Oneself,” 603.

[8] Ibid., 605.

[9] Edward Said, Orientalism (New York: Vintage Books, 1994; reprint, 2003). Dipesh Chakrabarty, “Postcoloniality and the Artifice of History: Who Speaks For “Indian” Pasts?,” Representations, no. 37 (1992).

[10] Elizabeth Blackmar, “Contemplating the Force of Nature,” Radical Historians Newsletter, no. 70 (1994)., 4. Quoted in Ted Steinberg, “Down to Earth: Nature, Agency, and Power in History,” American Historical Review 107, no. 3 (2002), 804.

[11] Steinberg, “Down to Earth: Nature, Agency, and Power in History,” 802.

[12] Brown, “A Place in Biography for Oneself,” 603.

[13] Chakrabarty, “Postcoloniality and the Artifice of History: Who Speaks For “Indian” Pasts?”, 8.

[14] Bruno Latour, “Give Me a Laboratory and I Will Raise the World,” in Science Observed: Perpsectives on the Social Study of Science, ed. Karin Knorr-Cetina and Michael Mulkay (London: Sage, 1983). Accessed online at http://www.stanford.edu/dept/HPS/Latour_GiveMeALab.html on 9 November 2009.

[15] Bonnie Smith, “Gender and the Practices of Scientific History: The Seminar and Archival Research,” American Historical Review 100, no. 4 (1998).

More on the division of disciplines

"Whether or not the subject of a painting actually existed has no bearing on the painting itself." Really?

Tuesday’s meeting of “Problems in Early Christian Art” led to two fascinating developments. One was a classmate making the baldest, most militant statement I could imagine about enforcing the separation of Art History from History as a whole: “Whether or not the subject of a painting actually existed has no bearing on the painting itself.” I find that to be a truly remarkable statement on all sorts of levels.

Incidentally, this was the same person who told me, “You can’t do that,” when I attempted to relate what we were reading to St. Nectarios’ monastery, which makes the second development even more notable: after having told me last week that it was dangerous and problematic to try to apply Cormack’s line of questioning to a contemporary example, because “we cannot assume they are the same”, this student asked the professor at the end of this week’s class, “So, why is St. Nectarios’ monastery the same as everything else we’ve looked at?”

Discuss.

Conceptualizing the “liberal bias” of academia

Have I mentioned I’m glad I’m not a modern historian? Seriously. So much of the scholarship of modern history I’m reading in my “Introduction to the Professional Study of History” course is angry, ultra-liberal work that arrogates to itself a point of view of objective correctness, using theory as a blunt instrument against people, institutions, and events with which/whom they might disagree politically. Anything that might discuss an event or institution without criticism is nationalistic, conservative, anti-intellectual nonsense. There’s a strain I perceive among some of my cohort of choosing to be a historian because of a particular anger about a particular issue — colonialism, nationalism, treatment of one group or another, and so on.

But hold on. Is that really what’s happening? What is the “liberal bias” of academia, really? Does it actually exist? Would those whom conservatives accuse of having a liberal bias actually see it that way themselves (and, alternately, would those conservatives recognize a corresponding conservative bias)? What’s really going on?

What I’m starting to wonder is this — is what some perceive as a “liberal bias” not much more than the very human reaction to the horrible things of the 20th century, but that reaction occurring in a post-Reformation, post-Enlightenment, postmodern world? Is it as simple as a group of well-meaning, intelligent people saying, very understandably, “These are awful, evil things! How do we explain them, understand them, and prevent them?” Except with the caveat that the structures that might exist to help explain them, understand them, and prevent them, are no longer seen as reliable?

Perhaps we’re in an age where what we’ve got is “choose your own adventure humanity” — there’s no reason for society to assent to a particular religion, but you go ahead if you want. There’s no reason for society to recognize as legitimate any particular power of the state, but you go ahead if you want. There’s no reason for society to acknowledge and privilege any of the constructs society used to acknowledge and privilege, but go ahead if you want. Don’t agree with X? Great, don’t do it, but don’t tell somebody else they can’t, because there’s no legitimate framework to do so. As a consequence of these points, there’s no reason for any particular group of people to have any particular advantage or privilege, perceived or real, over anybody else; not only that, but there is no legitimate definition of a difference of function that asserts a lack of difference of privilege, because there is no institution privileged to make that distinction, and any institution that would assert the privilege to make that distinction must automatically be seen through the lens of power relationships.

