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Follow up on Angelic Light

I mentioned in my review of Angelic Light: Music from Eastern Cathedrals that the copy I had provided no information other than track names, and I was left to guess names of composers based on my own familiarity with the recordings. Mark Powell, Cappella Romana’s executive director, was kind enough to pass along the complete track listing:

1. As many of you as have been baptised (I) 3:07
Composer: Frank Desby (died 1992)
CD: When Augustus Reigned
Taken from Dr. Desby’s 1951 “Divine Liturgy”…is an arrangement of Sakellarides’ simplified version of the traditional chant. (Sakellarides: 1853–1938)

2. O Great and most sacred Pascha 1:38
Composer: Hieronymos Tragodistes of Cyprus (fl. 1550–60)
CD: Music of Byzantium

3. Cherubic Hymn, Mode Plagal IV 3:56
Composer: Tikey Zes (Born 1927)
CD: Tikey Zes Choral Works
A setting for mixed chorus of one of Sakellarides’ simplified melodies for the Byzantine Eucharist’s ordinary offertory chant. (Sakellarides: 1853–1938)

4. Communion Verse for Sundays 3:59
Composer: Peter Michaelides (born 1930)
CD: The Divine Liturgy of St. John Chrystostom

5. Cherubic Hymn (Opening section) 3:49
Composer: Peter Michaelides (born 1930)
CD: The Divine Liturgy of St. John Chrystostom

6. Offertory and Communion Hymn for Holy Thursday, Mode Plagal IV 2:58
Composer: Tikey Zes (Born 1927)
CD: Tikey Zes Choral Works
English setting of a melody by Sakellarides (Sakellarides: 1853–1938)

7. Communion Verse for Sundays, Mode Plagal I
Composer: Tikey Zes (Born 1927) 4:24
CD: Tikey Zes Choral Works
An intricate arrangement of a chant by Sakellarides (Sakellarides: 1853–1938)

8. Now the Powers of heaven 3:43
Composer: Father Sergei Glagolev (born 1927)
CD: Lay Aside All Earthly Cares – Orthodox Choral Works in English

9. Cherubic Hymn – Special Melody, The thief beheld 4:25
Composer: Father Sergei Glagolev (born 1927)
CD: Lay Aside All Earthly Cares – Orthodox Choral Works in English

10. Let all mortal flesh 3:20
Composer: Father Sergei Glagolev (born 1927)
CD: Lay Aside All Earthly Cares – Orthodox Choral Works in English

11. Megalynarion for Nativity (from Three Christmas Hymns) 1:47
Composer: Peter Michaelides (born 1930)
CD: When Augustus Reigned
“Megalynarion” is a Marian hymn from the Ninth Ode of the Christmas Kanon by St. Kosmas the Melodist

12. Ikos Six 2:18 (new piece–replaces “Kontakion for Mother of God”, since KMG duplicates “Hierarchichal Entrance”)
Composer: Ivan Moody (born 1964)
CD: The Akathistos Hymn
COPYRIGHTS: The Akathistos Hymn, O Tebe raduetsya
c Vanderbeek and Imrie Ltd,1999,1990

13. Hierarchical Entrance Rite for a Byzantine Divine Liturgy: V. Kontakion of the Mother of God, Mode Plagal 4 4:06
Composer: Anonymous (c. 1450)
CD: The Fall of Constantinople
Musical edition from medieval Byzantine sources c. Alexander Lingas

14. O Tebe raduetsya 4:02
Composer: Ivan Moody (born 1964)
CD: The Akathistos Hymn
COPYRIGHTS: The Akathistos Hymn, O Tebe raduetsya
c Vanderbeek and Imrie Ltd,1999,1990

15. What Shall We Call You Full of Grace 2:04
Composer: Richard Toensing (born 1940)
CD: Kontakion for the Nativity of Christ, New Orthodox Christmas Carols

16. Cherubic Hymn, Mode Plagal IV 5:52
Composer: Tikey Zes (Born 1927)
CD: When Augustus Reigned
A setting for mixed chorus of one of Sakellarides’ simplified melodies for the Byzantine Eucharist’s ordinary offertory chant. (Sakellarides: 1853–1938)

The comment was also made that, pace my remarks, the subtitle “Music from Eastern Cathedrals” is accurate because much of this music was composed for GOA cathedrals (and one Antiochian cathedral) in this country. Yes, fine, I get that the idea is that they’re “Eastern Cathedrals” because of communion, not because of geography (and I wonder if the booklet makes that explicit — the copy I was sent came with an temporary insert  that consisted of a listing of track names and the cover rather than the booklet I was assured accompanies the final product). As I said, I know I’m taking the title too literally, and it’s a minor point — I just wonder if the average person who doesn’t know anything about this repertoire who just sees the title of the album will understand what’s actually intended. If I were picking the title, it would have been something like “Eastern Cathedrals in the New World” or something like that (and I’m sure somebody would have instantly shot it down as being too wordy). For my part, I can think of instances where somebody has bought a CD based on my recommendation, then come back to me and been upset because they didn’t realize the recording was in English. “I don’t want to understand it!” they tell me. “If I can actually understand the words, I feel wrong somehow if I’m listening to it while doing the dishes!” Anyway, it still seems to me to be a point worth bringing up; I could be wrong.

As a side note, recordings seem to have a curious impact on musical practice in the American Orthodox world; my own impression, at least from my informal survey of parishes in the Midwest over the last several years, is that the most influential recording to have been released for English-speakers is the St. Vladimir’s Divine Liturgy disc, in terms of repertoire chosen and how that repertoire is sung. And, I have to say, it is a middle-of-the-road disc at best in terms of recording quality, repertoire, and performance, even taking into account the fact that it’s live and an actual service. Maybe the problem is one of expectation; the SVS folks picked repertoire that seems attainable and sang it in a way that doesn’t represent the material so perfectly that the average listener assumes that their choir couldn’t do it. By contrast, I can think of times when I’ve played more polished recordings with better repertoire for people and gotten the response, “Well, that sounds great, but who’s ever going to actually be able to sing it?”

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