The end result is very well-meaning, very humane people trying to solve humanitarian problems out of context, which winds up being perceived as “liberal bias”, but it isn’t, really. It’s just that they’ve backed themselves into a theoretical corner. From a Christian standpoint, what we might say is that these people can perceive — and quite unmistakably so — the effect of the Fall, but they don’t have any means of actually discussing it meaningfully. The anger I sense in the scholarship I’m reading and in some of my colleagues is maybe not poorly motivated, but the only way they have to talk about it is to say is in terms of historical constructs like colonialism, nationalism, racism, gender inequality, and so on — Foucauldian language regarding power and domination emerges as a seemingly sensible way to discuss historical problems.

Christians also wind up being backed into the same corner, and have to at least discuss problems that are a result of the Fall as though the Fall never happened. Even Christianity has to function according to the rules of a postmodern, post-Christian world, in other words.

Is this an impasse? Perhaps to some extent. Bad things continue to happen; people continue to have a very human response to said bad things. It’s not a liberal vs. conservative problem; the problem with conservatives is that the potential is there to go to the opposite extreme — “Oh well, it’s a fallen world, you can’t make an omelette without breaking eggs, nothing you can do about it except be thankful if you’re on the winning side and hope the Second Coming happens before things get much worse,” being how I might broadly sketch out such an extreme.

Understanding the problem as a liberal bias is not ultimately going to be helpful, I don’t think. I think we can assume more often than not that people take certain positions in good faith and with good intentions (although by their fruits shall ye know them, of course). Kicking against the goads of a perceived liberal bias isn’t going to change anything; what might change some things — and more importantly, what might change some minds and hearts — is providing well-reasoned persuasive arguments for alternative theoretical understandings, and doing so within the context of a genuine Christian witness. At times that may very well mean having to be a witness in the sense of “martyrdom,” but it’s hard to deny that that can be necessarily part of the deal.

Which reminds me — I still have more to say about Foucault. I haven’t forgotten about that, and I’ll talk about that reasonably soon.

Notes on Arab Orthodoxy on The Antioch Centre

Samn! provides an interesting piece on The Antioch Centre, the project of an Oxford-based monk to catalog the manuscripts of the Patriarchate of Antioch. I found this part particularly interesting:

Another important aspect of his work is uncovering more information about how long the Syriac language remained in use Orthodox Christians in Syria and Lebanon– in some regions, the lectionary readings were only translated from Syriac into Arabic in the 17th century! Orthodox Antioch’s Syriac heritage has long been sadly neglected, but this is now starting to change…

So if the lectionary was in Syriac, what liturgy were they using? Archdale King’s The Rites of Eastern Christendom seems to indicate that the Divine Liturgy of St. James has always been the normative Syriac rite — so was the Divine Liturgy of St. John Chrysostom a later development for Syriac speakers in Syria and Lebanon?

Funny but true story — somebody at All Saints suggested to me that it might be nice to include a round of “Lord, have mercy” in Aramaic. I wasn’t thrilled about the idea, but the suggestion was made in a very public forum by somebody who made it clear they didn’t want to be ignored. Syriac being a dialect of Aramaic, I figured, I dutifully added the Syriac translation (“Marya rahem”) to our list. Because there are already five different languages represented (English, Arabic, Greek, Romanian, and Slavonic), it was rare we would ever get to it, but I could go back to the person who suggested it and say, “Look, I heard your request and responded to it.”

Then I found out that in an actual Syriac language liturgy, for the petition responses they just say “Kyrie eleison” (and there’s a good chunk of their liturgy which is in borrowed Greek). As it works out, it looks like the same thing happens in Coptic too. The Syriac rendering was quietly removed from use at All Saints.

Draw your own conclusions about the pitfalls represented here.

(Thanks to Lucas Christensen for bringing this to my attention!)

The division of disciplines and the implications for people like me

Registration time is upon us, and next semester, I’ll be diving into the deep end of the actual History pool, taking a colloquium titled “Essential Readings in Early Medieval History,” and a seminar called “Greek Democracies: Athens and Beyond.” The former is with one Prof. Deborah Deliyannis, from whom I took an undergraduate course in medieval history four years ago and who has been a great source of encouragement and help every step of the way ever since. I’m looking forward to finally getting to take a graduate course from her (and also reading some Latin under her supervision).

As we start to enter the last few laps of this semester, I’m starting to see some interesting challenges relating to the notion of interdisciplinarity. My academic interests center around the interaction of liturgy and history; the way I’m approaching the matter is necessarily interdisciplinary, so I’m doing things like sitting in on art history and ethnomusicology courses. I’m also pretty much having to go through yet another department — Classical Studies — to work on my languages, so there’s an interdisciplinary component there, too. The issues I’m starting to see appear to have to do with differing methodologies, different kinds of evidence producing different results, and different departments being protective of what they see as their own intellectual territory.

For example, in Art History’s “Problems in Early Christian Art” course for which I’ve been attending the lectures and discussions, I have been somewhat taken aback at how some of the students appear to be totally disinterested in textual sources. Now, I state that as somebody who is not an art historian, so I assume that what we’re talking about here is a methodological difference between disciplines, except that both the professor (as well as one of the other candidates whom I heard do a job talk for the position last spring) seem completely comfortable dealing with textual sources and actual historical context. This has manifested itself in a couple of different scenarios; a couple of weeks ago, when students were doing initial presentations on their paper topics, what seemed to be the common methodological approach was first to pick an image or set of images, track down as much secondary literature about the image as possible, and then construct an argument on that basis. In other words, the only relevant primary source is the image with which you are working. I asked one or two of the presenting students if they planned on tracking down any contemporary literary sources related to their topic, and all I got was a shrug, with an answer amounting to, “Sure, I could see how that might be useful. Maybe if I have time I’ll look into that.”

This week, our readings dealt primarily with literary sources. I was part of the group that was “leading the discussion” (what seems to be a euphemism for “doing the reading so that the rest of the class doesn’t have to,” given how involved in the discussion the rest of the class seemed willing to be), and the reading I was discussing was the an excerpt from Robin Cormack‘s book Writing in Gold: Byzantine Society and its Icons. Cormack examines how images function in the Byzantine world of Late Antiquity, using as evidence the Life of St. Theodore of Sykeon and then the Miracles of St. Demetrios of Thessalonica. I also put together a small slide deck about St. Nectarios’ monastery on Aegina as a contemporary example of what Cormack talks about.

The reactions all around were fascinating; they ranged from indifference towards using literary sources to what seemed to be active hostility towards what Cormack was trying to accomplish. “It’s really dangerous to be relying on these kinds of sources for what we do,” I heard more than once. The argument seems to have been that literary sources can only interpret the image for you, and art historians need to be able to see them with their own eyes. Historical context is a nice-to-have, maybe, but ultimately unnecessary and irrelevant compared to actually being able to see what you’re dealing with and to do one’s own analysis of the visual material. Never mind the open criticism I got from one student for trying to relate what we were talking about to a contemporary example, saying point blank, “You can’t do that” — even though Cormack, in the body of the text, invited exactly such an application of his analysis to other scenarios. The professor appeared to understand what I was doing, and tried to bridge the gap between the concerns and what I was actually saying, but my colleague seemed unimpressed and, curiously, quite upset. It was a very odd class session, and I’m still trying to figure out what to make of it. Is Art History, at least as taught here, just adamant about wanting to be Art History, rather than “History of Other Things Where We Occasionally Use Pieces of Art as Evidence”? Like I said, it not being my field, I don’t know exactly what to think, particularly since the professor herself seems to be somebody who is more than adequately conversant with matters of historical context.

Another example I’ve run into has to do with the relationship of Classical Studies to other departments that routinely refer to texts that are in the languages they teach. In History, for example, I have to prepare a reading list with a decent number of texts in both Greek and Latin for my exams; the trouble is that there is not a fantastically economical way of preparing these lists in the context of coursework. Readings courses are difficult for professors to make time for on the History side, and there just isn’t anybody in Classical Studies who is interested in much later than 100 B. C. The forensic oratory and rhetoric course I’m taking this semester starts to approach relevance (and I will be able to include all of these texts on my reading list), but that’s about it. I am reminded of a conversation I had a couple of years ago with a faculty member on the Greek side; I told him my interests and asked if there would be a way of pursuing them in Classical Studies, and he just said, “You’re outta luck, kid. The last person here who was anywhere close to your interests retired ten years ago.” Along the same lines, I am told that the instructor for 2nd year Greek had originally included St. John Chrysostom in the curriculum for this semester, but dropped it almost as soon as the term began. Now, just as was the case when I took the same class from the same instructor two years ago, all they’re reading is Plato’s Ion.

Even if it the History faculty did have the bandwidth to do readings courses, so I am told, Classical Studies would oppose such offerings; they are very protective of Greek and Latin and don’t want anybody else going near them in a classroom setting. The only reason Religious Studies is able to teach Syriac and Coptic is because they have a course number coded as “Readings in Early Christian History” that can be used. It theoretically could be used for reading Greek texts, but not, it seems, without drawing the ire of Classical Studies, so it just isn’t done. Students can do individual readings if a faculty member has time, but good luck with that.

Now, on the one hand, I think I can understand some of where Classical Studies might be coming from. If I had to guess, I’d say that, not dissimilar to Art History, they want to remain distinct as Classical Studies, not “The Guys Who Teach Greek and Latin to Other Departments.” Thing is, they still make everybody else come to them to learn Greek and Latin anyway — and then they make it clear they don’t take the texts other people want to deal with seriously. There was the snarky remark I heard from one of their faculty once about “undergraduates who enroll in first-year Greek because they want to read a certain famous text that is decidedly not part of the Classical corpus”, and then there was the whole way said text was treated when I took second year Greek — we spent all of two or three weeks on it, the instructor was sightreading, they clearly weren’t familiar with the text at all, and constantly made remarks like, “Yeah, that’s not real Greek” and “Why is is this guy making comments about bridegrooms and all that? I tell you, you can’t make this stuff up.” (Frighteningly enough, this person went to a Catholic university for undergrad.) One solution might be to make people in History or Religious Studies adjunct Classical Studies faculty, but it sounds like that’s a way they don’t want to go. They don’t want to teach the texts we’re interested in, but they don’t want anybody else to teach them, either.

I’m told that right now, there just aren’t enough History students who need Greek to be able to influence Classical Studies’ thinking on the matter, but we’re close — sufficiently close that if we have the same rate of growth over the next couple of years we’ve had over the last two (that is, from zero to close to ten or so) the game could easily change.

Interdisciplinarity — it’s a nice buzz word, but when it comes down to it, you’ve got to be able to take care of yourself to make it work, it seems. I assume that will be part of my education.

Reflecting on shame and identity

Rod Dreher has what is, at least for me, a very thought-provoking essay over at Crunchy Con. Actually, “thought-provoking” is a euphemism. I’ll be blunt — it hits what is, for me, a permanently raw and open nerve. The next 3200+ words will reflect this. Turn back now if you don’t want me to take you there.

Mr. Dreher begins with a discussion about shame, obesity, and race, and how he has personally experienced them function and interrelate as someone who considers the American South home. He takes it someplace else, however, and the key part for here at the conclusion:

A fellow Southern exile once said to me that it’s so easy to love where we’re from when we don’t live there, because we can edit out the stuff that’s hard to live with. That’s very true. And yet, I confess it’s hard for me to feel quite at home anywhere else. When I go back to visit, there’s something about the place and its people I dearly love, and treasure as part of myself. […] [However,] I chose to separate myself from it (and anybody who thinks Dallas is the South is sadly mistaken; it’s the southernmost Western city)… [F]or me, [what motivates my writing is] a sense of cultural rootlessness, and a craving for a sense of belonging to a place. Too much has happened to me over the years to form the kind of man that I am to make me feel at home in my actual homeland. And yet, when I’m away from Louisiana, I think about it a lot, and long for it. True story: I used to walk around Brooklyn romanticizing Louisiana, then go back to Louisiana and after a few days, start pining for my old borough home in Yankee Babylon.

[…] For me, displacement and a resulting craving for authenticity. But the fact that I chose displacement and exile adds a shake of shame about disloyalty into the cocktail too. […] Me, I don’t have anybody to show anything to (this was the greatest gift living and working in New York City gave me). When I sit down to write, almost always I think not about showing myself, but about finding myself.

I’m somewhat circumspect about elements of my personal life in this forum. This is not out of any sense of needing to protect anything, exactly; leastways, it’s not about protecting myself. Anybody who happens upon this blog knows my real name, my wife’s name, and more or less where to find me; this may or may not be wise, but there we are. There are certain things I have not discussed here, like politics, because I don’t want to detract from my main objective — namely, some record of my path as an Orthodox Christian on the way to something vaguely resembling an academic career. It’s also, by far, primarily for my own use, rather than being intended as any kind of a public news service. So, since I find myself heavily burdened talking about politics — feeling in the main that I ultimately can’t pick a side because I’m not at all sure anybody is on my side — I just don’t go there for my own sanity.

Other things I haven’t discussed simply out of respect for the fact that the blog is public, and I have to be mindful of what that can mean. I was stuck in a horrible, horrible, horrible employment situation until April 2008 that I could not (and can’t) discuss here, because if certain parties were to run across my blog, it would only make things quite a bit worse. Even once I was out of that situation, I had to be careful about how I discussed the unexpected ways my grad school opportunities were developing, because out of respect for my new employers, about whom I cared very much, I needed to time how I told them what was happening in a particular fashion.

All that out of the way, Dreher’s essay hits home for me in a number of ways, not the least being shame over the struggle with weight I’ve had as long as I can remember, but even more in how he discusses his sense of displacement. Unlike him, I have no particular pride in any particular place as home — but I’ll talk about that in a bit.

There’s not much to say about my weight that’s, um, earth-shaking — as I’ve said before, my ancestors were swinging battleaxes in northern Europe; I grew up swinging a backpack full of books, there was never anything about sports that was terribly attractive to me growing up, and I have spent much of my adult life behind a desk of some sort. My parents both had weight struggles they didn’t want me to have, which unfortunately meant that my weight as a child was monitored with the unapologetic and militantly nasty use of shame as a motivating tactic. (This is still hashed over yet today from time to time, and the parent who primarily engaged in this practice continues to defend their techniques, saying that they did these things because they wanted me to be healthy, and the only alternative they saw was to simply not care. That what they did didn’t actually work is only evidence to them that they didn’t do it enough for it to truly be the behavioral deterrent it was intended to be.) A growth spurt in junior high made me tall and reasonably thin (not skinny, I guarantee you — my frame does lend itself to skinniness to begin with) for the first time in my life, and I mostly stayed that way strictly by virtue of having a teenager’s metabolism. I put on a lot of weight my sophomore year of college as a result of various stresses (which I will discuss), lost it the next summer from even more stress, gained it all back (and how) once the school year started up again, and then got back down to my freshman year weight (more or less) about ten years ago. It stayed off roughly until my wedding, at which point it crept back on. When I moved to Indiana, a fencing class and a soccer class my first semester here took care of a good chunk of it, but then required courses edged further such intentions off of my schedule, and it came back on. For the last fourteen months, I have diligently made use of a treadmill, which between August and June took about ten pounds off very slowly; walking around Athens for two months got rid of another fifteen, and while much of it came back once I returned to the States, the addition of hand weights and other exercises to my routine has gotten me down to within five pounds of where I bottomed out in Athens. I am down two belt holes from where I was in August of 2008 one way or the other, and while the weight loss is slow, there is some very clear weight redistribution happening, as well as a development of muscle tone that didn’t used to be there. It’s a problem that anybody who has known me for any length of time knows I know about; the irony is that I am not sedentary by any means — I walk everywhere I can, in addition to the intentional exercise I get — but I also still eat the teenager’s portions of an adult diet, so I have to be very intentional about being active. This is more difficult when I’m not happy about large chunks of my life, and that’s been the case for most of the last six years. In the last year that has changed in some big ways, and my hope is that the physical aspect will also change concurrently. So that’s that.

The displacement issue is more complex. I was born in Anchorage, Alaska, which is where both of my parents had been born and raised and where the vast majority of their respective families were; when I was four, due to some disagreements over business matters within the family, we moved to Wenatchee, Washington where my dad tried to reinvent himself as a small businessman. Wenatchee wasn’t an active enough town for him, however, so we moved to the Seattle area when I was seven, he bought another small business that he was going to try to grow, and we built a big house with the intent of it being the family homestead. Four years later, a combination of factors, including economic collapse in Alaska and further business disagreements within the family, led to us basically losing everything. Over the next five years, we bounced from rental house to rental house, my mom went back to work, and my dad poured more and more of his soul that he wasn’t going to get back into a business that really couldn’t exist anymore (namely, office supplies) given the initial appearances of big box competitors in the late ’80s/early ’90s.

In 1993, Dad moved back to Alaska, having been offered a job by an old friend. As he likes to say, he was lured back to Anchorage with one word: “Saturday.” It was my senior year of high school, so the plan was for Mom and I to stay in Washington until I graduated, after which she’d move up there with him and I would start my freshman year of college at Western Washington University in Bellingham, Washington.

My senior year was a real struggle; not having a father at home, that year of all years, was a nightmare, and it wasn’t easy for any one of the three of us. It wasn’t easy for the two of them getting along with each other, and it wasn’t easy for me getting along with either of them. It was made worse by the fact that I started dating for the first time that year, and I also developed a close relationship with a couple of male teachers as sort of surrogate father figures, all developments my parents had trouble regarding with anything but suspicion and resentment.

The day before I graduated high school (Inglemoor High School, class of ’94), my dad flew into town. The day after I graduated high school, he and my mom flew back to Alaska, leaving me behind to supervise the load-in of their moving truck. I spent the summer going back and forth between Anchorage and Seattle, decidedly not feeling at home in a place of which I had no particular memory, and not being allowed to feel at home in the place that had been home for the previous ten years.

Freshman year at Western was a disaster. I had been to the campus all of once before; we lacked the resources, in terms of time or money, to really launch any kind of a school visitation effort, and the main reasons we picked it were because it wasn’t University of Washington, but it was in-state, close enough to home, and yet far enough away. With my parents’ move, however, none of these really meant anything anymore. I was at a school with no good reason to be there. I had no family left in the place that I had considered home for two-thirds of my life, and had no place to go back to that I could really call home. The place where my family now was, despite being my birthplace, was unfamiliar, and being now at the beginning of adulthood I had no compelling reason otherwise to be where they were. In short, I felt like they had left me. Unfortunately, when it became clear this arrangement wasn’t making any of us happy, the rhetoric that I heard more often than not was that of me having left them.

I no longer belonged where I had grown up, so I was being told, and where I was being told I belonged by virtue of my parents having moved there just as I was starting college was not anyplace that felt like home, and since the end result was that I felt like I had no home, I never really felt comfortable at Western. My two and a half years there were a miserable attempt at trying to eke out an undergraduate existence with no familial or financial support; lacking any particular guidance, I made very poor decisions during that time regarding money, my heart, and school (among other things). I spent the summer after my sophomore year in Anchorage trying to figure out how to put my relationships with my family back together, and found that at that particular point, there simply wasn’t anything to reassemble. My parents couldn’t deal with each other at that stage of the game, let alone me, and that summer was the lowest I had ever been up to that point. I lost weight simply by virtue of the fact that I wasn’t eating or sleeping for about a month; eventually a psychiatrist put me on both Soma and Serzone, and things evened out enough to be able to survive the rest of the summer. (I took myself off of both as soon as I returned to Bellingham.) After one quarter back, however, it was clear that college was something I just wasn’t in any position to be able to pursue properly, and I dropped out after having thoroughly ticked off virtually everybody in the Department of Music with my inability to cope and what had become a tendency to lash out.

I now had no particular reason to stay in Bellingham, I wasn’t going to move to Alaska, and that left me with no real place to go except back to Seattle. I started job hunting, selling classified ads in Bellingham for the time being to at least have some way to live, and after a year finally had the opportunity to take a contract position (which was fulltime within a year) with a Major Software Company.

Life settled into enough of an equilibrium over the next year, and my parents appeared to have put enough of their own lives back together, that there seemed to be some kind of peaceful relationship that could exist with me in Seattle and them in Anchorage. They still nudged and wheedled me to consider moving to Alaska, but the fact remained that beyond the two of them, there just wasn’t any reason for me to be there. I sometimes thought that maybe once they’d retired, they would move back to Seattle; I dreamed that, having made my initial couple million working in the software industry (with subsequent millions to be made as the Great American Hope of lyric tenors, of course), I could buy back the house they built that was supposed to be the Barrett family home and give it to them.

Except that, about the same time that Megan and I started dating, in the early spring of 1999 (she and I having met freshman year at Western, so I guess it wasn’t a total disaster), my parents announced that they were getting a divorce. This was not the first time they had made this announcement, but this time it was final. The one time my wife ever saw us all together, apart from our wedding day (when they studiously avoided each other as much as possible — the family photo has them at opposite ends of the line), was a few days before the divorce was finalized, and they were yelling at each other over a snowblower.

By 2001, we were married, and shortly thereafter my dad left Alaska to spend a couple of years in West Virginia. By 2003, we moved to Indiana so that I could finish my undergraduate degree; part of the idea was that we’d be five hours away from Dad, which would have been the first time in a decade that I had lived within driving distance of a parent. Shortly before I left for Bloomington, however, he headed off to Phoenix, Arizona to be near the older of his two daughters (from his first marriage) and her children. Living near family was simply not to be.

Six years later, we’re still here. We’ve lived in our little rental house for a tick over four years; at 32 (less than a month away from 33), it is the longest I have ever had the same address. Ever.

My dad is still in Phoenix; my mom is in Wasilla, Alaska. Megan’s family is in the Seattle area. There is no one place we can ever live and be reasonably close to everybody.

Jaroslav Pelikan once quoted Robert Frost in saying that “home” is where, when you have to go there, they have to take you, but “home” has come to mean, at least for me, where my wife and I are able to share a life. It has no meaning relative to roots or family, at least not for me; for it to take on that meaning would mean choosing between my parents individually, or choosing between her family and mine. Everybody has an argument for why we should do one thing or the other, but there’s nothing we can do without having to make a painful choice. In some ways, it seems best to live near nobody, thus treating everybody equally.

Like Mr. Dreher, I crave roots and something authentic, but unlike him, I feel at home precisely nowhere. I have never walked around Bloomington pining for Anchorage (or Seattle, for that matter), nor vice versa. My parents both live in houses in which I never lived, in zip codes I never visited until after I was an adult. The place where I grew up has exactly nothing to offer me now. I have lived for years with a lot of shame and pain because I belong nowhere, but not because of a sense of disloyalty — unlike Mr. Dreher, I didn’t choose this displacement. Ironically, my displacement is precisely because I didn’t choose it. Rather, my parents moved away just at the very moment I needed them to stay put. (I will emphasize that I say this descriptively, not to assign blame; they did what they had to do. This has not made it any easier over the years from an experiential standpoint, however.) No, my shame is that I have no roots, no sense of home, to pass on to my own children once I have them. I have nothing to give them but the culture of a stray, a transplant. A stray who married up and who gets to eat pretty well for a stray, but a stray nonetheless.

Like Mr. Dreher, much of the work I have chosen is implicitly a means of trying to “find myself”; unlike Mr. Dreher, I’ve been trying to “show them myself” for years — to show “them” that I’ve risen above the rootlessness, the struggles with finding a path, the forced independence, the displacement, the lack of any visible connection to anything except a woman who loves me with all her heart, the confusion about how to simply be that burdens me from lack of guidance. I’m still trying to “show them,” which I guess means I haven’t actually accomplished rising above any of those things yet.

I don’t know if this pain ever goes away. I managed to get saddled with it at 17, and I keep waiting to feel normal again, keep thinking that understanding of the last several years is right around the corner. I at least feel less stuck than I have in years, like I’m working towards something now, something productive, so maybe it really is right around the corner. I don’t know.


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